I dont usually have dreams. I'm to busy sleeping to dream.

Save a tree, eat a beaver.

For us, being a label, we took out the whole aspect of the business that goes into sifting through people who don't care, who don't get what you're trying to do. We can just hire and work with people who get it - the people who understand what this project is about. When you're on a label, you're just hoping somebody will stick their neck out and work for you. Most bands are just like, "I hope they do it. I hope they promote it." But being a label, we know exactly what's happening.

I don't think that having a family changes the way we tour as much as it just changes the personal perspective on wanting to get finished with the tour, or the reason you've got to go out and bring home the bacon, that kind of stuff.

When you become a band and you've got people who want to be a part of your experience or want to get close to you for what you are, not who you are, you have that challenge of trying to find out who's genuine.

I think for us, we don't feel like the future of music is in the act of being a record company. We feel like the future of the music business is in empowering artists to have better and better tools to communicate with their fans. We want to be people who are saying to artists, "Look, you don't need that company over there to release your album. You can do it this way." Almost more of a band partnership than a label-artist relationship. Not about ownership of content, but about empowerment.

It's cool to have critical success because it's always nice for your peers to say, 'Good job.' But who cares about them?