It's cool to have critical success because it's always nice for your peers to say, 'Good job.' But who cares about them?

It's cool to have critical success because it's always nice for your peers to say, 'Good job.' But who cares about them?

It's all about going out there, performing live, making music. But, obviously, being a guy who has thousands of screaming female fans doesn't exactly make it less fun

Save a tree, eat a beaver.

I'm about to turn 24, but I'm probably closer to the average 34-year-old in a lot of ways. I never had the problem of, "Who am I and who do I want to be?" I've known for so long, so I think that's why getting married made sense early. And then the biggest factor is just finding really incredible women. I think that's the part about being in a band with female fans: You get to meet so many women, and you figure out pretty quick which ones stand out in the crowd and which ones are really connecting with you.

We've been touring for so long and people ask me every once in a while, "What's it like working with your brothers?" and I go, "What's it like not?" Our first paying performance, I was 6 years old, you know? I almost don't know anything else, so I guess it feels pretty normal to me.

When you become a band and you've got people who want to be a part of your experience or want to get close to you for what you are, not who you are, you have that challenge of trying to find out who's genuine.