Most of my work is comedy; it's meant to inspire empathy in people and help them find joy.

I've come to be pretty selective about the type of advocacy that I do, because I kind of feel like it's stronger to just do my work and let it speak for itself.

Even if you have an ADA room, every disability is so different that people need different things. A lot of times they'll put something on the toilet to make it higher, and for someone transferring from their chair that's fine, but I transfer from the floor so it causes more problems.

When I read the script [of Glee], the whole premise was that all the high school kids were being cruel to this kid in the wheelchair, and then the quarterback comes along and has a heart of gold and takes him out of a Porta Potty. That's too often what I see in media, that the characters with disabilities are there to make other people seem like heroes for treating the character with a disability with respect. Those are the kinds of roles that are out there.

I didn't feel like I was putting anything good into the world, even though it was funny. I wanted to do something more positive that would have an impact. So even when I'm doing naked push-ups or whatever, it's astounding to see how people respond to it.

My experiences of traveling abroad and going to Italy with my father, having to break down a gigantic electric chair to get on trains. You've got three minutes. You go to Pompeii and there are shockingly few accessible hotels in a city that was covered in volcanic ash.

When I got my Oprah money, the first thing I bought was a really nice electronic bidet toilet seat. It just feels like this is what we should be doing. For everybody who uses it, it's like there's no goin' back.