A lot of times the movies I think are the funniest are dramas. I feel like dramas are so much funnier because they're actually capturing human beings. Humans are so weird and clumsy, and that, to me, often makes me laugh more.

The days that you record by yourself, you feel like a crazy person because you're saying the same line, 10 different ways, or they ask you for 10 different grunting sounds and you just feel like such a schmuck. It's crazy! When there's other people there, it tethers you to something, in a nice way.

As I get older, I think I'm more interested in comedy that doesn't take cheap shots. But I watched some of that Justin Bieber "roast" and I thought it was hilarious.

I really knew almost nothing about Silicon Valley. I read that Steve Jobs book and watched a bunch of documentaries, and read the book about Mark Zuckerberg. I tried to learn some stuff, but there are consultants on the Silicon Valley show that know so much about it where you can get answers. To me, it's more important to get the particulars about that type of person as opposed to the specifics of the technology world.

There's some boring advice for improvisers beginning their careers like "see as much of it as you can and do as much of it as you can." Volume, in a way, is the most important thing. Not, like, decibel volume - just immerse yourself in it as much as possible. I'd also suggest that you put a high value on your personal interests and tastes.

When I was a kid my father would read Neil Simon plays with me when I was going to bed, as bedtime stories. All of these old plays like The Odd Couple and Lost in Yonkers - funny but corny plays about Jewish New Yorkers in the mid-20th century.

I think sometimes when people start doing improv there's some regression towards trying to replicate the "good" improvisers that they've read about in their improv books or heard about from their teachers. That's understandable, because they're trying to learn technique and stuff, but I actually think that my favorite performers are ones who have unique improv technique but also have a unique point of view that you can feel with them and their performances.