Our society needs to recognize the unstoppable momentum toward unequivocal civil equality for every gay, lesbian, bisexual and transgendered citizen of this country.

I just try to let myself really focus on the work that's ahead of me and what my job is and how I bring something to life.

I actually met one of my business partners [Neal Dodson] at the Governor's School summer program, so we've known each other since we were 15 and 16 years old, and we both ended up at Carnegie Mellon together. He started working for a producer out of school after a few years, and then we started the company together.

J.C. [Chandor] was the kind of energy we were looking for, so we decided to get behind it with all of our effort. That was the beginning of our relationship with first-time feature directors, and that's when it became really important to us, watching them thrive and grow in a creative environment in which you can do that was really key. Also his work checked all the boxes, because it was socially relevant and intellectually driven, and creatively exciting.

It is my intention to live an authentic life of compassion and integrity and action.

It was actually pretty cool to be in Pittsburgh for those four years. I moved into the dorms and had a pretty normal college experience, even though it was in my hometown. I really thrived there. I feel like it really suited me and served me well in terms of how I grew up there.

While we were shooting the movie, we shot in the actual hotel in Hong Kong where it all went down, the Mira Hotel. Laura Poitras was coming to Hong Kong to do a screening of Citizenfour, and she ended up staying at the Mira Hotel. It was her first time back in Hong Kong, and I ran into her in the elevator. Literally I had just finished shooting one day, and I came back to the hotel and she was in the elevator.