The situation they [journalists and Edward Snowden] were in was incredibly heightened. The stakes were high. There was a lot of pressure, a lot of tension, a lot of sense of claustrophobic, clandestine energy that I think was exhilarating for us to explore and recreate. We were fortunate to shoot a fair amount of our stuff at the actual hotel where it all happened in Hong Kong. That added another element of very similitude to the situation, so I feel like it was exciting.

I went away to this summer program after my junior year of high school. They used to have this thing called the Governor's School, and they had it for different disciplines - science, math, performing arts. I auditioned and I got accepted, and it was an eight-week program away from home. I went for acting. I was 15, and I turned 16 while I was there, so that was a seminal moment for me. It made me realize the life of it, the discipline of it, and the joy of that discipline, where it was all we did.

[Edward Snowden and his team] they're great characters. They're fascinating people. They were in an extraordinary situation.

I love when you aren't accountable to anybody or anything, and you can just be wherever you are.

It didn't really change my opinion about [Edward] Snowden all that much, but I definitely feel like as a culture, it gave us information that generated a responsibility to protect ourselves as much as we can and also a responsibility to hold our government accountable to honoring our constitutional rights.

Heroes and Star Trek were 2006 and 2007, and I was just about to turn 30, and everything changed. I found myself on this amazing journey, which continues, but it's now at a natural transition point. I'm reevaluating and reexamining how and where I go from here.

I find that communication as an actor and person is an important part of who I am. And I'm really drawn into the psychology of those dynamics.