I was definitely an extroverted personality at a young age and theater was an outlet for me to channel that energy.

I found it was remarkable. It was so evocative. I feel like it captured the urgency and the chaos, but through the silence of it, through the slowness of it. That's what I loved the most about Citizenfour.

Exercise is an important element of being an actor, on any level.

We [with Neal Dodson and Corey Moosa] were constantly looking for features and looking for ways to get involved with people who were making stuff.

I don't immerse myself in the Internet chatter because it opens you up to a whole source of danger.

I think somewhere in the '90s, it started to shift, and you started to see a lot of film and television actors doing theater, and producers using the notoriety of the film and television actors to sell tickets.

I recognized that I had a window of opportunity that had opened because of my exposure as an actor.