I think there's a tremendous sense of complacency in the LGBT community. AIDS has lost the edge of horror it possessed when it swept through the world in the '80s. Today's generation sees it more as something to live with and something to be much less fearful of. And that comes with a sense of, dare I say, laziness. We need to be really vigilant and open about the fact that these drugs are not to be taken to increase our ability to have recreational sex.

I'm also really fulfilled by having a production company and producing movies, and learning about how that works and happens. It's a totally, entirely separate skill set and it's one that I happen to also enjoy. So, I intend to cultivate all of those things until I can't anymore. That's my goal. I love to be challenged and busy, and so far, so good. I'm just going to do whatever I can to continue to encourage that.

Heroes and Star Trek were 2006 and 2007, and I was just about to turn 30, and everything changed. I found myself on this amazing journey, which continues, but it's now at a natural transition point. I'm reevaluating and reexamining how and where I go from here.

My dad died when I was a kid, so I think it became a place for me to go where my mom knew that I was safe and taken care of and looked after.

I was definitely an extroverted personality at a young age and theater was an outlet for me to channel that energy.

If it was a biopic about Glenn Greenwald, I would have immersed myself more fully in his personal life and gotten to know him as much as I could, but because it was much more about his relationship to this particular situation, to The Guardian, to Laura Poitras, and to Ewen MacAskill, and Edward Snowden, I was able to really learn a lot about him from reading his book and reading his many articles and accounts of that time.

I loved auditioning because it was just an opportunity to act. Whether or not I got the job was the next hurdle, but the idea that I would get to act that day was the thing that excited me the most about it.