I've had some pretty stimulating conversations about where we are politically as a result of this movie [Snowden], but then there are a lot of questions just about that sensationalism of it.

I recognized that I had a window of opportunity that had opened because of my exposure as an actor.

I was aware of it but I think I was aware of it abstractly, theoretically. You know I understood who Edward Snowden was and what he did but I didn't really see the relevance that it bore in my life and doing film changed that tune pretty quick.

People always ask me what I think, if Edward Snoden is a hero, if he's a villain. I don't really tend to moralize it so much as I feel like he's a whistleblower. He's someone who saw a wrongdoing and in order to shine a light on that wrongdoing had to bend some rules and break some laws along the way.

There was no other concern; there was no other focus [in the Governor's School]. It was simply there to learn and grow and perform, and that was pretty amazing and informative. I'd say that was a big pivotal moment for me.

My desire to be valued is manifested in cultivating relationships with my friends and family.

It feels that way when I'm doing a play, absolutely. On film and television, it's more complicated than that I think, and when you start to add the business into the mix, and the industry into the mix, it doesn't maintain it's purity. That's something that's inevitable and unavoidable, but that's why I try to do plays as much as I possibly can.