I want to be working with directors who are at the top of their game. I want to be raising the bar for myself, and to me, the best way to do that is to prove to them that I'm the best for this job.

I had to learn how to modulate my performances and interpretations of these roles in auditions for the camera.

I also feel like the kinds of jobs I want right now - I consider them aspirational. I want to raise the bar for myself, and I am in this interesting spot where I do get offered a lot of things, but frankly, the majority of the things I get offered I'm not really interested in doing. I want to do the things that I have to fight for.

We [with Neal Dodson and Corey Moosa] were constantly looking for features and looking for ways to get involved with people who were making stuff.

In light of Jamey [Rodemeyer]'s death -- it became clear to me in an instant that living a gay life without publicly acknowledging it -- is simply not enough to make any significant contribution to the immense work that lies ahead on the road to complete equality.

It was actually pretty cool to be in Pittsburgh for those four years. I moved into the dorms and had a pretty normal college experience, even though it was in my hometown. I really thrived there. I feel like it really suited me and served me well in terms of how I grew up there.

The advancement of technology has probably guided us more than anything else in one direction or another. I don't know, it's hard to say. We're so much more connected, but we've never been more fractured as a culture.