Half the fun is getting to play dress-up and imagine what it's like to be this other person. If you're not excited about a part where you get to use your imagination, then what's the point in doing it? It'll be just another job. Also, Director Michael Pressman and I see eye-to-eye with Marie.

I think most actors jump at the chance to do something where the camera's on them all the time.

You know, it only happens a handful of times in your career, where you walk out of an audition feeling like all the stars aligned, my preparation paid off, something magical happened in the room. I've gotten really lucky and I've gotten to work a lot, and I would say it's only happened, like, two or three times, where I've walked out and been like, This was the right thing and the right choice and they should just cast me.

I was 14, when I wanted to be an actor. My parents were basically like, "This is a very hard life, and you have to be really serious about it, and show us that you're serious about it. You can't drop out of school." They strongly encouraged me not to act professionally until I finished college, which I didn't. And I think they should have been horrified! It's a really hard life. I'd be really scared if I had a child who wanted to be an actor.

I find playwriting to be incredibly difficult compared to screenwriting. Part of it is that I grew up watching movies and not watching plays.

I just went through my childhood attic with my sister. I'm not an expert, and I don't mean to put myself in that category, but thinking about Malcolm Gladwell and the 10,000 hours, I was like, Here are my 10,000 hours!

I don't feel like I possess a particular political intelligence, and when I read work that does, I feel like somebody else is going to have the right political thing to say. As a citizen, I feel an enormous need to respond, and immediately post-election, I felt like, What is my work worth? Should I quit what I'm doing and go work on the 2018 election now? How is what I'm putting into the world meaningful?