Lena Dunham or Miranda July, those people are sort of thinking about their work in a slightly different way than I do, where their whole body is a seed of what they're creating. I can't imagine watching Miranda's movies with anybody else playing her role, she's so integral. But for me, it feels more like every story is really individual. If I thought of something else, or thought it should be my body representing it, I'd fold my body into it. But most of the time I'm writing to get something out of my body.

I don't like pretentious films or pretentious people.

I took a writing class in college, liked it, and my first year out of school I couldn't get a job, so I wrote a play.

You know, it only happens a handful of times in your career, where you walk out of an audition feeling like all the stars aligned, my preparation paid off, something magical happened in the room. I've gotten really lucky and I've gotten to work a lot, and I would say it's only happened, like, two or three times, where I've walked out and been like, This was the right thing and the right choice and they should just cast me.

I don't think a lot of people are like, "I'm just quirky!" Or if they are, it's a stage they're going through as they figure out who they are. I never felt like I was choosing roles that were quirky.

I think, a lot of times, directors assume that whatever they get from you the first time, whether it be at an audition or on set, is all that you can bring.

It's a good thing I learned some humility and perspective as I got older.