I grew up with my grandfather [Elia Kazan] being famous in a way that's not like Beyoncé, but famous in a relative way. It made me feel weird about the way that we treat people that are famous, and it made me feel weird about fame in general.

When we do something we're not proud of, a lot of people don't want to look at that, people may say "what people don't know won't hurt them."

I don't feel like I have a super straightforward relationship with the idea of fame. It makes me sort of level things out in my own brain almost immediately when I meet someone.

I think for acting on stage and in film, one informs the other. Obviously, they require really different kinds of discipline and really different kinds of work. It's more along the same continuum, for me.

Too often in the theatre people can't wait for intermission to get some chocolate or something. But with Come Back, Little Sheba I just hope people leave feeling like they've spent a really good two-hours in that house with us.

I took a writing class in college, liked it, and my first year out of school I couldn't get a job, so I wrote a play.

I have a sister that I'm very close with, and that relationship is probably the most intense relationship of my life to date, probably of my life, period. I think that when you're close with a sibling, especially a sister, it's a relationship unlike any other.