I quite enjoy a high-waisted cotton panty.

There's part of me that's grateful for the delusion, because it takes a very hard shell to get started as an actor, and I don't have a very hard shell.

When I'm writing, I look like a fool because the parts are moving through me and I'm crying and laughing and making faces.

Too often in the theatre people can't wait for intermission to get some chocolate or something. But with Come Back, Little Sheba I just hope people leave feeling like they've spent a really good two-hours in that house with us.

I'm used to very low-budget situations. In 'The Exploding Girl,' we were literally changing in Starbucks because we didn't have trailers.

I took a writing class in college, liked it, and my first year out of school I couldn't get a job, so I wrote a play.

There are a lot of words that I knew first as a reader, and I never put the pieces together in my brain. The word segue I thought was pronounced "seeg," I think until I went to college, which is horribly embarrassing.