I would not wear any clothes that had a brand name on them, and I only read books that were canonical. I wouldn't wear makeup, and I didn't like to let boys open the door for me because I felt like it was sexist. My heart was in the right place, but I was such a tiny dictator about it. It's embarrassing to me now because I was so rigid. It's such a rigid way of looking at the world. There's something very young about that mind-set.

I grew up with my grandfather [Elia Kazan] being famous in a way that's not like Beyoncé, but famous in a relative way. It made me feel weird about the way that we treat people that are famous, and it made me feel weird about fame in general.

I don't feel like it's a time to be shy about raising my voice, and I don't think that the things I'm raising my voice about should be alienating. If it's alienating to a "fan base," then I'm not responsible for that.

I'm used to very low-budget situations. In 'The Exploding Girl,' we were literally changing in Starbucks because we didn't have trailers.

I quite enjoy a high-waisted cotton panty.

I've gotten incredibly lucky with the people I've gotten to work with. It's made my mind better, and it's made me a better person.

I don't have a lot of patience for boring arthouse movies.