Quotes About Acting

Acting is not about competing. Acting is about cooperating. Acting is about collaboration. It's about your utility, your usefulness, your capacity to add to the work that has already been done and will be done. You're just part of a team. I never feel competitive about acting.

The effort to improve the conditions of man, however, is not a task for the few. It is the task of all nations-acting alone, acting in groups, acting in the United Nations, for plague and pestilence, plunder and pollution, the hazards of nature and the hunger of children are the foes of every nation. The earth, the sea and the air are the concern of every nation. And science, technology and education can be the ally of every nation.

I like both music and acting, and they both have a lot in common - timing, immediacy, stuff like that. But acting is more regimented. You wait around for hours, you don't get to write the script, you get hired. Music represents me better. I'm not acting; I'm just expressing myself.

I wanted to be a jazz pianist, but I wasn't good enough. I got into city college because I didn't have the grades to get into university. I took acting because it was a way to get three credits. I just needed three credits and my friend told me to take acting because it was like gym - nobody fails you. I took it and that's literally how I got involved in acting.

I would say I like expressing myself in different ways. The way I can express myself in songs is awesome. What you can express through acting is cool too. I just want to let it all out. I like them both for different reasons, though. Music has a freedom that acting doesn't really have, and acting presents a challenge that music necessarily doesn't.

I learned acting by doing it. And although I had never taken an acting class, it didn't take long to learn how to be on the stage. All you have to do is to be humiliated in front of an audience a few times. If you don't like being humiliated publicly, you learn how to act.

I know what it's like to have a dream. I know what it's like to roll the dice and say, 'I'm going to go after this thing,' and nothing turns my stomach quicker than acting teachers or acting schools that look at a bunch of dreamers and say, 'We can help,' when they know full well that they can't.

I'm interested in the spirits of people. In the theatre, there's the acting part of acting - and I'm not saying that can't be great - and there's the essence. To explore that essence, you need a key, a look, a gesture, an insight that unlocks the person's soul.

I went to school to play sports, but I got involved in theatre in college kind of by mistake. I ended up taking an acting class almost just to get rid of an arts requirement, but I wound up in this wonderful acting class with this teacher named Alma Becker who really saved my life. I was just kind of this knucklehead kid from DC and I was in and out of trouble all of the time. I took a theatre class and she really discovered something in me and I absolutely fell in love with it.

Basically, the prosecutor who led case against me and that administration were trying to say that an actor can be held responsible for his acting, thousands of miles away from where he did the acting. The analogy would be if an artist painted a nude painting in New York City, and it was met with accolades and great reviews. And suddenly, somebody from Texas bought it and put it in their shoe store and it was found to be obscene in Texas, the artist in New York is responsible, and goes to jail because it's obscene in Texas.

I studied acting for five years. I quit college at that point. You know, I go hard. When I know I'm supposed to go in a direction, I'm fully committed and I go all the way. Everything falls to the side and I'm all in. So I completely dove into acting even though I was almost 30.

I loved acting as a kid because I was kind of shy, so it brought me out of myself. Acting for kids is like playing house, you know? But growing up in Hollywood, it just made it seem possible. It wasn't like some idea of going to Hollywood; it was in my backyard. I lived two blocks from Grauman's Chinese Theatre growing up. It was what people did. It's an industry town. So it wasn't some far-off fantasy, it was like "Oh yeah, when you grow up, you do this because that's what people do here."

I enrolled in an acting workshop and my first acting role was on the TV soap opera 'Melrose Place.'

Maybe it's a cultural thing, being Korean, but my first reflex has always been to exude humility - but it doesn't help you in acting. For acting, humility isn't the best thing. It'll weaken your work.

I hope to make acting my career for the rest of my life, if I can. If acting doesn't work out, I'd love to produce or direct or write. I just want to stay in this business, definitely. That would be my number one thing. I always want to be an actress.

'How the West was Won' was very hard, because it was a three cameras technique, meaning three cameras wide. Therefore I wasn't speaking to my fellow performer, I was speaking to a camera, or a line next to the camera. It was difficult to do, because its not real acting. I had to pretend that I was 'seeing' Agnes Moorhead or Jimmy Stewart or Carroll Baker. I wasn't, I was acting to a drawn line. It took me personally two years to make the film, because my character starts at age 16 and I end up being 92 years old in the film. By the end of that production, I was ready for a long nap.

I guess at a certain point you think, well, singing is singing and acting is acting.

When we say gender is performed, we usually mean that weve taken on a role or were acting in some way and that our acting or our role playing is crucial to the gender that we are and the gender that we present to the world.

Seen from the point of view of the composer, the most nonsensical practice is that of casting people in musicals who are unable to sing. No one would cast a dancing part with someone who cannot dance sufficiently to come up to professional standards. The same is true of acting. But when it comes to singing, more often than not it is amateur night. . . . Either musicals should be written for specified performers in the first place, or they should be cast with people who are adequate to its dancing, acting and singing demands.

As if one crime of such nature, done by a single man, acting individually, can be expiated by a similar crime done by all men, acting collectively.

I still have the desire to do the job of acting. It's just a matter of whether I'll be allowed to do the job of acting that remains to be seen. There are only so many brick walls that I'm willing to beat my head on.

For me, the challenge of a period film is that, unlike a contemporary film where the character can be very free-form when it comes to the acting, there's a burden to acting in a period film because you have to stay within the character's historical background and the gestures of certain periods.

Acting is easier than skating in ia way and harder in other aspects. In skating, you get one chance, and with acting you get to do it over and over.

I've never tried to learn the art of acting. I have been in the business for years but I still can't tell what acting is or how it's done.

It's just acting. I take acting seriously but up to a point.

I went through a phase where I was sick of acting, I didn't want to do it anymore, I was bored with it and then I tried directing a movie and I was like: "Shoot, get back over there!" It made me appreciate acting more.

I love acting in the theater,but I'm fascinated with acting on film. If it's a film or a play or whatever, if the writing is good and you really feel passionate about it, you just can't lose. You'll grow from it. Whether it's a success or not is neither here nor there; you're going to grow as an artist from this experience.

I think it's critical in any character you play that it really is about reacting instead of acting. You can always tell when a person is acting.

But acting is my main profession so it's about finding the right balance. I don't know how, if I went any further with the music, I would manage to do both - I would have to take time off from acting because I couldn't do both at same time. I could do six months on and six months off perhaps. But I'm really proud of the record. I've worked on it for a while and I'm really glad to finally get the album out, having done three EPs prior to its release.

Of course, you can never watch something like somebody else watches something like you, but nonetheless, you have to try. So I think on camera you learn a lot about how much the camera does for you, which is what is the great luxury of movie acting. Or acting whether it's TV or movies or whatever it is, that the camera's really such a gift because there's so much that it sees and does if you're willing to just be open and expose yourself and all of that. So you also learn what doesn't matter. And sometimes when you think about things, you think things matter that don't matter.

With acting, you wanna see if you can get into trouble without knowing how you're gonna get out of it. It's like the exact opposite of war, where you need an exit strategy. When you're acting, you should get all the way into trouble with no exit strategy, and have the cameras rolling.

I think it's vital to have something outside your acting to keep you rooted in the real world, and help you fill the vacuum. If you have nothing else, it can be unhealthy. For me being a Christian has been invaluable: it simply means acting isn't the centre of my life.

Acting after being asked is compliance. Acting without being asked is kindness.

Theater acting is an operation with a scalpel, movie acting is an operation with a laser

It's an acting job - acting natural.

I still consider myself a young actor, I'm 34; I still view it as the beginning of my career. You can get infatuated with acting in a way that makes you less an actor than an acting appreciator.

Acting means living, it's all I do and all I'm good at. If I weren't getting paid well, I would still be acting in a small troupe somewhere.

Secrets are great for acting. Secrets are the best thing in the world for acting, because they keep you looking like you have something in the back of your mind.

It's important to have a fallback and other activities that keep you interested. I started acting when I was about nine or 10 years old. My father was a midtown firefighter so I always wanted to be a firefighter, but then acting came along. I have to have a plan B.

I think acting is an important profession, because acting can give you pleasure and can teach you at the same time, and that is a good thing.

I'm not a big Hollywood star. I'm an actor. I'm called a star. That's not what I am. First of all I'm a human being; my profession is acting. People give you titles. They say you're an up and coming star, then they say you're a star, then they say you're a washed-up star. So I don't get caught up in what I'm called. My job, my profession, is acting.

The acting background helped a lot when I started writing. I was training for it. In acting class they teach you about the stakes in a scene (and) what motivates characters. When you bring a scene to class - as an actor with your scene partner - you have to do everything. There's no producer, set decorator or anything like that. You and you partner have to do everything and that's kind of like facing the blank page as a writer.

I have the confidence that I can take anybody and have them give a good performance, because I don't think there's anything to acting except expressing, being able to converse. So if I can just convince somebody not to clean themselves up, and not to be someone that they're not, and just be what they are in given circumstances, that's all that acting is to me, and I don't think it's very difficult.

For the camera, I like the feeling of changing into different characters. Even though I'm not acting, I still have to be someone different to show the product. If I'm not being someone different, I won't find it fun. I love the shows because it transforms you into a different person. Not Malaika - it makes me someone else. Naturally, I'm quiet and crazy. But when they give me an outfit, like a very elegant outfit, it transforms me into this beautiful woman - I can feel it inside me. I like that, playing different characters. I'm really interested in acting.

Golf is like acting in that both require concentration and relaxation at the same time. In acting, you can't push emotion. You have to let it rise from you naturally. Same thing in golf. You have to have a plan and a focus; but then you need to just let it happen and enjoy the smooth movement of the swing.

I've been acting since second grade, telling stories, making my parents laugh here and there, so I'm hoping my "thing" is acting. But I also make a really good bread pudding.

I didn't want to be a movie star, I wanted to be an actor. Because acting is what I fell in love with, and acting is what is still challenging for me.

I remember the first film I reviewed for the Daily was a John Ford Western. I think it was My Darling Clementine, but I am not certain. And I was just impressed by, first, the story itself. I didn't know that much about films. But the acting, the director. And particularly, the cinematography, the black-and-white use of exteriors, I noted particularly.