Quotes About Acting

For me, the real goal is to integrate. The thing that I'm most happy with is the fact that I've been able to keep doing all of it - to keep writing, and to keep acting in movies, and to keep acting on the stage, to keep directing plays. I find that they feed each other, and that I learn about acting from directing and I learn about writing from acting.

Acting has helped me understand people, not only because you are acting as a character, but also because you are watching other actors work. That really helps you identify in life when someone is acting, not being true.

History is basically really looking back and finding out what happened to an individual, a community, a family, a group in a certain event. And so that's why I go, "Wow. That's what acting really is. You find out the background, you get the joy of creating a fictional history of a fictional character and you get to tell a story." So I felt that acting is making history come alive and it became my mode of trying to figure out what this craft of acting is really all about.

I find any sort of acting that doesn't have any humor in it is mind-numbingly boring. 'Serious acting' is the kind of acting that I don't ever respond to.

I love acting. I think that's the best job in the world, but I don't really enjoy the career of it so much. You don't have as much control over your life or the material as you do, well, certainly when you're a director or a producer, so while I love acting, I prefer to make my living as a filmmaker, but my rule on acting is if somebody asks me to do a part, I'll do it.

I think I'd rather do [acting] in the real place. It requires different things, working with green screen, but its an imaginative exercise anyway, the whole business of acting, so it just gives you a bit more to feed the imagination. Unless it's really silly, just two of you stuck in a space with nothing but green screen that's got to be pretty difficult.

I'm really interested in the minutiae of different tones and what that explains - how people's backgrounds are reflected in minute details of how they interact. It's true that I'm hypersensitive to all that. Writing is acting in the sense that you're imagining and inhabiting another. In the book I was trying to get at the root of what true acting is.

I think my parents were happy that I'd gone to university and gotten a degree in history so they thought, 'Well if acting doesn't work for him, he can always become a history teacher or something.' Fortunately, the acting worked out.

Good acting should be invisible. You shouldn't be aware of the acting. It should feel real.

I want to break into the acting industry. It's something I have a great deal of respect for; it's a passion of mine. It's so amazing, the differences between acting and being an athlete, but the one commonality is they both evoke emotion in the viewer. And those emotions are real. So I think that's pretty cool.

Really good acting is not about dialogue. It's really just about small moments that really make the whole entire scene and the intention completely different than even maybe what the characters are saying. Two characters could be saying, "I hate you, and I don't want to be with you anymore!" But yet somehow, their toes are just inching more, you know, closer to each other. So a really big thing about acting is really just with your body.

If I didn't get joy from acting, I wouldn't do it. My passion for acting is growing and I love telling good stories and inspiring stories and helping to give a little happiness to the world and perhaps get the audience to think about different issues.

I really just enjoy listening to talk [to John Hurt and Charlotte Rampling]... not even about acting or anything. It's interesting because I felt really connected to all these people very easily. They're all very open emotionally, like we're in the scene together, so you never feel like anyone's acting.

You know policy is driven purely in self interest. The Federal Reserve Bank and the commercial banks and the Wall Street banks are not acting in the interests of the population at large, they're acting purely in their own self-interest, which is a shame because they're actions dictate the reality for 300 million Americans. But they don't see it that way, they see it only as a way to preserve their own self-interest.

I enjoy them both [singing and acting] a great deal. I have a passion for both. Maybe acting just a little bit more because it's more of a challenge for me, while music comes so easily.

Every director should take an acting class. At least one. You know, you panic with actors. It's like, "Okay, this is back in college, I know how to talk to these guys. I know their vocabulary, and I get what they're saying back to me." So basically to learn the vernacular of acting, that's very important.

With old liars who have been acting all their lives there are moments when they enter so completely into their part that they tremble or shed tears in earnest, although at that very moment, or a second later, they are able to whisper to themselves, "You know you are lying, you shameless old sinner! You're acting now, in spite of your 'holy' wrath.

Acting is just something I always knew I wanted to do - acting and writing.

Improv is like writing. It's actually a different discipline to acting. It helps acting greatly, but it's completely different. It's the same side of your brain when you write as when you improv.

I hope to make acting my career for the rest of my life, if I can. If acting doesn't work out, I'd love to produce or direct or write. I just want to stay in this business, definitely. That would be my number one thing. I always want to be an actress.

Acting for me was an escape and it wasn't until Smoke Signals that made me realize that acting is a personal development and challenge to grow. Smoke Signals really mirrored the way I grew up and how I felt, and that movie was the first time I'd dealt with my parents' death and how I felt that loss and sadness and anger. After that movie I said, "Y'know what, I have to realistically wear my emotions now when I do a job. That's gotta be as real as it gets. It's not just dialogue anymore."

Acting is something I appreciate, and I think it's been an amazing experience. But I'm not passionate about acting the way you probably should be to call yourself an actor.

I'm giving up acting. . . . I'm 66 and there are a number of celebrations I've got to get down on paper, and acting doesn't allow me to do that. It was a hell of a drug, performance. It's a great thrill, especially for a storyteller. But it can go. Directing can go. Writing can't go. And in terms of what lies ahead, I want to have a burning focus - almost like smoke coming up from the paper as I write.

Unfortunately, or perhaps it is fortunate that I have always been forced to stand on my acting ability. I haven't a personality such as Jack Gilbert's, for instance, that attracts women and makes them like me for myself. When I am on the screen I must make them forget me entirely and think only of my acting.

I went whole hog at the actor's lifestyle - really embraced it. I had by then known how much I loved acting already, because I discovered acting from a teacher in the seminary - that's the first place I ever did it, in the seminary.

Well, acting has been a dream of mine since I can remember; being in the movies and acting, having those experiences.

I grew up in Glen Ellyn, which is about 20 miles west of Chicago. I attended Glenbard South High School and University of Illinois. I didn't study acting until I moved to Los Angeles after college, but the fact that I was raised in the Chicago area set the stage for all of my comedic and acting sensibilities.

I love acting because it's a bit of an escape. It gives you the ability to reinvent yourself. They say that acting is the shy man's revenge.

I've never tried to learn the art of acting. I have been in the business for years but I still can't tell what acting is or how it's done.

In fact you can begin to discover and investigate whether you are an actor or not, whether you're in my view, qualified for a life in this profession or in this endeavor by checking yourself out and acting every day, getting plays and scripts and getting together with people and divvying up the parts and acting in one way or another, or writing things.

I kind of hid acting from my dad because I knew what he thought about acting at the time. His advice was "Don't do it," basically.

I have an appreciation for what some people would call "bad acting," but which I think can be much more real than the overly emotive, technical and supposedly "realistic" acting that is so prevalent in mainstream cinema.

Writing is as big a part of my career as acting is, financially and time wise. So, yeah, I love it. That's all I wanted to do since I was young was be a writer. So that and acting are the two most important aspects of my career.

I think it's critical in any character you play that it really is about reacting instead of acting. You can always tell when a person is acting.

I love acting. Acting's always been my first love. I grew up watching multi-camera television shows... And I thought I would absolutely be in for that.

The art of acting is not to act. Once you show them more, what you show them, in fact is bad acting.

Remember, acting is not a business of glamour. It is science, craft and an art. Read about acting; don't do it for the sake of fun. Actors such as Paresh Rawal and Naseeruddin Shah are great examples; they are surviving only because they have read well.

I was studying to be an architect, I wasn't plotting to join the movies. Films were just another career option. I took acting up with the same schoolgirl enthusiasm I had for examinations. Acting is a job and I take it very seriously.

When I finally decided to leave school and pursue acting, my parents didn't take it very lightly. My friends thought that it was the tackiest thing they'd ever heard of. Acting was really beneath them. They couldn't believe that I would want to become an actress. Not now, of course.

There's an economy in sports that I always think is a useful metaphor for acting. You have an objective. You're trying to win, and of course, you want to do well. You want to use good techniques so you enforce it, but also you don't do things you don't have to do. It's very economical, and I think that in acting the most economical way through a scene is always the best. It's active. There is the sense of the fight and you want to win.

We don't want bores in the theatre. We don't want standardised acting, standard actors with standard-shaped legs. Acting needs everybody, cripples, dwarfs and people with noses so long. Give us something that is different.

Lee Strasberg told me I had talent. Real talent. It was the first time that anyone, except my father--who had to say so--told me I was good. At anything. It was a turning point in my life. I went to bed thinking about acting. I woke up thinking about acting. It was like the roof had come off my life!

I love playing half squid/half crab guy because you can get away with a level of acting that if you tried it anywhere else they'd arrest you for crimes against acting.

Theater acting is an operation with a scalpel, movie acting is an operation with a laser

I studied acting in school and then of course couldn't get an acting job.

It's important to have a fallback and other activities that keep you interested. I started acting when I was about nine or 10 years old. My father was a midtown firefighter so I always wanted to be a firefighter, but then acting came along. I have to have a plan B.

It dawned on me that acting was what I wanted to do with my life. Nothing had ever touched my heart like acting did.

Method acting is a label I don't really understand, because there's a method to everybody's acting.