Quotes About Acting

This city can be kind of brutal, so you see your dreams from every different angle, but ultimately it's about acting and if you enjoy acting, you will always enjoy acting.

It is said that anyone who does commercial cinema is not acting, and anyone who does an art film is acting. I don't believe it. I feel whenever you are doing a film, you are acting. So you need to be applauded for that. I won't do art house cinemas. I want to make commercial films. I want my films to make money.

My whole thing is I want to have a backup plan because maybe I won't get another acting job after 'Fame', maybe I'll want to give up on acting in five years or whatever and I want to have something else that I enjoy just as much as I enjoy acting.

What I've discovered is, really, acting is acting is acting. It's all the same. Seventy-five percent of the skills are the same in both media.

John Cassavetes' films have really altered the way I see film and acting and storytelling and emotion and love, so I see acting as this incredible revealing of human nature and this means of telling our story, sharing our voice with the world. That's what acting is for me. It allows for people to experience things through the character, through the story.

We are loping sequences of chemical conversions, acting ourselves converted. We are twists of genes acting ourselves twisted; we are wicks of burning neuroses acting ourselves wicked. And nothing to be done about it. And nothing to be done about it.

Acting became important. It became an art that belonged to the actor, not to the director or producer, or the man whose money had bought the studio. It was an art that transformed you into somebody else, that increased your life and mind. I had always loved acting and tried hard to learn it. But with Michael Chekhov, acting became more than a profession to me. It became a sort of religion.

My first real kiss came when I was 10, and it was in an acting class. I had to do a scene from a movie where someone gets kissed under a tree, and I did not want to do it! But my acting partner wanted me to feel comfortable, so he bought a picnic basket with all these snacks. He made such an effort - and it was cute.

I was attached to star in a project that was going to be an unbelievable character piece, to be showcased all over the world. It was everything I had been working toward and had suffered for. I had two months to prep and pretty much bankrupted myself in the process. A week before I was supposed to get on the plane, the whole project fell apart. Not only did it leave me completely broke and out of work, but I felt as if I had been betrayed by acting. Acting is not just something I love but a part of who I am. I was shattered. Thankfully, the love of those around me helped push me forward.

For me acting is a passion and an art, and always will only be that. I don't have any rules when it comes to acting. I'll do anything. But it depends on the script. Either I'll have passion for the project or I won't. It's got to fuel me.

Acting is not glamorous. It's not. Anybody who wants to get into acting for the glamour is in for a hard time.

I think I'm a better actor now. I mean, I really think I know a lot about acting now. But I didn't know a lot about acting then, in 80's, and I never knew how to be myself. I never knew how to relax and just play it from me. I was always trying to deliver a line.

That's what I love about acting. There's never a set role. You can be a firefighter, you can be a baseball player, you can be whatever you want in the acting world. I think I've found my calling.

With old liars who have been acting all their lives there are moments when they enter so completely into their part that they tremble or shed tears in earnest, although at that very moment, or a second later, they are able to whisper to themselves, "You know you are lying, you shameless old sinner! You're acting now, in spite of your 'holy' wrath.

Confidence. That's huge as an actor. Confidence can get you a long way. Maybe it's a cultural thing, being Korean, but my first reflex has always been to exude humility - but it doesn't help you in acting. For acting, humility isn't the best thing. It'll weaken your work. So it's a head game for me. "Can I really be confident in knowing my skill set is down? Can I perform like I own this role?"

I guess at a certain point you think, well, singing is singing and acting is acting.

I love acting. When I'm acting I feel like I'm on vacation. I'm just having a wonderful time. The nightmare is just getting the work to happen.

I'm giving up acting. . . . I'm 66 and there are a number of celebrations I've got to get down on paper, and acting doesn't allow me to do that. It was a hell of a drug, performance. It's a great thrill, especially for a storyteller. But it can go. Directing can go. Writing can't go. And in terms of what lies ahead, I want to have a burning focus - almost like smoke coming up from the paper as I write.

As if one crime of such nature, done by a single man, acting individually, can be expiated by a similar crime done by all men, acting collectively.

I'm a much better listener when I'm acting than I am as a person in real life because you learn as an actor that listening is so important. You have to really key into what the other person you're acting with is saying and how they're saying it and react in the moment to what is going on.

To me acting is a hobby and I'm inspired by it. And if I'm going to spend time doing something that I'm not really inspired to do, then why am I doing it? I don't know if that sounds sort of new agey or whatever, but it's true. I've been lucky enough to have a musical career that has gone pretty good and acting is something I have always wanted to do.

I don't let it bother me too much if someone doesn't like me. I just figure there's no accounting for taste. It's not me, it's my acting. It's like if someone doesn't like someone's food, they just don't like my acting.

I feel like God has moved me into a different way of doing things. I teach basic on-camera acting class called Acting 101...In my classroom, the students get every ounce of encouragement and craft and anything I'm able to give them.We have some rules. We don't take the name of The Lord in vain. We don't use foul language when we mess up on camera...There's a climate of safety...They feel very protected.

I consider theater, this is a vacation for me from LA, I sort of view this as I get to have this vacation and during my vacation I get to work on acting. It's like an acting class. And if I go too long without doing a play, I just feel empty. Like approaching a role, I feel like the pool is very shallow, like I'm drawn from it. So I need to come back and do a play, fortunately I've been able to, every couple of years.

Acting is the absence of acting. It's believing in the truth of the moment you are creating.

It's just acting. I take acting seriously but up to a point.

Once I moved to Chicago and started trying to get acting jobs, I just tended to book more things that were comedically based than anything else. I never had the preconceived notion, "I will be a comedic actor." I just thought, "I'll go into acting and see what kind of work I can get."

I went through a phase where I was sick of acting, I didn't want to do it anymore, I was bored with it and then I tried directing a movie and I was like: "Shoot, get back over there!" It made me appreciate acting more.

The essence of acting is seeing the world from another point of view. That's what acting is.

Acting. Whenever I am playing a character, I use my real life experiences, which puts me on the line of reliving some of those good and bad times. Acting requires risk, and that's what feeling vulnerable is.

It took a while to find a passion for another career that was as strong as the passion that I had for football. Once I found it in acting, it was simple. Use the tools you were given from playing football and apply it to your new passion. I have done that through acting, producing and writing.

I learned much more about acting from philosophy courses, psychology courses, history and anthropology than I ever learned in acting class.

Acting is my number one, but dancing will always be a part of who I am and in my heart. I love doing stunts when they are a part of my acting.

The hardest part of acting is not when I'm acting, It's when I'm not.

If there is any sense of order to the universe, acting is what I am meant to do. I'm not manufactured. I know acting isn't real, that it's temporary. If there is any theme to the roles I play, it is emotional vulnerability and availability.

Television is face acting, and film is eye acting.

I remember hearing someone say that good acting is more about taking off a mask than putting one on, and in movie acting, certainly that's true. With the camera so close, you can see right down into your soul, hopefully. So being able to do that in a way is terrifying, and in another way, truly liberating. And I like that about it.

What I think has been wonderful about my life is that it has been diverse, and that I've been able to do so many different things. I was able to evolve from modeling into acting. And then when acting opportunities became limited because of my age, I was able to become a writer and director and author. So, I am grateful to myself that I didn't just sit around and become nostalgic about the past that has been and can't come back, but that I instead decided to move on.

Secrets are great for acting. Secrets are the best thing in the world for acting, because they keep you looking like you have something in the back of your mind.

Actually ninety-nine percent of my acting has nothing to do sci-fi or fantasy, I consider it a good part of my acting, and enjoy the roles I play.

I was planning to go into architecture. But when I arrived, architecture was filled up. Acting was right next to it, so I signed up for acting instead.

Acting for me, is a passion, but it's also a job, and I've always approached it as such. I have a certain manual-laborist view of acting. There's no shame in taking a film because you need some money.

Acting for me is not a bad habit like smoking that I must make an effort to quit. I love acting; I love directing.

A man of knowledge lives by acting, not by thinking about acting.

Acting is everything to me and it's at the core of every decision. Whatever importance costumes, details, lights, camera, dialogue and everything else have, if the acting is bad, cheap, or overdone everything else is just gone.

Whether you're acting or you're writing, your skin is just basically ripped off and you're putting yourself out there. At least the acting part comes with a bit more social interaction. And you're a bit less isolated because you are working with the director and the crew, and there's a general camaraderie. Writing, you're totally isolated. You're just trying to get the words on paper.

All of modern acting comes from Stanislavski, who was the Russian partner to Chekhov. When Chekhov was writing his plays, Stanislavski was running his theater. And Stanislavski really was the first inventor of modern acting and then everything that came out of the method and Stella Adler and the great teachers really came out of him.

I went to NYU for acting, for six years. I thought acting was the easy way out or in because I didn't put in enough effort in school, being a crazy kid in college. But, I was good at it, so that was the other side of it. I would love to direct. What I've learned from being on set is more how to deal with actors than even the visual part of it all.