Quotes About Album

I read the reviews sometimes, but I don't let it really affect the next album because, for me, when I approach an album, it's usually coming to me pretty naturally. It's not like I set out, like, "Okay, I'm going to write an album this month." It's more like I'm just always writing songs and eventually I start to realize that a group of songs sort of fits together, and I go from there in putting together the album and themes and artwork and things like that.

I grew up on a street called Cedar Wood Road and by coincidence my best friends that are around the age 10 became a guy called Bono and another guy called Guggi. It was music again. The fact that pulled us together. They found me quite interesting because I had the right albums underneath my arm. Those days where you carry the latest David Bowie album or Roxie music album as you go to school. I mean you can't play an album at school but you were being cool just showing, "Look what I got."

A really humbling experience that we've had was touring on Post-Nothing, was having people come up to us and tell that story about Post-Nothing. Especially as the tour went on, people saying, "I listened to your album when it first came out and I listened to it every day for the summer of 2009. That was my album for that summer; that was my album for this time in my life." When somebody tells you that, it's a pretty amazing feeling, and very humbling.

I've been following battle rap for a long time. Me and Daylyt are real cool. We battled on my album, he's on my album. We did a one round battle on my album and that was just me capturing These Days.

Three of tonights performers are members of the group Return To One, whose album Hopes and Dreams I heard for the first time a couple of weeks ago. Blown away by the album, I called Nathan Hubbard, the drummer and composer for the group, and with whom I've played on a couple of Trummerflora-related occasions, and asked him to round up several of his Return To One cohorts for tonight's show. I can't recommend their album highly enough; please pick up a copy.

The only album that I listen to upon recording a new one is my 'Cry' album, because sonically, I think it's my best album to date. But other than that, I've never listened to my records, ever.

You're not going to hit it every single time, and that's why, when I record an album, I do probably close to 50 songs. Each song I record has to get better. If it's not better than the last song that I made, it'll usually linger for a couple of months, and then it'll be put on the backburner, and then there'll be another song that I do, and then it often doesn't make it on the album.

I like to think that I've gotten better at what I do. I spend more time and pay more attention to detail album after album. But pretty much it's stayed the same.

Elvis Presleys' first album had more energy and more enthusiam than any other album at the time - when it was released it just blew everything else out. It changed the whole landscape of music

It's nice if you're making a regular pop or rock album and you get ten little songs. But I really try to make the album with one big story instead of ten small stories.

I have a song I wrote called “Autobiography.” I came from a very intense living situation, with having a parent on drugs and not having a lot of money. So I always want to talk about the real things. But I think 90 percent of my music, I want it to be 'feel-good music'. I'm already recording tracks for my album, but when it comes time to actually say, 'this is the album,' I may be in a completely different space than I'm in right now.

Things like, people saying the new album would debut at number one on the Billboard Charts in the U.S. and I said, "No it's gonna be number Three." Because Number 3 is a very powerful number on the album. It's repeated quite often. Then it did chart an Number 3. Was it a coincidence you decide. If your in touch with your subconscious, you can really use it to your advantage

In the rest of the world we had had two albums that were successful, so those two albums' hits and this new four-single package made up an album called Wham! The Final, which is basically greatest hits. We couldn't have done a greatest hits over here, because we'd only done one hit album.

We have always tried to treat every album differently and even from day one I think that each Asia album has been approached with care and thought and hopefully that shines through twenty years later.

Everybody else goes out and plays a show as if it's their album, which is boring. I'd rather sit at home and listen to the album, because I hate to be in a smoke-filled, loud room - that's not enjoyable for me at all...I always look up to guys who can sit and do dinner music...they're singing in tune and playing somebody else's music, and I don't think I could do that...it's the shittiest job in the world.

I definitely consider 'Poses' - the whole album in fact - to be kind of a miracle. Like the last breath of that moment when decadence is healthy, 'Poses' encapsulates that feeling. It's a kind of song and a kind of album that I'll never be able to repeat.

I've got a song on every album, two songs as a matter of fact on every album without Auto-Tune, and that's the song that nobody talks about. It's weird.

I don't tend to have a favorite album; I tend to have favorite tracks. There are flaws in every album that spoil it for me.

I had a record on the Terror Squad album "My Kinda Girls", and then I had a record on the second Terror Squad album and was featured all over it. I wasn't really introduced into the game until about late 2000 where people got to see where I look like.

I think on the first album, my aim was to write a good song and have a good melody, and I wanted lyrics that would connect with as many people as possible. On the second album, I took a lot more of a personal approach. I wasn't trying to make conventional, structured songs; I was really trying to get a lot of emotion and my own personal journey throughout it. I just focused more on being honest than getting the normal song structure down.

If you put a Van Halen album in your record collection, it will melt all the rest of your records.

I play the same album over and over until the people in my house are ready to kill me.

Miles Davis was a part of my life from 1947 on. I was born in 1941 and I first heard him in 1947 on a 78 rpm. And then I followed his career, starting with his first solo album in 1951. He was an icon and inspiration and a mentor to me.

I can't wait until the record label feels like it's time for my album to come out, and then just disappear.

Affectors Harmagedon is a solid blast of PROG metal complete with burning solos, odd time signatures, orchestral highlights, and Rock riffs that will tear your head off! Excited that I could be a part of this album!

I grew up in a very musical household. My brother had KISS and Van Halen records, but my parents loved country and show tunes, so I had all of those records when a kid. I pretty much knew exactly what I was going to do at a young age. I loved album covers, I loved listening to a record and staring at the art while listening to it. When I got older and discovered paining, drawing and PhotoShop, I was able to do both simultaneously; I enjoy making both.

I thought it was time to get a group together and the first person I thought of was Wayne Shorter. I called Wayne and in the meantime, Wayne called me to make an album with him, which was Super Nova.

I would have found something because I love to entertain people. I had the option to take the rest of the year off. But I said the songs on my last solo album, '24 Karat Gold,' mean so much to me. I need to get out there and sing them.

I use the music to vent, and a lot of the stuff that I am writing about or was writing about contained a lot of anger and anxiety, stress and depression, so that's how the album came out so dark.

It's my sixth year in the game so I've been here for a while now. You can expect the best me you've ever heard. I don't have any release dates in mind right now but I'm just making music and enjoying myself in the studio and having fun. When I get to a place where I feel comfortable saying a date or all of that, people will definitely know. I have a few dream collaborations on that album that I want, but they say if you blow out your candle and make a wish you can't tell people what you ask for or it won't come true.

I just kept it real and had the freedom to do what I want. It's not designed for any age group. It's not made for radio. There are no edits. The whole album contains explicit lyrics but that's because you need it.

I'm one of a dying breed who goes out and tours all the time. Labels don't spend the money to send people out to play before they become famous, but we did do that so the fans we have are word of mouth fans who have been travelling around with us for years, and they buy the albums, but they are also the ones who go out and get the bootlegs. I don't discourage bootlegging, I like playing live, I don't think it hurts my album sales at all if there are bootlegs out there. Who cares?

A long time ago, I made the commitment to dedicate at least one song per album to God. He has been very good to me, and never for one minute do I want Him to think I've forgotten, because I haven't.

I never listen to any of my music after it comes out, unless I hear it in a cafe or whatever. I'll think, "I forgot how it was so slow or how minimal it felt compared to how it's become live," because you start having a relationship to the songs live. After an album is finished, I really let go.

I've been following him since Space Oddity. And I've followed him from all those albums that didn't sell, like The Man Who Sold The World and things like that. Above all, apart from all the glamorous rubbish, the music's there. Ziggy Stardust is a classic album.

Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.

I tend to just do whatever I want on an album and try to make it work. I'm just adventurous. It's most exciting to be at the edge of your abilities. I want to see how far I can push things.

I don't own an ABBA album, and I never had the urge to go and buy one. If you're just talking about well crafted pop songs, they were fantastic.

If I found out some gal was trying to steal my guy, I'd want to give her a black eye! Instead, I wrote this song. At the time I was writing each song [on this album], you could figure out the frame of mind I was in by listening closely. With every song I've ever recorded, I'm in it. I wouldn't write about it if I wasn't in it.

I don't want my album coming out with a 'G' rating. Nobody would buy it.

For me, I want to create a environment for the songs to live in. So one song by itself only tells a piece of the story, but in the context of the album, more of the colors are revealed.

So many people didn’t want to touch the project with a 10-foot pole. Literally, I had people laughing and saying, ‘You’re making an album? Good luck.’ … But if you sit down and talk music with me for 10 minutes, you know that’s my passion.

We are made of stardust; why not take a few moments to look up at the family album?

Just six days after its release on iTunes, a record-breaking 33 million people have already listened to the album.

I was talking to Alan Jackson. He had his second Greatest Hits album. He said, You don't ever get into this really thinking you're gonna make it.

You do your work. You get up in the morning, you choose an outfit, you know? It doesn't have to be the best thing that you wear, you know what I mean? It's music, man. You do an album, complete it, and then musicians are on to the next thing. Nobody cares about how many units it sold as compared to the old one.

I think you have to drop an album to truly see the effects of your following.

Music has changed a lot over the past few years so I believe it's necessary to adjust in order to make music the fans want to hear. If I need to release single after single instead of releasing the album, that is what I will do to reacquaint fans with who I am as an artist now.