Quotes About Bad

There are some people that aren't into all the words. There are some people who would have you not use certain words. Yeah, there are 400,000 words in the English language, and there are seven of them that you can't say on television. What a ratio that is. 399,993 to seven. They must really be bad. They'd have to be outrageous, to be separated from a group that large. All of you over here, you seven. Bad words. That's what they told us they were, remember? 'That's a bad word.' You know bad words. Bad thoughts. Bad intentions.

There are no bad boys. There is only bad environment, bad training, bad example, bad thinking.

Yet we didn't fix anything. Our roads are bad, our bridges are bad, our tunnels are bad, our schools are bad, our hospitals are bad.

When the news is slow, or when there's just so many other responsibilities bearing down on me that I don't have the time to do it right, that's when it gets frustrating. As an artist, you just don't wanna put bad work out. So when you have to do it seven days a week, you're just gonna have some bad days and bad weeks and bad months and bad years.

The terms good and bad indicate no positive quality in things regarded in themselves, but are merely modes of thinking or notions, which we form from the comparison of things one with another. Thus one and the same thing can be at the same time good, bad, and indifferent. For instance, music is good for him that is melancholy, bad for him that mourns; for him that is deaf; it is neither good nor bad.

And what we students of history always learn is that the human being is a very complicated contraption and that they are not good or bad but are good and bad and the good comes out of the bad and the bad out of the good, and the devil take the hindmost.

It's just immensely frustrating that things like Breaking Bad get made that are kind of perfect! There's not even a bad episode of Breaking Bad, let alone a bad season. I want to be able to say, "Hey everybody, it's impossible to make a show where every episode is great!" No it's not.

It's becoming apparent that I like bad boys. That's one of my problems. They've all been bad boys. You're one too. You're a bad boy. But, I think you're a good bad boy.

Don't look now, but that's my ex over there." Surely I'm not the only one who takes "don't look now" as "there's no better time than now." I looked. "Bad, Ali!" Another slap to my arm. "Bad, bad, bad Ali! Have you no self control?

Slaying dragons, melting witches, and banishing demons is all fun and games until someone loses a sidekick—then it’s personal. The bad guy isn’t just the “bad guy” anymore, he’s the BAD GUY!

Let’s take this figure of the feminist killjoy seriously. Does the feminist kill other people’s joy by pointing out moments of sexism? Or does she expose the bad feelings that get hidden, displaced, or negated under public signs of joy? Does bad feeling enter the room when somebody expresses anger about things, or could anger be the moment when the bad feelings that circulate through objects get brought to the surface in a certain way?

One of the reasons why I fought for my roles is that I think there are so many things about them that are just human, but people like to label them as weird or bad or wrong because they're scared of them. I don't consider them bad - they're girls. They're going to make mistakes, but the films show the repercussions and show that they're going to learn. A lot of people are made to feel bad for being sad, so on top of already being unhappy, you're gonna hate yourself for it.

I'm a bad Jew, a bad Russian, a bad everything.

One of my problems with terrorism is that it's self-evidently bad. The main thing that makes it complicated is the fact that it works. When you go at it with a moral hammer, it's really, really bad. It's so bad you wouldn't believe it because you don't accomplish anything. I think the one thing terrorists themselves are vulnerable to is mockery. It's an excellent weapon.

Poets seem to write more easily about love than prose writers. For a start, they own that flexible ‘I’…. Then again, poets seem able to turn bad love – selfish, shitty love – into good love poetry. Prose writers lack this power of admirable, dishonest transformation. We can only turn bad love into prose about bad love. So we are envious (and slightly distrustful) when poets talk to us of love.

I really do think that Breaking Bad is probably the greatest television show that's ever been made. Just in terms of, everything, it's flawless. I can't think of one flaw with Breaking Bad. Every other show, even shows that I really, really love, they're not perfect. Breaking Bad, to me, is a perfect show.

Ugliness, squalor are breeding grounds for revolution. Beauty is conducive to tranquillity, happiness. Beautifying of homes and places of worship began with the dawn of civilization. Beautifying of workplaces is only in its infancy. Yet, since men normally spend more than half of their waking hours at work, surely it is important that adequate attention be devoted to elevating their working environment, whether office or factory, foundry or machine shop, mine or warehouse. Beautiful surroundings subtly encourage beautiful living. Drab surroundings, bad air, bad light, evoke bad reactions.

I have bad days. Sometimes I have a lot of bad days. By and large, I think most people fall into a bad mood because they're able to ruminate on whatever the problem at hand is, and that makes it worse. But when you intercept the rumination process with something that requires your full attention - that's stimulating and absorbing, that places a demand on your intellectual focus - you don't get to ruminate. In a way, it's a mental health aid to be able to do that so much. My routine, what I do, it just feels like home. It's my comfort food.

A preacher who doesn't believe he's that bad will attract people who don't think they're that bad. And that's bad.

I would argue that stupidity is born out of bad reading, bad teaching and bad thinking!

The creation of a film starts with an idea, a notion of a time period or characters, and you get really excited about the idea, and sell it to others if you need their support to write the script. You can't wait to get started, and then you try to start, and you struggle with the blank page, and you get some ideas, and they're bad ideas, and you write bad stuff. It's really bad.

If it ever seems to us that the world is a place where bad things only happen to good people, it is because we still believe that bad things happening to bad people is a good thing.

No matter how much crap you gotta plow through to stay alive as a photographer, no matter how many bad assignments, bad days, bad clients, snotty subjects, obnoxious handlers, wigged-out art directors, technical disasters, failures of the mind, body, and will, all the shouldas, couldas, and wouldas that befuddle our brains and creep into our dreams, always remember to make room to shoot what you love. It's the only way to keep your heart beating as a photographer.

The greatest cause of evil included all human motives in one giant paradox. Good and bad were so inextricably mixed that we couldn't make them out; bad seemed to lead to good, and good motives led to bad. The paradox is that evil comes from man's urge to heroic victory over evil.

[When anything happens, we interpret it as good or bad, but...] We do not know what is really good or bad fortune. [Only the future can decide. For example, what appears to be bad today may in fact lead us to a greater good tomorrow and by the very act of thinking and planning in that positive way, we can help make that good future come true.]

China's stock market is not very big. And yet when stock market has a bad day in China, it seems, Europe has a bad day and then we have a bad day.

Pain and suffering are in themselves bad and should be prevented or minimized, irrespective of the race, sex, or species of the being that suffers. How bad a pain is depends on how intense it is and how long it lasts, but pain of the same intensity and duration are equally bad, whether felt by humans or animals.

The spy genre is something I loved.It also extends to the bad guy because I think, to me, what I love the most about the spy genre is when you have a great bad guy. What makes a great bad guy, to me, is the logic. What he's about has to make sense to me, that if I was in his shoes, yeah, right, that makes sense.

I really don't want somebody writing something positive about me if they don't believe in it. I'd rather somebody write something real mean. I like reading bad stuff, it gets me excited. In fact, the only reviews I keep are the bad ones 'cause I think they're the cool ones.

I have found that by looking at what is rewarded and punished, and why, universally - i.e., in nature as well as in humanity - I have been able to learn more about what is "good" and "bad" than by listening to most people's views about good and bad.

My point is not that everything is bad, but that everything is dangerous, which is not exactly the same as bad. If everything is dangerous, then we always have something to do. So my position leads not to apathy but to hyper - and pessimistic - activism.

Usually, when you're talking about work with other writers it's because something seriously bad is going on with your work and you've absolutely thrown out a lifeline and you're hoping that someone will help you with something. Either there's some bad feeling you have about the work, or sometimes it's not specific - just kind of solidarity.

When I do good, I feel good. When I do bad, I feel bad. That's my religion.

I am according to my slave's expectations of me: if good, then good, and if bad, then bad.

I've always found that it's such an emotional experience, trying to find the good parts of a bad character or the bad parts of a good character, and in the end, most of these qualities are already there inside me.

I am not against being pragmatic, because it is pragmatic to make a good pass, not a bad one. If I have the ball, what do I do with it? Could anybody argue that a bad solution like just kicking it away is pragmatic just because, sometimes, it works by accident?

I'd spent my childhood thinking bad things, bad things every day. It had made me sick, but it had made me determined.

I went down for a week with the Houston Marshals. I didn't know that they hated paperwork as much as I hated it. They loathe it, man. They want to be in their cars catching the bad guys. They don't want to be filling out paperwork about the bad guys, you know, and the ones they've caught.

Faced with the choice of enduring a bad toothache or going to the dentist, we generally tried to ride out the bad tooth.

When you play good, everything is good, but when you dont play so good, everything is bad. Even when you think there are good things, they still say bad things.

Like most men, Jimmy Jim was neither all good nor all bad. It is just that when he was bad, gentler people saw in him a disturbing fury. People, a lot them, don't understand fury. They understand anger and even hatred, but fury is one of those old words that have gone out of style. Jimmy Jim Bundrum understood it. It rode his shoulder like a parrot.

What stood me in good stead was my upbringing. I had a musician father, a very religious mother who totally supported us. My mom gave me my moral code which, even if I was bad, I wasn't bad for very long. If you're born and raised Catholic, it stays with you a lifetime. It's a good thing to have. My dad gave me a very professional attitude to the music business, and for that I thank them 100%.

I never see my bad guys as simply bad. They want pretty much the same thing that you and I want: they want to be happy.

If you're going to go into the movie business it is so full of heartbreak and you get so close and it doesn't happen and then once in a while it works out and it is the fantasy, like it is that dream. So riding the highs and lows of it you got to have an iron constitution and you got to be able to do what David Dinkins actually one said - "Well you know some days are good, some days are bad, but anytime there is a bad day I know the next day is going to be good and vice versa, so you just can't put too much stock in that moment."

It seems to be a general belief that the will of God is to make things distasteful for us, like taking bad-tasting medicine when we are sick, or going to the dentist. Somebody needs to tell us that the sunrise is also God's will. There is the time of harvest, the harvest which will provide food and clothes for us, without which life could not be sustained on earth. God ordered the seasons-they are his will. In fact, the good things in life far outweigh the bad. There are more sunrises than cyclones.

To succeed, you have to do something and be very bad at it for a while. You have to look bad before you can look really good.

That song is a story that shows how easily you could get slipped into being labeled as the bad guy, even though what you really trying to do is tell the bad guy to leave you alone.

So, you’re hitting on Clare the Fair.” “I’m not hitting on her. I’m exploring the possibility of seeing her on social terms.” “He’s hitting on her,” Owen said around a mouthful of chips. “You’ve still got that thing you had for her back in high school. Are you still writing bad song lyrics about heartbreak?” “Suck me. And they weren’t that bad.” “Yeah, they were,” Ryder disagreed. “But at least now we don’t have to listen to you playing your keyboard and howling them down the hall.