Quotes About Band

Hopefully people can look at our band and see that we're a heavy rock band. We're definitely not a metal band, but we're a band that focuses on meaningful lyrics and melody.

I feel like there's not as many bands anymore. It's more like there's a front-person and a band supporting them, solo-type spirits that have a look, a vibe, a message, a voice and a style. I was talking about it with a journalist in Europe; he was like, "You're a democracy; everyone in the band does stuff." There's not a lot of bands I can think of that still have it so every member of the band has an equal say. I was like, dude, you're right. I can't really think of any right now. There might be one or two leaders in them, but there are not a lot of bands like that anymore.

The Beatles weren't like any other band. Everybody in the band sang, which is why you knew everybody in the band.

I've accepted the fact that Limp Bizkit is my band, one that I'm a part of, a band that I've built from the beginning. It does me no good to be in somebody else's band playing their music, like Marilyn Manson or Korn. Being in Limp Bizkit allows me to be myself.

The thing about this band is that every member of the band is a song-writer so that takes some of the pressure off.

I'll come in with a string of riffs and direct the musical ideas. But you still need a band and their input to make the ideas come alive. You can't underestimate band chemistry.

I play Rock Band, which is Guitar Hero times ten. You can play with four people, so when you have parties, you have a real band. Nobody ever wants to sing, so I'm always the one throwing down on the mic.

Whatever our personal differences are, there are no bigger fans of this band than the people who are in this band.

I always just wanted to be the singer or the bass player in the band. I'd love to have a band, where I was obviously the singer, but where it wasn't me, it wasn't my name.

You know, being in a rock band, you can't overdo the costume changes too much because everyone thinks, oh, that's not a real rock band. Look how many times he changes costumes. That's not rock. Rock's about going on in a T-shirt and staying in it and getting it all dirty. But that's not really my approach.

When my band MU landed on Maui in 1973 we were greeted by a wonderful group of peace loving brothers & sisters who we immediately formed a bond with. We had two instant roadies, Spider & Richard, who helped with every move of our musical equipment. We settled into our house on the edge of the rainforest that eventually became a portable studio. We started rehearsing and booked the Lahaina Civic Auditorium for a full moon concert starring MU and a local band The Space Patrol.

When we started the band, I was really like, "We just want to make a lot of records" - not quite unlike Guided By Voices' schedule. I've always thought that our live thing is what we do best, and having a really robust, big catalog makes for the most interesting live band - especially with people, at this point, traveling to see us night after night. For us to have almost 100 songs to pull from is a really cool thing. The sets can be different. They can be invigorating on an intellectual level. I definitely hope to continue to release records at an accelerated pace.

It's a band singing on how metal should be played, the effect it has on the band and its listeners.

The music as a whole is selfish, but the musicians aren't," "The song may go on forever but it's not about competition within the band; it's about playing as a band.

My first big break was with the Ted Fio Rito band. Fio Rito had a bunch of record hits in the 1930s and did a lot of radio work back then. When he came to my home town in early 1942, I sat in with the band. Ted liked me and offered me a job.

Everyone can lock into the rhythm on a tune. It's organic in nature. It connects the band as a whole and connects the band to the audience.

A band is a great way to destroy a friendship, and a tour's a great way to destroy a band.

Trying to make it and get people to respect your band, being a cool band-all of that stuff-I think we've arrived at a place where we have kids and everything is in perspective and it doesn't matter.

We'd started out as a garage band and it became like a huge band, which was fine. But everything was so magnified, drug addictions, personalities, it just became too much.

Well, Peter Rowan and I had plans to form a band when he left Bill Monroe. I always thought it was going to be a bluegrass band, but I guess when Peter left Bill Monroe he had had enough of bluegrass. He had written some songs and of course the Beatles were a big influence back then. So, we decided to something different and it ended up being that.

I was really running a music school back then, because my band wasn't making any money. I keep talking about money, because most people don't understand the part of money in running a band.

I asked all through third, fourth and fifth grade, when they were asking kids to be in the band, to be in the school band. But they wouldn't let me do it.

They [The Beatles] were the first band to not have a lead singer in the band.

I hope to find the perfect band as well, I really do, and I'm working very hard to find that band.

When I was a teenager in a band playing, everything was great. I still don't feel any different. I still wake up with the same love and passion as when I did this with the band. Because my life in music has let me live the kind of life that I've loved, and I've been able to share it with others and take care of the people I love.

I was 21, and I was like, "Man, am I really gonna start over and try this whole thing over again? Do I want to start over and be in a rock band again and try to act like a 17-year-old for as long as I can?" Because that was what I was doing with Simon Dawes band. I decided that if I was going to go on playing music, I was going to try and work on it. So I got into Leonard Cohen and Will Oldham, guys that really inspired me not only as songwriters but also through their music as people, and that's kind of what the shift was for me.

Papa Roach is actually a band that's great at playing arenas. Not every band is suited for that environment. But besides the huge energy you guys bring, the songs are very grand and anthemic. "Kick in the Teeth" being an example as a song that's made for huge crowd sing-alongs, not tiny little club shows.

But I always wanted to do a theatrical stuff. But when you're in a metal band of course you're limited because five people in the band, um, you've got no keyboards... you're limited. And I wanted... to go over-the-top, you know. Literally. I wanted to make an album that people would either hate or love.

Youths write me and tell me that their band will go nowhere because of all the bad bands in the world. I tell them there has always been awful music and that no great band ever wasted any time complaining, they just got it done. Their ropey ranting is just a way to get out of the hard work of making music that will do some lasting damage.

My official cruise ship band name is now A Band On Ship.

And the next album I do is going to be different because I'm going to change. I already did that thing where I had a band - and I had a great time with a band - but it was almost like pandering to get a record label deal.

Instead of just being a band that's constantly replacing members, we figured we'd done all of the stuff we wanted to do. It seemed to make sense to see if we could live our lives without the band.

I moved to Manchester to join a band and ended up getting into acting, and I moved back to London to become an actor and ended up joining a band.

Florida is such an unlikely place for a band, unless you're an emo or hardcore band. In terms of the touring route, or even the way the geography works in terms of bands and communities, Florida's always been this appendage that you either cut it off and dismiss it, or you somehow include it in your scope.

The story of our band is that we were this relentless touring band in those early years. We were leaving day jobs and going off on the road and having fun and seeing the country for the first time. We were playing Chinese restaurants and basements and record stores and houses. We were crashing on floors and it was all new and exciting. It was like a vacation. It didn't feel like work. I couldn't wait to go on tour back then. I would be sitting at my day job or my apartment, just itching to go. There were so many adventures that were about to happen.

I'm sure that a lot of women and men feel differently about it, but for me this isn't about being the girl in the band... it's just about being IN the band, if that makes sense? We're trying to keep it in a pure and genuine place for us and not break it down to gender, because it's just a bit boring and obvious isn't it?

We weren't like mates who decided to form a band. The other three met me because they were interested in being in the band that I was starting.

It is really refreshing to hear a big band that has the ability to execute ensemble passages with swing and precision while retaining a "small group" feel during the solo sections. This kind of "tight, loose" approach is seldom heard in big bands, whether they are professional or not. Now, all the band needs is to hit the road and take the music around the world!

I have a theory that musicians recognize each other and if they are destined to collaborate together they will. Mainly, they recognize each other according to the class they belong to. If they are punk-rocker kids from the neighborhood, they are going form a band. If they happen to be musicians that are going to play in pubs and restaurants, they are going to recognize each other, form a band and play together. If it's about musicians that are playing jazz and are going to jazz festivals, for e.g., then they are going to meet and work together.

I wasn't looking to be an Indian brass band, but to be a band that reflected my complete identity as an American. The America I was born and raised in intersected with people of all ethnicities and beliefs and that, coupled with my parents' instilling of good values, made me the individual I am now. Within Red Baraat, there are varied musical backgrounds and personalities and that lends itself to many great thoughts and ideas; it's what makes social science, or more precisely, social interaction so interesting to me.

The bands of perception vary greatly. There is the human band of perception. There are lots of different bands of perception. Simply because we are in one band of perception, doesn't mean others are not there.

My dream right now is - and I don't know how to do it, and I don't know if it will work exactly - but just this sort of vague aspiration to start some kind of website where people send in their stories or poems, and me or perhaps some other people turn that into music. And then by the end of the year we make a record and actually put it out. Like a band, but the band is actually a combination of the musician and the fan. I think that's a very 21st-century way of doing it.

I wanted to be in a band that gave bang for the buck. I wanted to be in the band who didn't look like a bunch of guys who, you know, should be in a library studying for their finals.

It always offended me when I was in the studio and the engineer or the assumed producer for the session would start bossing the band around. That always seemed like a horrible insult to me.

There's sort of an open offer to work with a guy in Los Angeles who does big band and orchestra arrangements who was at least an acquaintance to Les Baxter before he passed away.

I am Evanescence. I am the only original member. I have basically hired the band. Evanescence has become me. It is mine and it's exactly how I want it to be.

There's nothing that compares to being in a band with your best friends. We're so comfortable together, we understand each other. It feels, like, normal. Whereas solo period felt like I was trying to be something, and play a role, and pretend.

Even though there's reasons to try things that may or may not work, it's still a real intimate way to finish the song with everybody right there in the band just locked in.