Quotes About Band

I was in every band class I could get in, like after school jazz band and marching band, and that's where I really learned to read music from elementary all the way through junior high and high school.

I have a personal Twitter for band purposes, but I don't use social media a lot. I fall in a weird age gap. I was on band message boards when I was 16, but I was on the early curve of Facebook. I did it for work when I worked in media, and I did it for the band, but I can't relate to the idea that you live your life online.

Every good band in the world was a cover band first. The Beatles were and the Stones were. Everybody was a cover band.

For starters, I should just tell you that The Band was always my favorite band from the first moment that I heard the first note of "The Weight" on WNEW radio. It was when I was eight years old and Music From Big Pink came out. They were my favorite band always. They had a profound influence on me and on my becoming a musician.

My favorite band was The Band, and nobody compares in my mind with The Band.

I wouldn't call Super Furry Animals a political band, but we've all grown up in politically charged households, and we have a lot of political debates within the band. Obviously we don't think exactly alike, but we agree on a lot of points, and if something pisses us off, we're usually pretty open about it and very happy to share our views with other people. But I mean, we got together as a band because of our love of music.

I've accepted the fact that Limp Bizkit is my band, one that I'm a part of, a band that I've built from the beginning. It does me no good to be in somebody else's band playing their music, like Marilyn Manson or Korn. Being in Limp Bizkit allows me to be myself.

I'm seeing myself as an outsider a little bit - definitely when I started the band. I knew what band's name meant and nobody else really did, so I'd be on stage every night and say, "Hello, we're Art Brut" - basically saying that we were rejects. But I mean, I didn't really sing, it did feel a bit like we were outsiders. It was a bit tongue-in-cheek when I first named the band that, but then we slowly turned into that - like a self-fulfilling prophecy.

Cornelius Cardew very famous in Britain, because he was the darling of the avant-garde, and he played in a band called AMM, which was an improvising band in the '60s. Paul McCartney used to come watch them. Later on in life, he became disenchanted with avant-garde music, because he felt it couldn't reach the public. It didn't have a wide enough appeal. So he'd take these tunes of old English folk songs and write Stalinist lyrics over the top of them. I do think that when he changed to folk songs, he actually lost the tiny audience he already had, which is quite interesting.

We just were a band one day. We woke up and in the morning we were a band.

My older brother was the guitar player in the neighborhood band. My parents were the cool ones that had the basement for rehearsal. Rather than hang with my peers after school, I wanted to just listen to the band. More than that, I wanted to play.

I've liked music since I can remember and the guitar was always the most attractive thing about music to me at that time. I played guitar in a high school band. I played guitar in various other bands up until I was 20, but nothing too serious. From time to time someone would ask me to play with a group, but I stopped playing with band-oriented projects as a whole soon after.

I mean I like pop music, and I like heavy music and, stuff that I like... the band I've signed on to our label right now; they're called The Sounds. They're kind of like a new-wave pop band.

Toasted Heretic should have been cherished and helped, rather than ignored or sneered at, or put down as "quirky band with an arrogant singer". So I certainly didn't help the band, but the virtues I had meant that we recorded albums when everyone else just listened to them. But, yes, if you could suffer from high self-esteem, then I certainly suffered.

I was inspired by a lot of people when I was young, every band that came through town, to the theater, or the dance hall. I was at every dance, every night club, listened to every band that came through, because in those days we didn't have MTV, we didn't have television.

We became friends as we became a band. Our friendship evolved as the band evolved. It had its ups and downs, but it was mostly ups for the four of us. We got along well almost all of the time. Hey! We liked each other and we still do.

My first big break was with the Ted Fio Rito band. Fio Rito had a bunch of record hits in the 1930s and did a lot of radio work back then. When he came to my home town in early 1942, I sat in with the band. Ted liked me and offered me a job.

There's something intrinsically Australian about a bunch of brothers and school friends getting together as a band at a very young age and all pulling together as a band at a very young age and all pulling together as mates to make something happen.

Our band Stereophonics never wanted to release a couple records and be the biggest band in the world for 10 minutes. We always wanted to stand the test of time, and make great music that people would want to listen to and that music lasts. We'd looked up to artists and bands that had big back catalogues.

Ridley Pearson also plays bass guitar and sings with the Rock Bottom Remainders, a band made up of such successful authors as Amy Tan, Stephen King, and Dave Barry-a band that, according to Barry, "plays music as well as Metallica writes novels".

This is going to sound really corny, but it's the way I feel: Musicians have been around for a really long time. It's a really, really old job. When you look at the way that a small band toured back in the '50s, it's similar to the way that a small band tours now. It's been this long tradition, and when you meet somebody who has been doing this for a really long time, you have to have tremendous respect for them.

Band members have a special bond. A great band is more than just some people working together. It's like a highly specialized army unit, or a winning sports team. A unique combination of elements that becomes stronger together than apart.

A guitar for me is pretty much strictly in the context of writing songs for my band, coming up with ideas with my band, and then being able to perform those songs as best as I can on stage - that's what the guitar for me has always been.

If you are a pop band, don't say you're a metal band. Poison and Warrant were about as metal as the Backstreet Boys.

When Adam's House Cat broke up in 1991, which was Cooley and my band for six years, I put my entire life, heart, and soul into that thing. I mean everything. I ended up getting divorced over it, and then the band broke up and I was left with nothing. I had nothing to show for six years of my life except for a finished record that still hasn't come out. And I went through a pretty deep, dark, two-year depression after that, [which] probably resulted in some of the earlier songs that became Drive-By Trucker songs, for that matter.

I don't really care about labels that much. I wouldn't really call our music retro. There are influences of things from the past, which there is in everything. I think we're quite a modern band, actually. We don't record with old equipment. We use computers and programmed drums. We don't use any guitar amplifiers. We're very much a modern band in the sense that we love computers and what they can do to music. I guess we're just good at a different sound.

I grew up not really listening to guitar players. Especially when I was studying music, I was just interested in piano players and arrangers and composers; I came to playing in a band from the perspective of someone who never expected to play guitar in a band.

A lot of things just got distorted, like stories about each other. After the tour we never talked. I believe a band should be a band.

It was by listening to Goodman's band, that I began to notice the guitarist Charlie Christian, who was one of the first musicians to play solos in a big band set-up.

I'm 13 to 17, 18 years old; I thought that's what the world was like. It never occurred to me that this was a very unusual period in music history. So I went on assuming that one day I'm going to have my band like my heroes had their own band. So people ask me this question all the time - they go, "Bass is basically a background instrument." The other thing is that in urban music, Black music, the bass has a much higher profile.

In college, unable to be "special" - or in demand - as a girl, I made myself useful, even essential, in my microcosm - as a writer and photographer for the band, particularly for the band director. My "specialness" was to produce something of value, not to look like something (with that different kind of "value"), so I was still fundamentally invisible, but had a significant purpose.

With my little band, I did everything they did with a big band. I made the blues jump.

I never thought about becoming a professional singer, but I am in touch with Bono about releasing a musical movie. It will be about an Irish band during the '70s who are looking for fortune in Las Vegas. I should play the singer of the band but I don't want to sing in front of anybody.

We'd rather be a band that some people are going to passionately hate than be a ringtone band.

REGARDING THE MARCHING BAND: How much more interesting it would be to see a creeping band.

It ["Begin the Beguine"] became such a hit that it superseded anything that any band had ever had. It was the first time that a so-called swing band played something melodic and still gave it a beat.

When you're in a young band for the first time, geographically you're in the same place and you tend to go out and socialize. You play more shows, you spend more time together. You're a unit. As you grow older, inevitably you develop a life outside the band. I think it would be tragic if you didn't.

I wanted to be in a band that gave bang for the buck. I wanted to be in the band who didn't look like a bunch of guys who, you know, should be in a library studying for their finals.

There's people that say “It's not fair You have all that stuff.” I wasn't born with it. It was a horrible process to get to this. It took me my whole life. If you're new at this- and by “new at it.” I mean 15 years in, or even 20- you're just starting to grow traction. Young musicians believe they should be able to throw a band together and be famous, and anything that's in their way is unfair and evil. What are you, in your 20s, you picked up a guitar? Give it a minute.

Being a new band, I just can't think of a better way to get your name out to all of the Hard-Rock crowd than playing with twenty of the biggest Hard-Rock bands in the world.

The only way out of the Scientology church is rip the Band-Aid off and know that your eternity is not at stake and know that you're doing the right thing and know that you're involved in a damaging, hurtful cult. Just look outside, don't listen to Scientology. They are not saving the world. Don't give up your lives, don't give up your families, don't give up your friends for something that turns its back on you and is ultimately a lie. What's Scientology's selling is a lie.

I've got quite a big gay following. I played a lesbian prostitute in the TV series 'Band Of Gold' but I think my following really grew when I played one in the film 'Imagine Me & You,' with Piper Perabo.

The Republican Party had a big day in yesterday's midterm elections and now controls the House and Senate. And don't ask me how this happened, but the Republican Party also gained control of three seats in our show's band.

He had found the band of jackals he needed. But as Jack McCall rode through the center of town, he experienced the terrifying certainty that a man faces when he's about to make his own name famous. He lacked both a hero's calm and a coward's resolve to survive at any price.

We're just a metal band. Whenever people ask me what kind of music we play, I always say metal.

You just have to work with your discomfort. ... It’s challenging, but you have to dance the dance that the band’s playing. You can’t say: “I came here to Cha Cha and they’re playing a Waltz, godammit!”

Wrestling is pretty DIY. I've been doing it for 12 years, completely on my own. It's like being in a band or running a zine - except that I get to kick people in the face.

From my time in 'King Crimson,' I'd describe a Progressive band as one that keeps trying to break musical barriers, and keeps trying to do new music.