Quotes About Bands

I've always been a fan first and foremost - obsessing over bands and seeking out bands, and spending hours and hours listening. When I played music, the scope of my fandom became more myopic; I was focusing on the bands we were touring with, or the bands on the label. And you're always positing yourself in relation to other bands. Since I haven't been playing, I feel a little less cynical. I'm able to seek out music and approach it strictly as a fan.

I was making stickers for guys' bands. I was in the front row photographing bands, booking bands, doing all of the kind of backstage stuff, and I didn't even think for a second I could do it, and then I saw Babes in Toyland, and all that changed.

I've always gravitated naturally towards a little bit of a heavier thing, having been in punk bands and metal bands before I ever got into pop.

I can show bands how to produce themselves. In the same way, many bands think you can't make it without some fat cat in London or New York to manage you. Thats just crap. All you need is someone a bit older than you with a bit of business nous whom you trust.

I was never too interested in high school. I mean, I never went to a dance, I never went out on a date, I never went steady. It became pretty awful for me. Except, of course, I could go see bands, and that was the kick. I used to go to Cleveland just to see any band. So I was in love a lot of the time, but mostly with guys in bands that I had never met. For me, knowing that Brian Jones was out there, and later that Iggy Pop was out there, made it kind of hard for me to get too interested in the guys that were around me. I had, uh, bigger things in mind.

Me personally, I side more with punk rock bands. I grew up with The Misfits, The Dead Boys, The Damned, Dropkick Murphys, and early AFI. That was the stuff that really got me into music. Song writing wise, bands like Alkaline Trio were very important to me for beginning to write songs.

I don't like bands who would play music like Code. I mean I hate most bands with emotional singing parts (I adore metal singing like Iron Maiden though!)

I want to be able to shoot laser beams out of my hands at people. That's the kind of stuff that you think all bands should do, but they don't, and I can't understand why most bands don't want to do it.

I think the majority of the people in the band still play in other bands, because we're not that active. But for me, it's the only thing I want to do and it's the only thing I'm focused on. I've always played in a couple of different bands at once, but now I'm only interested in the Dead Child stuff.

Most of the bands that I really hold in my heart - you don't think about them as bands; they're just the soundtrack of your life.

We were watching bands like the Ramones and Blondie and other bands beginning to ignite.

Being in Nirvana was amazing an experience that will never happen again for me. And I look on them as some of the best and worst times of my life. But we're in this band, the Foo Fighters, making music for the love of music. We all came from bands that had disbanded, and we were drawn to each other because we missed playing - we missed getting in the van, loading our equipment, and watching it break down in the middle of a show. And that feeling hasn't gone away. There's nothing I'd rather do than make music. It's the love of my life.

Most bands have a sound that they're already identified with, so for the producer it becomes a process of helping them find their muse in the studio to make a record that will not only satisfy them artistically, but will also do something in the marketplace.

There are five of us. We've all played in various bands together, in different combinations. I know that Todd [Cook] and Tony [Bailey] are my favorite rhythm section - they're just like a unit. I guess we've all just played together in various capacities, so when the band was coming together, it was sort of like we just chose members because they had similar sensibilities and also because they're just cool. We all got along real well.

Write your own music and write frequently. Go to as many live shows as you can as well (of bands you enjoy of course). You can learn a lot watching other performers.

The thing that kills me is all these bands that use huge words in their lyrics, 'I'm swimming in a vortex of apathy.' I'm like, 'What?' I don't walk up to a friend and go 'That's a stylin' looking vortex of apathy you've got there pal. I was swimming up a river of deceit myself.'

I never went to rock concerts when I was a kid. I didn't see any rock & roll bands.

I know that bands that haven't put out a record for 10 years are playing to 20,000 people a night. But that's not the achievement.

I do think that some bands seem to be dabbling in the rock-hip-hop world and are not necessarily serious about it.

I always loved all kinds of music. I would watch musicals a lot as a kid, on TV, watch the Fred Astaire movies. I'd watch 'The Wizard of Oz.' I was a big Jerry Lewis fan, and they'd have these big bands and someone singing - some siren, or some guy singing some gorgeous song. I was always enamored of that style of music.

I have had success throughout the years. Some of the hard rock bands today don't have the history that I have.

Critics and fans use the music of their youth as reference points. For years, people seriously wondered who "the next Beatles" were going to be, and classic rock bands were the de facto yardstick for rock quality.

I didn't know anything about fashion, growing up in Orange County. I just knew about it through music, how ska bands dressed.

In Hawaii, some of the biggest radio stations are reggae. The local bands are heavily influenced by Bob Marley.

People used the term "hardcore" loosely. A lot of bands use it as a jumping stone to the next level. Hardcore, it's got a lot more to with then music. It's a very passionate movement.

That's what so sad about a lot of modern music, in my opinion, so many young bands never stay around long enough to fulfill their ultimate promise. They only get halfway there or a quarter of the way there.

Just a lot of those bands [like The Blue Jean Committee] started off in blues, and then they all transformed into other kinds.

I'm not ashamed to say that I really loved some of the hair metal bands of the '80s.

Some of my favourites... there's the classics like Blur and Oasis and Pulp, Suede and The Charlatans, The La's, The Smiths, The Cure, stuff like that. That was a huge part of my teen-years and bands I still listen to right through to this day, but it had a huge bearing on me as a teen and it was some of my favourite music, and is still to this day some of my favourite music.

If you're working with a band and you really want to work them into the episode, you've got to say to them, "Look, we need you around every day and on Tuesday night all night because we need you to do voices as we're changing stuff." We do the show so quickly, and you just can't get bands to do that. It's not really fair.

We don't want to act like adults. Anybody who can stay in a state of adolescence will be much better off later on. Look at people who are working nine-to-five jobs out of college, and look at professional skateboarders or guys in punk bands. See who's having more fun.

Insurrection by means of guerrilla bands is the true method of warfare for all nations desirous of emancipating themselves from a foreign yoke. It is invincible, indestructible.

We were playing a festival in Dublin the other week. There was this other group, like, warming up in the next sort of chalet, and they were terrible. I said, 'Shut them cunts up!' And they were still warming up, so I threw a bottle at them. The bands said, 'That's the Sons of Mumford' or something. 'They're number five in charts!' I just thought they were a load of retarded Irish folk singers.

A lot of bands mature, which means they get square; they start delivering messages. Hey, you got a message, use Western Union.

A lot of other bands have tried to go out there and say we've got views on this and views on that. But some of it I've found opportunist. Duran Duran has always been honest about everything. We've always laid everything out.

When I was a kid, a lot of my parents' friends were in the music business. In the late '60s and early '70s - all the way through the '70s, actually - a lot of the bands that were around had kids at a very young age. So they were all working on that concept way early on. And I figured if they can do it, I could do it, too.

Bands always call me when they are in need of a boost and I come in and put them back on top.

There's no real template to follow these days for what a band should and shouldn't be - bands are just becoming these weird little Internet avatars that you either follow or download or interact with in some removed way.

I love doing stuff with Todd Barry and Jon Benjamin. We give the stage to good bands and funny people.

I'm a real music fan, so I listen to all kinds of music all the time. I listen to a lot of what my friends or people I know are listening to. I'm always checking out new bands.

It's a pretty great thing to have a record that at the end of the day you're not totally sick of and you're actually proud of. We're pretty lucky, because a lot of bands come out with their first record on a label and they're forced to make decisions they might not stand behind because someone's telling them it's a good idea. We didn't have to do that. I think that's one of the things I'm most thankful for.

I didn't grow up with indie rock - I mean, I listened to bands that are considered indie rock, but I think that term is dead and uninteresting.

It happened to be, from '73 to '78, the five years that, our most glorious years for bass players. We had Larry Graham, with his own band, Stanley Clarke with his own band. We have Bootsy doing his thing. We had Jaco Pastorius. They were all leading their own bands.

A missive to all you metal bands, the world is totally over the rock thing. Rock is deader than it's ever been.

They tell me that So-and-So, who does not write prefaces, is no charlatan. Well, I am. I first caught the ear of the British public on a cart in Hyde Park, to the blaring of brass bands,and this . . . because . . . I am a natural-born mountebank.

I just think that the way the industry is changing and the world is changing, it might make more sense in two years for bands to have a different band name every time.

I only performed a song so I could not write an essay. I just enjoyed being around bands, and around musicians, and, I didn't want to be the girl who followed the band around. I love singing, I love performing, but it's never been this goal.

Widely spaced earth-sheltered towns offer sweeping views over the plains. High-speed trains link the communities. Food is grown in the region. Bikeways are everywhere. Nonpolluting hydrogen powers all vehicles. Sunlight and wind generate the hydrogen. Note the earth-covered bridges, the continuous window bands, the wind machines across the farmlands. In this new America, everything is reused, recycled, conserved.