Quotes About Bands

In the 80s there weren't so many bands around and nowadays there are a lot more bands around. I think sometimes there are too many bands. But there are a lot of interesting young bands around. They are not really playing the classic metal stuff, that's up to the old bands.

I'm 24, and a lot of people my age grew up listening to bands that were big and making it from around here. I was going to Flaming Lips and Chainsaw Kittens concerts when I was 12, and getting my mind blown at a young age... and maybe for people in bands, there's irreparable damage from those kind of things, and it turns out weirder bands.

I can say is our point of reference - and I think that does make us different from some bands and similar to other bands too. But it's just that spirit - it's sort of like a punk spirit - but it's not punk meaning or as in like "I'm here and I'm going to get thrashy and bloody on-stage" - but, we're not going to listen to the rules and the roles already set in place. We just want to make music that is heartfelt and feels good and sounds good to our ears, and hopefully to many other's ears as well.

I like all of the typical hard rock bands. I'm an AC/DC fanatic. I love ZZ Top, just about any Van Halen, any Judas Priest, the list goes on and on, most of the Iron Maiden stuff. Those are the big bands, but I got my feel from, I grew up on Mountain and Humble Pie. That kind of stuff is where I get my feel from.

Back in the days, the groups and the bands that we listened to were like Earth, Wind and Fire, Santana and Grateful Dead. We don't have a lot of those bands anymore.

I was trained at classical piano as a youngster back in PA. To rebel, I bought a drum set and played in some rock & roll bands. In college I picked up a guitar and became obsessed with practicing which led to playing guitar in indie rock bands in the mid 90's. Which led me to Los Angeles.

The three of us [me, Mike Dean, Woody Weatherman] all learned how to play our instruments together. We had a common interest in bands like Black Sabbath, Deep Purple. Bands who had different time signatures etc and for whatever reason, we morphed into Corrosion of Conformity. It's been about thirty years now.

Do you ever look at the sky and think, I'm glad I'm alive? After I heard System of a Down, I thought, I'm actually alive to hear the shittiest band of all time. Which is quite something when you think about it. Of all the bands that have gone before and all the bands that'll be in the future, I was around when the worst was around.

I have a whole iPod full of exceptionally bad music, truly awful stuff including a disproportionate number of one hit wonders from the early '80s and lots of hair bands. I find it utterly impossible to love a song until I know every single word, so listening to live music or new bands is pretty much out.

I have been doing merch' since I was 15 and in bands when I was a teenager - silk-screening shirts, making the emulsion in my mom's closet I converted into a dark room, through college. That's essentially how us bands survived was selling homemade t-shirts.

All the bands get along really well. That's one of the biggest things on a tour. It's great to get all these cool bands together, but if they don't get along it sucks.

If girls are ever going to start to be in bands as the norm rather than as the exception. They need to see people up there that have just started playing. That's something that had gotten lost. I think that's why there are so many great girl punk rock bands now. It's like you have to make up your own rules because the old rules don't apply. You just have to start with what you have.

When I was young I wanted to make films and then I got into folk music when I was about 12, and started going to this folk club in Auckland. My dad [Barry Andrews] was in punk and post-punk bands, so I guess it was a side of music I hadn't really listened to before - the really narrative form of songwriting.

Being in Nirvana was amazing an experience that will never happen again for me. And I look on them as some of the best and worst times of my life. But we're in this band, the Foo Fighters, making music for the love of music. We all came from bands that had disbanded, and we were drawn to each other because we missed playing - we missed getting in the van, loading our equipment, and watching it break down in the middle of a show. And that feeling hasn't gone away. There's nothing I'd rather do than make music. It's the love of my life.

The thing that kills me is all these bands that use huge words in their lyrics, 'I'm swimming in a vortex of apathy.' I'm like, 'What?' I don't walk up to a friend and go 'That's a stylin' looking vortex of apathy you've got there pal. I was swimming up a river of deceit myself.'

I have had success throughout the years. Some of the hard rock bands today don't have the history that I have.

Money changes all the iron rules into rubber bands.

I didn't know anything about fashion, growing up in Orange County. I just knew about it through music, how ska bands dressed.

We were pretty normal - suburban kids having a good time playing in bands. We were silly. We weren't dark, intense, humorless people. Humor was one of the connecting forces among us. It was more like camaraderie.

We're in a situation now where we've got five long-play records of sort of eerie psychedelic pop music. I don't think that we can make another one. That's really my position on it. If we were to do a film soundtrack or something else where I could take the rest of the band with me. I really don't think bands should make more than five records anyway. In fact, five is one too many. We'll have to see how it pans out.

I don't want to preach, but I would like to see metal become more of a united thing. I'm tired of people breaking things down into categories like thrash metal and death metal. I think people tend to stick to one category, and I want people to support all kinds of bands, whether it be Slayer or Queensryche or Death. I miss the days when it was acceptable to listen to everything from Priest and Maiden to Slayer and Venom.

There's somewhat of a real fascination with American bands and American mythology in London.

So it was out of necessity that Blackheart was born. I think it's great that now, 25 years later, we're not only putting out our own music, but are able to put out music by other bands. That's really exciting for us.

As a female band, we don't come from trying to be appealing or "sexy." There are a lot of bands - and I'm not dissing anyone - that talk a lot about being girls. I'm more into the idea of being ourselves and letting that speak for itself.

Have pride and entertainment. I think that a lot bands just don't know how to do it anymore or they lost interest in it or don't care and are just cashing a paycheck.

I think that people like getting their money's worth, so it's cool to have a load of bands in a similar genre.

Later after college I discovered Gang of Four, Buzzcocks, and those kind of bands. My tastes have changed but I still carry a lot of the influences from my youth.

When I was a kid, a lot of my parents' friends were in the music business. In the late '60s and early '70s - all the way through the '70s, actually - a lot of the bands that were around had kids at a very young age. So they were all working on that concept way early on. And I figured if they can do it, I could do it, too.

This man is freed from servile bands, Of hope to rise, or fear to fall; Lord of himself, though not of lands, And leaving nothing, yet hath all.

As you grow, it feels hopelessly corporate but it really is worth putting in place these compensation bands.

There's fifty bands doing my riffs for ever and ever.

There's no real template to follow these days for what a band should and shouldn't be - bands are just becoming these weird little Internet avatars that you either follow or download or interact with in some removed way.

I love doing stuff with Todd Barry and Jon Benjamin. We give the stage to good bands and funny people.

I've always worn jewellery but for a time it went out of fashion. Like grungy and punk bands didn't wear jewellery because it was stupid.

Oliver Cromwell (1599-1658) moved from a legitimate to a charismatic role, reversing the course followed by Washington. Yet therewere surface similarities in their careers. Both led military rebellions against English monarchs--Cromwell against Charles I, Washington against George III. Each took local militia--the "train bands" of Cromwell, the colonial levies of Washington--and forged professional armies on a national scale. Each infused a new ethos in his troops--a religious spirit in Cromwell's case, a post-colonial American identity in Washington's.

You know, I have a really tough time finding new bands.

It happened to be, from '73 to '78, the five years that, our most glorious years for bass players. We had Larry Graham, with his own band, Stanley Clarke with his own band. We have Bootsy doing his thing. We had Jaco Pastorius. They were all leading their own bands.

Kropp on the other hand is a thinker. He proposes that a declaration of war should be a kind of popular festival with entrance-tickets and bands, like a bull fight. Then in the arena the ministers and generals of the two countries, dressed in bathing-drawers and armed with clubs, can have it out on themselves. Whoever survives the country wins. That would be much simpler and more than just this arrangement, where the wrong people do the fighting

They tell me that So-and-So, who does not write prefaces, is no charlatan. Well, I am. I first caught the ear of the British public on a cart in Hyde Park, to the blaring of brass bands,and this . . . because . . . I am a natural-born mountebank.

Maybe it's just a humanising thing to realise that a ton of people in bands that make really exciting music, are just big nerds. And you know, maybe the Internet's done a lot in just exposing that long-held secret.

I've been in bands since I was about fifteen, so there are probably quite a lot of terrible teenage songs kicking about somewhere. I'm not sure what it was about to be honest, I think it was probably just something along the lines of teen angst.

We want to be original. To express our most interesting stuff. But you don't see the word "original" come up very often to describe big bands. Our job isn't to pigeonhole ourselves or describe where we fit in. Our goal isn't to fit in. Our goal is to be free of all that stuff.

I was in the De Witt Clinton Hight School marching band. One of the worst bands ever formed. When we played the national anthem, people from every country stood - except Americans.

Bands today have to learn their craft by putting the hard work in that we did when we were young performers.

What (some) bands do is go, 'It's not important that I'm a girl, it's just important that I want to rock.' And that's cool. But that's more of an assimilationist thing. It's like they just want to be allowed to join the world as it is; whereas I'm more into revolution and radicalism and changing the whole structure. What I'm into is making the world different for me to live in.

My favorite instrument is the snare drum. In Scotland, the snare drum is very prominent in Highland bands. The Scottish style of playing is in my blood. It's a very powerful instrument, but it can also be soothing, like velvet. It's a real challenge for composers.

When I was younger and bands were formed that way, out of friendships rather than anything else. It wasn't like we put up want ads.

I try to use other songs or bands as reference points - it seems like the easiest way to get across what are really differences of taste or opinion. If you know what kind of music somebody loves, then you can kind of figure out why they do what they do.