Quotes About Bands

I think there are plenty of good bands out there, but the great bands aren't affected by what's going on around them, trends and all that and competing with other bands and wanting to be the biggest, we find that happens a lot. Bands look at other bands and think: that's what I want, you know? I think that remaining.

The music industry is not what it used to be. Being in a good band is great, and I've been lucky to be in great bands. I've done solo stuff, and that's been great. I also produce rock bands and I do co-writes, where I write with different singers in bands and songwriters.

I was making stickers for guys' bands. I was in the front row photographing bands, booking bands, doing all of the kind of backstage stuff, and I didn't even think for a second I could do it, and then I saw Babes in Toyland, and all that changed.

The music industry has completely restructured itself in the last couple of years because it hasn't been making money. Labels are signing bands they trust as artistic entities, instead of cash cows. They're signing bands because they believe that the bands have tastes beyond anything they could concoct themselves.

I had 12 years of classical music as a child, playing piano competitions as a teenager, playing in blues bands and rock 'n' roll bands, country and jazz bands. I played in about any situation.

I can say is our point of reference - and I think that does make us different from some bands and similar to other bands too. But it's just that spirit - it's sort of like a punk spirit - but it's not punk meaning or as in like "I'm here and I'm going to get thrashy and bloody on-stage" - but, we're not going to listen to the rules and the roles already set in place. We just want to make music that is heartfelt and feels good and sounds good to our ears, and hopefully to many other's ears as well.

I followed most of the 80's bands into the 90's as most of those folks who hadn't moved away were all still active. However, there was a point when I lost track of the new bands coming up.

My all time favorite band is Paramore and she's basically one of the reasons I was inspired... umm, well Hayley Williams from Paramore was one of the basic reasons I wanted to go rock. I saw the band live and they're great together and they write incredible music and also I like a lot of older bands. I like Motley Crue a lot and who else, I've got a lot of favorite bands but those are pretty much the main ones.

I was trained at classical piano as a youngster back in PA. To rebel, I bought a drum set and played in some rock & roll bands. In college I picked up a guitar and became obsessed with practicing which led to playing guitar in indie rock bands in the mid 90's. Which led me to Los Angeles.

Bands that have positive lyrics that give people hope, I applaud them, you know I think we need to see more bands come out like that. I think it is great.

The girl that introduced The Smiths' song 'Asleep' to me was an important musical influence that I met in college. From there it's been an ongoing journey of different bands at different times, introducing bands and songs to me.

I have a whole iPod full of exceptionally bad music, truly awful stuff including a disproportionate number of one hit wonders from the early '80s and lots of hair bands. I find it utterly impossible to love a song until I know every single word, so listening to live music or new bands is pretty much out.

I love punk, I love a lot of British Invasion bands, I love garage bands.

I think the biggest faults that bands tend to have in terms of drama or breaking up is bands don't learn people's personalities. When you spend as much time with people obviously it's going to rub off, and you are going to get to know the way people are. You can make sure day to day people are accommodated to and people feel positive about the experience, then you can stay together as a band, at least that is my opinion.

I definitely grew up on a lot of American bands. I didn't really know that there were any decent Australian bands until I was around 20.

Good bands you can kind of lose, then come back and realize they're still good.

Boogie! I hate boogie, God, I mean, not the Chicago boogie like Willie Dixon or Howlin' Wolf, but all those awful white bands.

I know that bands that haven't put out a record for 10 years are playing to 20,000 people a night. But that's not the achievement.

I think some of the musicians are more like punk rock musicians. It's like an art as opposed to being a musician. It's definitely more radical psychedelic bands, more than anything.

From the very beginning of my life, people have always enjoyed it when I was around for a couple of days at a time. So, I think, most people in touring bands are best in small doses. That's why we turn up in a town, play and then we leave before anyone can get sick of us.

Irony is the recourse of the weak-minded wimp, I think. I hate bands that deliver their songs with knowing smiles on their faces, so that if those songs fall flat they can say 'Ah well, we never really meant it anyway.' It's so dishonest.

The history of all big jazz bands shows was, first they played for dancing, and then they played for singing.

I want to be in cahoots with bands who want to make the record of their dreams.

We're in a situation now where we've got five long-play records of sort of eerie psychedelic pop music. I don't think that we can make another one. That's really my position on it. If we were to do a film soundtrack or something else where I could take the rest of the band with me. I really don't think bands should make more than five records anyway. In fact, five is one too many. We'll have to see how it pans out.

Just a lot of those bands [like The Blue Jean Committee] started off in blues, and then they all transformed into other kinds.

I don't think bands should feel compelled to speak out unless they actually have something to say. I think that's a big mistake, where you're turning into a coyote running off the edge of a cliff. Too often, people just feel like something is happening and they want to be part of this thing, and it's just, there's sort of a "me too!" and that's about it.

The Edith Head Trio, I would say, would be even less of a musical career than playing the accordion, particularly because I played the accordion in The Edith Head Trio. I'm very impressed by your Googling. The Edith Head Trio and another band, Tzamboni, were two bands I was in after college that played at tiny clubs to little acclaim. Our Gypsy tango version of "When Doves Cry" was our biggest hit.But we were not destined for greatness.

Have pride and entertainment. I think that a lot bands just don't know how to do it anymore or they lost interest in it or don't care and are just cashing a paycheck.

I understand the rock star deal having been one and still going out strapping my guitar on and performing. Now, I probably do 30 or 40 dates a year and I get to relive how I felt at 19 when I played in some really bad bands.

I've had people call me from bands that are very popular, and they're like, "What do we do? We want to do what you do." It's almost impossible to do what I do, because you would have to start in 1980. You can't just do it.

Bands are like people. They're born and then they die.

I think Queen tribute bands are great. However, we have to keep them at arm's length, otherwise it could be too dangerous.

A lot of bands mature, which means they get square; they start delivering messages. Hey, you got a message, use Western Union.

Bands that I've loved over the years are the ones that have a certain myth around them.

And rock being a male-dominated, testosterone-driven place that I've been in the eye of the hurricane now for several years, I realized that it can be a place that can perpetuate homophobic behavior unless it's addressed by bands like us.

In 1980, I moved to Chicago, and I recorded demo tapes for my friends' bands, and in 1981, the first Big Black record - the first thing I did that was an actual record.

I love doing stuff with Todd Barry and Jon Benjamin. We give the stage to good bands and funny people.

I've always been very image prone, along the lines of bands like Black Sabbath and even Devo.

You know, I have a really tough time finding new bands.

I have a lot of compact discs. I need them for radio play and convenience. Many bands and artists I am a fan of don't always release their work on vinyl, so I take what they feel like giving me.

I recently realized that Television has influenced a lot of English bands. Echo and the Bunnymen, U2, Teardrop Explodes - it's obvious what they've listened to and what they're going for. When I was sixteen I listened to Yardbirds records and thought, "God, this is great." It's gratifying to think that people listened to Television albums and felt the same.

I just think that the way the industry is changing and the world is changing, it might make more sense in two years for bands to have a different band name every time.

Maybe it's just a humanising thing to realise that a ton of people in bands that make really exciting music, are just big nerds. And you know, maybe the Internet's done a lot in just exposing that long-held secret.

I played a lot of music all throughout my life, actually, but in high school I was in marching band and all the bands. So, I was big into music, I was big into drawing and sculpture, and all these different things.

We want to be original. To express our most interesting stuff. But you don't see the word "original" come up very often to describe big bands. Our job isn't to pigeonhole ourselves or describe where we fit in. Our goal isn't to fit in. Our goal is to be free of all that stuff.

It takes 300 years, it seems, for the great bands to get their due.

Musically, I have more things in common with tons of bands that have no female members.

Bands today have to learn their craft by putting the hard work in that we did when we were young performers.