Quotes About Bands

I was in punk rock bands, heavy metal bands, world music bands, jazz groups, any type of music that would take me. I just love music.

I get a chance to see new bands and new music. I've seen a lot of amazing local bands, bands that I think 'have what it takes', that they could become the next big thing. More often than not it doesn't happen.

Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.

I don't like bands who would play music like Code. I mean I hate most bands with emotional singing parts (I adore metal singing like Iron Maiden though!)

Some bands write and it is just the singer and the guitarist that do it all and then the rest of the band follows their vision. This is cool, and as you know I have been part of a few amazing bands that did this and I am not complaining.

It's the faster bands that made me want to play guitar, bands like The Jam.

When I get 13 or 14 years old, I get crazy with rock music, like, like, deeply crazy. And one of my favorite bands at that moment was, for example, like - bands like Metallica or Led Zeppelin, Black Sabbath, Pink Floyd and Santana, you know? And then I start to play metal, actually, when I was - at the age of 15.

A lot of bands are going out and playing for nothing. A lot of bands will go out and get paid, but the gas tank will eat up their paycheck. When they manage to sell a t-shirt or two, there is a little bit of leftover money there so that they don't have to have McDonalds that day. They can actually eat something decent with possibly a bit of cash leftover. It's a huge part of the business now.

I started out playing big bands shows and different things. I was with several different small bands and groups, doing comedy and singing, emceeing, and I got a break with a very big star of the late fifties whose name was Tommy Sands.

There were so many bands in New Orleans. But most of the musicians had day jobs, you know -- trades. They were bricklayers and carpenters and cigar makers and plasterers. Some had little businesses of their own -- coal and wood and vegetable stores. Some worked on the cotton exchange and some were porters. They had to work at other trades 'cause there were so many musicians, so many bands. It was the most musical town in the country.

The bands of perception vary greatly. There is the human band of perception. There are lots of different bands of perception. Simply because we are in one band of perception, doesn't mean others are not there.

There was a time when my taste in music was mainstream, for example - people like Jimi Hendrix - who I really based a lot of my inspiration on, was the most popular entertainer of his day. He was really number one. And bands like Led Zeppelin, The Beatles are really number one bands. But those days are very much done. I can't say that if I listen to the number one artist now that I get excited.

When I was young I wanted to make films and then I got into folk music when I was about 12, and started going to this folk club in Auckland. My dad [Barry Andrews] was in punk and post-punk bands, so I guess it was a side of music I hadn't really listened to before - the really narrative form of songwriting.

There are five of us. We've all played in various bands together, in different combinations. I know that Todd [Cook] and Tony [Bailey] are my favorite rhythm section - they're just like a unit. I guess we've all just played together in various capacities, so when the band was coming together, it was sort of like we just chose members because they had similar sensibilities and also because they're just cool. We all got along real well.

Write your own music and write frequently. Go to as many live shows as you can as well (of bands you enjoy of course). You can learn a lot watching other performers.

Being a new band, I just can't think of a better way to get your name out to all of the Hard-Rock crowd than playing with twenty of the biggest Hard-Rock bands in the world.

I've always loved playing in bands where there's like three or four people and we're all throwing out ideas and coming together to make an album.

The R.E.M and Nirvana successes don't mean much to me except as a potential distraction for bands who want to cash in on the trend. Don't try to sound like someone else. R.E.M and Nirvana don't sound like anyone else.

Ninety percent of all music is always crap, and when too many people decide they're going to have guitar bands, then ninety percent of them are going to be crap. It's just a given law.

There are few people who define the word, 'rock star' better than U2's Bono. He's revered the world over not just for leading one of the biggest bands ever, but for his very public work on behalf of the underprivileged in Africa.

My whole background was with bands, so I always thought of "fashion" as performative. It took me a long time to bridge the gap between my music and what I was studying in school, [which was] dance and being a performer.

The first music I ever got into was the '80s alternative bands that my brother listened to, like The Cure and The Smiths and R.E.M. and Fugazi. I can remember specifically saying The Cure was my favorite band back in second grade.

I don't want to preach, but I would like to see metal become more of a united thing. I'm tired of people breaking things down into categories like thrash metal and death metal. I think people tend to stick to one category, and I want people to support all kinds of bands, whether it be Slayer or Queensryche or Death. I miss the days when it was acceptable to listen to everything from Priest and Maiden to Slayer and Venom.

When I was younger and first started watching MTV I loved watching TRL. I loved watching my favorite singers/bands perform.

Our influences are who we are. It's rare that anything is an absolutely pure vision; even Daniel Johnston sounds like the Beatles. And that's the problem with the bands I'm always asked about, the ones derivative of the early Seattle sound. They don't dilute their influences enough.

I've had people call me from bands that are very popular, and they're like, "What do we do? We want to do what you do." It's almost impossible to do what I do, because you would have to start in 1980. You can't just do it.

Now I'm having the time of my life being on the road with one of the world's all-time great big bands, and performing with symphonies. I wouldn't trade it for anything.

I like all music. Well, I don't like music that was created to make money. I don't really like bands that don't write their own music

I love the Arctic Monkeys . Who doesn't? I'd love to see them live, but haven't got round to it yet. I never get to see bands because I'm never in the same town for more than two seconds.

People are like, 'What do you mean you don't listen to 115 different types of music?'. You can't just listen to The Smiths anymore. But then there are plenty of people that do only listen to five bands and six albums and that's it. My playlists are massively varied. There's never a theme throughout, it's never like everything is based in funk or based in reggae or whatever. It's 210BPM gabber-style techno and 40BPM reggae in the same list and it's like, yeah, they work.

I listen to music every day and that is a fact. My son pointed out the other day that there's not a day that goes by without him listening to music in our house. I'm still an avid punter when it comes to either checking out bands or buying new music.

Let me be clear: I'm a believer in a robust military, which is essential for backing up diplomacy. But the implication is that we need a balanced tool chest of diplomatic and military tools alike. Instead, we have a billionaire military and a pauper diplomacy. The U.S. military now has more people in its marching bands than the State Department has in its foreign service - and that's preposterous.

There are two types of bands - there are the ones that are basically solo projects anyways, where there's clearly the one guy who's driving the ship and everyone else is just along for the ride. And then there was my band, where you have a few very disparate-taste, creative people who kind of meet in the middle somewhere.

I had done a lot of rock 'n' roll photography when I was in college. I was one of many photographers who worked for The Doors, Jefferson Airplane, and all of these rock 'n' roll bands.

Names for bands lose their meaning after a little while. They become a series of sounds that you associate with people in music, really. The most important thing about choosing a name for a band is if you can imagine forty-thousand people screaming it in unison.

Bands always call me when they are in need of a boost and I come in and put them back on top.

In 1980, I moved to Chicago, and I recorded demo tapes for my friends' bands, and in 1981, the first Big Black record - the first thing I did that was an actual record.

I've built my whole life around loving music. I'm a writer for 'Rolling Stone,' so I am constantly searching for new bands and soaking up new sounds.

I'm busier than a busy person. People aren't scared to play this raucous, harsh music over radio speakers, so I think it's the perfect time to get in with some real serious, heavy bands.

Mysticism is concerned primarily with moving our awareness field from the beginning of the band of perception, the human band, up to the enlightened bands of perception.

Our band Stereophonics never wanted to release a couple records and be the biggest band in the world for 10 minutes. We always wanted to stand the test of time, and make great music that people would want to listen to and that music lasts. We'd looked up to artists and bands that had big back catalogues.

Well... I had braces and I had to wear headgear! I loved my braces, actually. For me, they were like a piece of jewelry! Instead of the silver or pewter I had gold braces. It was so much fun, I loved them. I got to change the colors and stuff and I had the rubber bands.

I really loved music and went to a lot of clubs to see bands and dance. I loved going out.

So when bands work with me and it's 10 o'clock, usually you'd have to be getting out of the studio, we could go on until 2 in the morning cause it's my place!

I only performed a song so I could not write an essay. I just enjoyed being around bands, and around musicians, and, I didn't want to be the girl who followed the band around. I love singing, I love performing, but it's never been this goal.

Other bands gave us lip service, but when it came down to it they kind of backed off. That was a little disheartening. But I respect them. That's their business.

Punk rock and metal has always been a home to me, it's where I cut my teeth; and those are the friends that I have, and the bands that I love.

The most significant bands I played in when I first got to New York were Bobby Watson's band, Roy Hargrove's first band, Benny Golson's band, Benny Green's trio, and probably the most significant out of all of those, for me personally, was playing in Freddie Hubbard's band.