Quotes About Bands

I was in punk rock bands, heavy metal bands, world music bands, jazz groups, any type of music that would take me. I just love music.

Certain punk bands were influential because I thought, If they can do that then I can .Hanging around those bands was how I started my first band - In Praise of Lemmings.

Me personally, I side more with punk rock bands. I grew up with The Misfits, The Dead Boys, The Damned, Dropkick Murphys, and early AFI. That was the stuff that really got me into music. Song writing wise, bands like Alkaline Trio were very important to me for beginning to write songs.

I consider us to be one of the first Internet-based bands, especially because we basically started our entire band via the Internet. Before MySpace Music even existed, we had a band MySpace page. We were one of the first fifty bands on PureVolume(.com), and we really built everything from the Internet. That's how we started talking to record labels, that's how we booked our first tours. Without the Internet social networking, like Twitter, we definitely wouldn't be where we are today. It is a huge part of the band.

When I was a kid, I liked the newer music that was coming out. I have never really felt confined by any style of music. I would play in bands that were soul bands or that played standards - any kind of music that I enjoyed playing.

Had I lived in Norman and those bands hadn't existed, who knows where I'd be, I might be doing something awful; I might be a doctor, or a physicist or something. Having those kinds of experiences at 12...the Chainsaw Kittens had a flamboyant homosexual lead singer, and the Flaming Lips were obviously very weird. I had only listened to the radio before that - things like Willie Nelson - so having people say, "These are the bands around here that you should listen to," I was like "Ok, I guess this is what normal music sounds like." That definitely changed things.

When you look at bands like Take That, who have come back bigger than ever, you can see there will always be a market for good pop bands.

There were so many bands in New Orleans. But most of the musicians had day jobs, you know -- trades. They were bricklayers and carpenters and cigar makers and plasterers. Some had little businesses of their own -- coal and wood and vegetable stores. Some worked on the cotton exchange and some were porters. They had to work at other trades 'cause there were so many musicians, so many bands. It was the most musical town in the country.

I definitely grew up on a lot of American bands. I didn't really know that there were any decent Australian bands until I was around 20.

There was a time when my taste in music was mainstream, for example - people like Jimi Hendrix - who I really based a lot of my inspiration on, was the most popular entertainer of his day. He was really number one. And bands like Led Zeppelin, The Beatles are really number one bands. But those days are very much done. I can't say that if I listen to the number one artist now that I get excited.

I always freak out when people ask me about my favorite bands or my five favorite records, I just can never do that because it goes through different waves and sometimes you want to listen to something and at other times you want to listen to something else so I don't know.

The birth of Christ our Lord was more than an incident, it was an epoch in the history of the world... He came to teach us the character of God, and by example and precept pointed out the path which, if we walk in it, will lead us back into his presence. He came to break the bands of death with which man was bound, and made possible the resurrection by which the grave is robbed of its victory and death of its sting.

I do think that some bands seem to be dabbling in the rock-hip-hop world and are not necessarily serious about it.

From the very beginning of my life, people have always enjoyed it when I was around for a couple of days at a time. So, I think, most people in touring bands are best in small doses. That's why we turn up in a town, play and then we leave before anyone can get sick of us.

I've created several musical trends, really. That's not because I'm so far out and fabulous. It's because most bands have no ideas of their own. They're so desperate they'll grab at any old straw.

We had punks literally protesting Fugazi. I respect a boycott. I respect a conscionable boycott, but of all bands to boycott? Fight crime. If you really want to get out there, go fight crime.

There's a great rock and roll scene in Sweden. There are many smaller bands like ourselves that are great. Oh yes, there's a band called Eggstone, they're really good, and a band called the Soundtrack Of Our Lives, which is excellent.

Let me be clear: I'm a believer in a robust military, which is essential for backing up diplomacy. But the implication is that we need a balanced tool chest of diplomatic and military tools alike. Instead, we have a billionaire military and a pauper diplomacy. The U.S. military now has more people in its marching bands than the State Department has in its foreign service - and that's preposterous.

There's a lot of good rappers in England at the moment. There's a lot of good dance acts. A lot of good, young guitar acts. I think a lot of groups came from that dole culture of the late 80's/early 90's - it's not as easy now. I think there's a dearth of working class bands.

I never was the front man in any bands I played in when I was in college, and I always learned music by myself at home.

Well, I don't care for Paul Ryan's sound or his lyrics. He can like whatever bands he wants, but his guiding vision of shifting revenue more radically to the one percent is antithetical to the message of Rage.

I think the Cosmic Psychos were a band that was highly influential on the Seattle so called grunge scene. I know that Kurt and Nirvana were fans, they played shows with Pearl Jam. Even thou the Cosmic Psychos never had the commercial impact or success that those bands had, they were still a major influence on them, and I think a lot of it had to do with the spirit and the sound of their music.

I think I understand what bands want, just from having made records myself. I understand what it takes to get a good vocal sound, or to make people comfortable in the studio. From minor things like their headphone mix - and if a singer's singing, how they should hear themselves - to how to make people feel that they're getting exactly what they want. All those things, I think, are an advantage, especially the part about having done it myself. I'm not just an engineer who records the sounds well. I'm not afraid to take chances.

I've built my whole life around loving music. I'm a writer for 'Rolling Stone,' so I am constantly searching for new bands and soaking up new sounds.

I love doing stuff with Todd Barry and Jon Benjamin. We give the stage to good bands and funny people.

in that small [time] most greatly lived this star of England: Fortune made his sword, By which the world's best garden he achiev'd And left it to his son imperial lord. Henry the Sixth, in infant bands crown'd King of France and England did this King succeed; Whose state so many of had the managing, That they lost France and made his England bleed.

Mysticism is concerned primarily with moving our awareness field from the beginning of the band of perception, the human band, up to the enlightened bands of perception.

I was still doing the punk thing, but also playing in some indie bands, I had a less crazy hairstyle.

Even as a kid, if I would come across something cool in the record store, that would be how I found out about bands. It's kind of the same way these days. In a way even less because there are no record stores to go to anymore.

I got fed up with being in bands. I spent a couple of years touring the country in a smoked filled band, doing lots of drugs and being really unhealthy.

Other than a few years of piano as a kid, I don't have all that much musical training. I played piano for all the musicals in high school and was in a few bands, but never really considered music as a viable career until I was in college.

I wasn't necessarily frustrated in Fall Out Boy, but there were things that didn't get satisfied, desires left wanting. We didn't all meet on the same kind of music. When bands break up, there are all these buzz words that get tossed around to maintain a front for the audience, but in this case there literally were creative differences.

So when bands work with me and it's 10 o'clock, usually you'd have to be getting out of the studio, we could go on until 2 in the morning cause it's my place!

I played a lot of music all throughout my life, actually, but in high school I was in marching band and all the bands. So, I was big into music, I was big into drawing and sculpture, and all these different things.

My favorite instrument is the snare drum. In Scotland, the snare drum is very prominent in Highland bands. The Scottish style of playing is in my blood. It's a very powerful instrument, but it can also be soothing, like velvet. It's a real challenge for composers.

One aspect of our site that I really appreciate is how I put up as much information as I've been able to keep track of: dates, the venue, the city, the country, the number of people there, the door price, opening bands, that sort of thing. One of the very first comments we had was from a guy who said, "By the way, the opening band in Albany in 1993 was not the Very Nice Neighbors, it was the Very Pleasant Neighbors." That brought a great joy to me.

Because you have things like 'American Idol' and you've got radio stations that play music made entirely by computers, it's easy to forget there are bands with actual people playing actual instruments that rock.

I don't think we're totally responsible. But you know, all the bands said it, that we did. Even Courtney Love said that. Anyway, Courtney called her band Hole, get it? Slits? Hole? So it's pretty clear we were an influence on all of them, but I'm not really sure how far it goes. I was on a different planet at the time.

Upwell is one of the most terrifyingly great bands I have ever known out of Seattle. Their musicianship and songwriting is monstrous... They're heavy like Soundgarden or Zeppelin with killer female vocals, but with their own unique style.

I don't know how it happened, but everyone thinks I'm this crazy b***h. Maybe because I don't have eyebrows. A lot of bands talk s**t about me and I post a blog calling them out. F**k them. The future is bright pink so put on some sunglasses, b****es.

I'd actually been making my living as an organist with bands since I was probably 15 or 16 years old, and then as a senior in high school I put together a jazz quintet called The Bobby Mack Jazz Quintet.

Starting out, I remember being on the same bill with other bands, and I always thought they were so much better because they were rehearsed and had all their moves down and they sounded really tight.

I believe that the Rolling Stones and Led Zeppelin are two of the greatest rock bands ever!

When I was young, my ambitions were very modest. I thought, "If only I could play at the battle of the bands at the Y, that would be the culmination of existence!"

This has got to be the greatest school for lab bands in the country. It's great because Leon Breeden and his staff have devoted their lives - not just their time and talent - to build it.

I play and I've played in heavy bands, but when I write for myself, I don't particularly feel like writing huge rock riffs. It just doesn't work for me and my voice.

I think that's given inspiration to other musicians. I know, particularly through the 90s, a lot of bands would cite Rush as an influence. I don't think it was so much our music, but more the way we really stuck to our guns.

I get bored quickly. I kind of take my hat off to bands who have been around for a long time and still do the same thing, because it's hard to keep a band together for decades. But I couldn't do that. I couldn't play the same songs night after night or just trade on my past glories, because it wouldn't interest me as a person.