Quotes About Beauty

The experience of beauty is in the eye of the beholder, as they say. The artist's relation to the object of beauty, how the art makes that happen, is a whole other subject. Beauty is an event. Beauty is something that happens. There is no such thing as a beautiful object or a beautiful woman. These things do not come near it - the experience of beauty, the event of beauty. The anxiety about it is what makes it such a central concern of culture and makes us so interested in it.

God who is goodness and truth is also beauty. It is this innate human and divine longing, found in the company of goodness and truth, that is able to recognize and leap up at beauty and rejoice and know that all is beautiful, that there is not one speck of beauty under the sun that does not mirror back the beauty of God.

Pretty isn't beauty. Pretty is how you look; Beauty is who you are. Pretty is in the face and body; Beauty is in the heart, mind and soul. Pretty fades; Beauty grows.

Most craft give a nod, however brief and unfriendly, towards beauty. Vogon ships did not nod towards beauty. They pulled on ski masks and mugged beauty in a dark alley They spat in the eye of beauty and bludgeoned their wait through the notions of aesthetics and aerodynamics. Vogon cruisers did not so much travel through space as defile it and toss it aside.

At root, a pearl is a 'disturbance' a beauty caused by something that isn't supposed to be there, about which something needs to be done. It is the interruption of equilibrium that creates beauty. Beauty is a response to provocation, to intrusion. ... The pearl's beauty is made as a result of insult.

For external beauty, you put on things; for real beauty, you have to drop all things. For external beauty you have to have make-up; for real beauty you only have to realize that you are already made up.

You don't know what beauty is. You use the word, certainly, but your word is empty. Beauty is known only by one who has known the inner beauty, one who has known the inner flower opening. Then whenever a flower is seen, it reminds you of your inner beauty.

Though beauty is, with the most apt similitude, I had almost said with the most literal truth, called a flower that fades and dies almost in the very moment of its maturity; yet there is, methinks, a kind of beauty which lives even to old age; a beauty that is not in the features, but, if I may be allowed the expression, shines through them. As it is not merely corporeal it is not the object of mere sense, nor is it to be discovered but by persons of true taste and refined sentiment.

In the beautiful, man sets himself up as the standard of perfection; in select cases he worships himself in it. Man believes that the world itself is filled with beauty -he forgets that it is he who has created it. He alone has bestowed beauty upon the world -alas! only a very human, an all too human, beauty.

It is the search for beauty...That is what it is. We find ourselves on this earth--gods and men--and we know that it is beautiful. That is one of the few things we understand--beauty; because it is there, in the world, and we can see it all about us. We want beauty. It requires our love. It just does.

Our society does reward beauty on the outside over health on the inside. Women must not be blamed for choosing short-term beauty "fixes" that harm our long-term health, since our life spans are inverted under the beauty myth, and there is no great social or economic incentive for women to live a long time.

Being is desirable because it is identical with Beauty, and Beauty is loved because it is Being. We ourselves possess Beauty when we are true to our own being; ugliness is in going over to another order; knowing ourselves, we are beautiful; in self-ignorance, we are ugly.

There's beauty in the silver singing river There's beauty in the sunrise in the sky But none of these and nothing else can match the beauty That I remember in my true love's eyes

Thoughts can create such a barrier that even if you are standing before a beautiful flower, you will not be able to see it. Your eyes are covered with layers of thought. To experience the beauty of the flower you have to be in a state of meditation, not in a state of mentation. You have to be silent, utterly silent, not even a flicker of thought - and the beauty explodes, reaches to you from all directions. You are drowned in the beauty of a sunrise, of a starry night, of beautiful trees.

Beauty is a dangerous word. Beauty becomes slightly indulgent for me. It's a snatched kind of moment for me because I'm entitled to a nice day in my life but beauty creeps close to narcissism, which I really dislike, particularly in human beings who were born with good looks, who cash in on it. It's a bit of a dodgy word for me. I look at it with caution. It can be a bit like walking into quicksand; it can get you in to all kinds of trouble.

This world in which we live needs beauty in order not to sink into despair. Beauty, like truth, brings joy to the human heart, and is that precious fruit which resists the erosion of time, which unites generations and enables them to be one in admiration. And all this through the work of your hands . . . Remember that you are the custodians of beauty in the world.

You can stand on the cliff of my heart and shout nothing but ‘ugly’ through me. I promise all I will echo back is ‘Beauty, beauty, you have always been beauty

God's pleasure--the beauty creation possesses in his regard--underlies the distinct being of creation, and so beauty is the first and truest word concerning all that appears within being; beauty is the showing of what is; God looked upon what he had wrought and saw that it was good.

I sacrifice to the God of Beauty — the impulse to beauty in nature. Here are flowers. Here is wine spilled on the floor. I will burn incense & myrhh. I will kneel & strike my breast & touch the dust with my forehead. I will I will! Only do not forsake me, Oh God of beauty.

I couldn't portray a women in all her natural loveliness.. I haven't the skill. No one has. I must, therefore, create a new sort of beauty, the beauty that appears to me in terms of volume of line, of mass, of weight, and through that beauty interpret my subjective impression. Nature is mere a pretext for decorative composition, plus sentiment. It suggests emotion, and I translate that emotion into art. I want to express the absolute, not merely the factitious woman.

Goldie Hawn has always been a beauty and fashion icon to me. She radiates joy and infuses beauty into everything through her smile and spirit. She is a great example of what real beauty means to me.

I believe that there are three conditions to a woman’s beauty. First, you must realize that not all women are beautiful all of the time. Sometimes beauty comes on a subconscious level. When she is in love, or has met someone new and exciting, she shines. Second, you must understand that life is unfair. Beauty is something that, for some, must be worked at. The third condition is luck. Some women can just be lucky.

In short, Beauty is everywhere. It is not that she is lacking to our eye, but our eyes which fail to perceive her. Beauty is character and expression. Well, there is nothing in nature which has more character than the human body. In its strength and its grace it evokes the most varied images. One moment it resembles a flower: the bending torso is the stalk; the breasts, the head, and the splendor of the hair answer to the blossoming of the corolla. The next moment it recalls the pliant creeper, or the proud and upright sapling.

Beauty [is] a kind of radiance. People who possess a true inner beauty, their eyes are a little brighter, their skin a little more dewy. They vibrate at a different frequency.

Beauty is nothing, beauty won’t stay. You don’t know how lucky you are to be ugly, because if people like you, you know it’s for something else.

Being in the beauty industry has taught me that most of us are never satisfied with how we look. We all wish we had better hair, could lose that last 10 pounds, or look like someone else. I always see the beauty in the clients that have sat in my chair, and I've tried to help them see it, too, and feel good about themselves.

When the people of the world all know beauty as beauty, There arises the recognition of ugliness. When they all know the good as good, There arises the recognition of evil.

The grey paintings, for example, a painted grey surface, completely monochromatic - they come from a motivation, or result from a state, that was very negative. It has a lot to do with hopelessness, depression and such things. But it has to be turned on its head in the end, and has to come to a form where these paintings possess beauty. And in this case, it's not a carefree beauty, but rather a serious one.

Remember how in that communion only, beholding beauty with the eye of the mind, he will be enabled to bring forth, not images of beauty, but realities (for he has hold not of an image but of a reality), and bringing forth and nourishing true virtue to become the friend of God and be immortal, if mortal man may.

The mathematics is the odd one, odd because I'm not sure how to measure its effect. It is so fundamental to my outlook on everything and yet I'm not even sure how. It must be because in my formative years it was everything to me, the single place of beauty in my life, and of breathtaking beauty at that. I still believe that pure mathematics is the most creative thing that humanity does, though I am no longer a part of it.

A woman in the presence of a good man, a real man, loves being a woman. His strength allows her feminine heart to flourish. His pursuit draws out her beauty. And a man in the presence of a real woman loves being a man. Her beauty arouses him to play the man; it draws out his strength. She inspires him to be a hero.

Finally, this is one way to reconcile the delight in beauty with the bourgeois life. Aschenbach, on one reading, has spent virtually all of his adult life balancing his restrained homosexuality, which is bound together with his sensitivity to beauty and thus with his artistic vocation, against the demands of conventional society.

Nothing is arbitrary, nothing is insulated in beauty. It depends forever on the necessary and the useful. The plumage of the bird, the mimic plumage of the insect, has a reason for its rich colors in the constitution of the animal. Fitness is so inseparable an accompaniment of beauty, that it, has been taken for it.

A creative act enhances the beauty of the world; it gives something to the world, it never takes anything from it. A creative person comes into the world, enhances the beauty of the world - a song here, a painting there. He makes the world dance better, enjoy better, love better, meditate better.

To be contemplative we must remove the clutter from our lives, surround ourselves with beauty, and consciously, relentlessly, persistently, give clutter away until the tiny world for which we ourselves are responsible begins to reflect the raw beauty that is God.

For thousands of years, human beings have been obsessed with beauty, truth, love, honor, altruism, courage, social relationships, art, and God. They all go together as subjective experiences, and it's a straw man to set God up as the delusion. If he is, then so is truth itself or beauty itself.

That you will feel the validation of your external beauty but also get to the deeper business of being beautiful inside. There is no shade in that beauty.

As a breeze ruffles the surface of a lake and distorts the images reflected therein, so also the chitta vrtti (fluctuations of mind) disturb the peace of the mind. The still waters of a lake reflect the beauty around it. When the mind is still, the beauty of the Self is seen reflected in it.

When one has praised Turgenev, however, for the beauty of his character and the beautiful truth of his art, one remembers that he, too, was human and therefore less than perfect. His chief failing was, perhaps, that of all the great artists, he was the most lacking in exuberance. That is why he began to be scorned in a world which rated exuberance higher than beauty or love or pity.

Next to invention is the power of interpreting invention; next to beauty the power of appreciating beauty.

The beauty of sorrow is superior to the beauty of life.

But in many orders of beauty, particularly those of the finer arts, it is requisite to employ much reasoning, in order to feel the proper sentiment; and a false relish may frequently be corrected by argument and reflection. There are just grounds to conclude, that moral beauty partakes of this latter species, and demands the assistance of our intellectual faculties, in order to give it a suitable influence on the human mind.

There is nothing wrong with the love of Beauty. But Beauty-unless she is wed to something more meaningful-is always superficial

Love of beauty is taste. The creation of beauty is art.

When I think of art I think of beauty. Beauty is the mystery of life. It is not in the eye it is in the mind. In our minds there is awareness of perfection.

There are two kinds of beauty, one being of the soul and the other of the body, That of the soul is revealed through intelligence, modesty, right conduct, Generosity and good breeding, all of which qualities may exist in an ugly man; And when one's gaze is fixed upon beauty of this sort and not upon that of the body, Love is usually born suddenly and violently.

Outer beauty is inner beauty made visible.

At that moment I remembered something Cal had told me: that there is beauty in darkness in everything. Sorrow in joy, life and death, thorns on the rose. I knew then that I could not escape pain and torment any more than I could give up joy and beauty