Quotes About Bit

My mother, she's the one who's gifted with language. She can speak Japanese, of course, Tagalog, which is a Filipino dialect, Spanish as well as English. And I speak a little bit Japanese because I've had the opportunity to work alongside Japanese people. And a little bit of German, a little bit of Portuguese because of work. A little bit of French because of work. But then, if you asked me to carry-on an everyday conversation, I would fail miserably.

The impositions that this government is trying to put on now, it's the typical death by 1,000 cuts. We'll take a little bit here, we'll take a little bit here, we'll take a little bit here. And it doesn't end the conversations for 25, 50 years. It starts the conversation again the next day what they're looking to take back.And really it's about freedoms.

I’m still secretly a bit of a punk. Love The Clash and a bit of the Pistols. I guess as I’ve got older I’ve chilled out a bit. But, my teenage angst is still stirring somewhere!

I love the fact that everybody slightly changes during the holidays. Most people are a little bit brighter and have a little bit more cheer around the Christmas time and are a little bit more giving, so I love that.

Where there's self importance, there's only a very little bit of you and that little bit is distorted. It's in a holding pattern that is false to what it knows. That holding pattern forbids you, in that little bit of you, from being the rest of you.

I'm seeing myself as an outsider a little bit - definitely when I started the band. I knew what band's name meant and nobody else really did, so I'd be on stage every night and say, "Hello, we're Art Brut" - basically saying that we were rejects. But I mean, I didn't really sing, it did feel a bit like we were outsiders. It was a bit tongue-in-cheek when I first named the band that, but then we slowly turned into that - like a self-fulfilling prophecy.

I think you always take away a little bit of a character with you, and it kinda like hangs on you for a bit, and then as time kind of goes and wears off a little bit.

What do you think the Devil is going to look like if he's around? Nobody is going to be taken in if he has a long, red, pointy tail. No. I'm semi-serious here. He will look attractive and he will be nice and helpful and he will get a job where he influences a great God-fearing nation and he will never do an evil thing... he will just bit by little bit lower standards where they are important. Just coax along flash over substance... Just a tiny bit. And he will talk about all of us really being salesmen. And he'll get all the great women.

If you pay a little bit of attention to something, and then let it go, and then come back to it, and then pay a little bit of attention to something, that's nice and healthy.

Off goes the head of the king, and tyranny gives way to freedom. The change seems abysmal. Then, bit by bit, the face of freedom hardens, and by and by it is the old face of tyranny. Then another cycle, and another. But under the play of all these opposites there is something fundamental and permanent - the basic delusion that men may be governed and yet be free.

When I am getting ready to cross a street, I look both ways before crossing. My bones, my muscles, are not what they used to be, so I am careful when I go up and down stairs, because I've heard stories of older people falling and having very disabling injuries. I have enough things that begin to go a little bit wrong as I get a little bit older.

I did easy yoga and I found it a bit boring. I'm now doing a more difficult one now and I'm enjoying it a bit more. I occasionally still work out with my trainer Tracy Anderson.

I enjoy doing new tunes. It gives me a little bit to perk up, to pay a little bit more attention.

It is a bit more challenging for the simple fact that now the stories I am writing are relying more on my imagination than on facts, more on research than on memory; so it is basically a slower writing process, more reading, more exploring. On the other hand, this approach is a little bit relieving too, since many times while writing [How the Soldieer Repairs the Gramophone] I felt too close and equal to my character.

I'm in a very good place now because I do theater, I do TV and I make movies. I was a dancer, so I dance a little bit. I was a musician, so I do a little bit of music. And I do all of this in four or five different languages, and all over the world.

I think I've got a responsibility to be home a little bit more, be available to my family a little bit more and do some things to help make our country better. I don't know what that is right now, but we'll see.

I think fashion is intensely personal. It should be. It should give a woman a creative outlet, it should give her a little bit of an escape, and it should give her a little bit of individuality that she can add to her life. I don't mean redoing your entire closet. I mean that a great shoe or a great handbag or a great top or a great coat or jacket can change everything.

I thought both she [Gypsy Rose Lee] and her story would be ill-served by a conventional, birth-to-death narrative, and so I structured the book like one of her stripteases: revealing a peek of shoulder, then a glimpse of knee, pulling back a bit before you go a bit further, until all is revealed at the end.

I was always a bit of a loose cannon, then again I was always the artistic one: bit of a social misfit. I probably still am.

I learned how to have a little bit of distance when I explained songs and a little bit of distance when I wrote them. I think this is more interesting any way in art.

I may have a little bit of a talent for music, but I've learnt to tap into my own self when I write. When I put the drill bit inside my heart, sometimes I come up with something light and frothy, sometimes with something deep and painful, but it's great to connect with the audience.

I think the reason why I haven't done a film in India so far is because I haven't found a script that's completely gotten my attention and made me passionate to get it made. I keep saying I'm not at all famous in my own country, because people do not think I have done anything for India. The reason why I'm making movies outside my country, bit by bit, is to be able to come back to India equipped with the knowledge and understanding of how to hopefully produce my own films one fine day.

It's so fun to be on a show where we're all on our toes, all the time. We're constantly texting each other and calling each other while we're reading and go, "Oh, my gosh, I can't believe you do that! Holy cow! This is crazy!" Sometimes it's a bit more procedural. Sometimes it's a bit more emotional. We get the best of all genres, in one little package.

I think it's important for scientists to be a bit less arrogant, a bit more humble, recognising we are capable of making mistakes and being fallacious - which is increasingly serious in a society where our work may have unpredictable consequences.

The parenting bit is much harder than the acting bit. You just never know what to do.

People who know me , they know I have a sense of humor, I'm a bit of a joker, a bit of a clown really, and I would love someone to exploit that side of me and send me a romantic comedy.

Man is a little bit better than his reputation, and a little bit worse

I figured I'd discuss my views outside of partying. I went a bit deeper, and the music is a bit more mature.

I've always thought of characters like advent calendars. You have Christmas and you have all the little doors over the windows and every day you're allowed to open one more as it gets towards Christmas and you see more and more about what's inside that house.I remember as a kid being fascinated by that and I've always thought of my character as a little bit like that. I like to have secrets and slowly let those secrets out to the audience, sometimes never let them out, but let them see as you open the shutters, open and see a little bit more of a character.

at least nine-tenths of all the original reality ever created lies outside the multiverse, and since the multiverse by definition includes absolutely everything that is anything, this puts a bit of a strain on things. Outside the boundaries of the universe lie the raw realities, the could-have-beens, the might-bes, the never-weres, the wild ideas, all being created and uncreated chaotically like elements in fermenting supernovas. Just occasionally where the walls of the worlds have worn a bit thin, they can leak in.

It's a bit disappointing when board members who don't know a thing about football are making decisions on your career. When you look at it you've got coaches, senior players and CEO's who wanted me but then it gets to a board meeting and you've got fat businessmen who are making the decision on your career. It was frustrating and it made me a bit angry.

I like your own shows because you can have a bit more fun and extend your set, you can go a bit over if you want because it's your show. Whereas at festivals it's very strict, like if you go like two minutes over they get ready to pull the plug kind-of-thing. They're both good and bad.

I'm not political in the sense of activity. My activity, I guess, are the films. I can't really say if I'm worried or a bit optimistic. I think in a funny way I'm a little bit optimistic because even though nothing has really changed, and even though the governments keep changing and there's always chaos in the Arab world because it's not easy to cope with politically, for me it's really interesting.

On 'Chopped,' the time goes down a bit and there are several ingredients, usually one that makes no sense whatsoever with the rest of the ingredients. So it gets you out of your culinary comfort zone a little bit. Like we had octopus and cheese paired up with each other.

The harsh, unyielding reality of having to compromise your ideals bit by bit, day by day, just to achieve a few little victories in the face of the world’s malice, or indifference. Until sometimes you wonder if there’s nothing left of you but the shell of the man you intended to be, just going through the motions because you’ve nothing better to do.

I asked for very little from life, and even this little was denied me. A nearby field, a ray of sunlight, a little bit of calm along with a bit of bread, not to feel oppressed by the knowledge that I exist, not to demand anything from others, and not to have others demand anything from me - this was denied me, like the spare change we might deny a beggar not because we're mean-hearted but because we don't feel like unbuttoning our coat.

A kiss that was every bit as big and every bit as small as a kiss can be.

I just don't feel that we've traveled very far in the realm of social equality. There just seems to be a little bit of unrest. And sometimes I think that happens when you really feel like something's about to change. Right before the moment of lift off, sometimes things feel a little bit unhinged, and that's what it feels like to me right now, both as a woman and just as a human on the planet as an American woman in America. I feel like we're on the precipice of change. I feel a little nervous.

In the area of trading, it is now an academically demonstrated fact that women tend to be a little bit more risk-adverse. They don't move positions as quickly and as erratically as men. Maybe it is a bit less profitably, but I think it would have been less risky.

Families that I lived with a little bit in junior high and quite a bit in high school and college. Just to have a safe, sane space with food and things like that. That's what I needed. And people were really kind and really generous. So I think the world kind of opened up my first years of performing arts, studying classical saxophone with Caesar DiMauro.

I love dark humor. I love things that are so grounded in life, but just happen to be just a little bit twisted because my sense of humor is a little bit twisted. I love jokes that shouldn't be funny, but are. Those types of things just really make me laugh.

No matter what we say, entertainers are usually quite insecure, wobbly characters underneath, and maybe that bit of glory or that bit of expression or whatever it is compensates in some area.

Step by step, heart to heart, left right left. We all fall down like toy soldiers. Bit by bit, torn apart, we never win.

No mat­ter how much I try and hide this, bit by bit, I start to fall apart.

I'm not a nostalgic person for the glory days of 8-track sales at the local K-Mart. But there's a little bit of flattery and a little bit of horror. It's a mixture. It's like sublime shock and awe, but also terror. That's always the way I feel about how music flows through those types of networks. I'm mostly cool with it, but I definitely appreciate when people support the work.

I'd like it to be a bit of everything, the kind of music you can dance to, but also something a bit more personal, that you can listen to in other contexts. I think it's very important to maintain the contrasts between the different types of music that I make.

Writing in a lot of ways feels more like excavation than construction. It feels like you're uncovering this thing bit by bit, discovering what it is, instead of constructing it upwards.

And you have a record company behind it, this is a key too, you need people to fight for your records, at least a little bit. So if you have a great song, it's catchy, and you've got a little bit of help, I think that's all you need. But there hasn't been that in music.