Quotes About Black

Dear White Fella When I am born I’m black When I grow up I’m black When I am sick I’m black When I go out ina sun I’m black When I git cold I’m black When I git scared I’m black And when I die I’m still black. But you white fella When you’re born you’re pink When you grow up you’re white When you git sick you’re green When you go out ina sun you go red When you git cold you go blue When you git scared you’re yellow And when you die you’re grey And you got the cheek to call me coloured?

Actually we've had a black bourgeoisie or the makings of a black bourgeoisie for many more decades.In a sense the quest for the emancipation of black people in the US has always been a quest for economic liberation which means to a certain extent that the rise of black middle class would be inevitable. What I think is different today is the lack of political connection between the black middle class and the increasing numbers of black people who are more impoverished than ever before.

Black History is enjoying the life of our ancestors who paved the way for every African-American. No matter what color you are, the history of Blacks affected everyone; that's why we should cherish and respect Black history. Black history changed America and is continuing to change and shape our country. Black history is about everyone coming together to better themselves and America. Black history is being comfortable in your own skin no matter what color you are. Black history makes me proud of where I came from and where I am going in life.

Some white people hate black people, and some white people love black people, some black people hate white people, and some black people love white people. So you see it's not an issue of black and white, it's an issue of Lovers and Haters.

I did not disregard my culture, if I did, it was the white American culture, and I accepted my true culture, when I accepted Mohammed Ali, because this is a black name, Islam is the black man's religion, and so I would like to say, that I would like to clarify that point that I reclaimed my real culture, and that's being a black man and wearing a black name with a black body, and not a white name, so I would never say that I didn't disown my culture.

I never thought about being the first black actor to win, even though everybody else talked about that. If I stop to think as a black actor, people will see me differently. If I play as a black actor, people will only see that. I think my key was to perform as an actor, not as a black actor. And after winning the Cesar, I was an actor with a Cesar. there are many more adjectives to describe who I am. I'm not only black.

I was adopted my black Americans, I feel that I'm a 'Hybrid'. When I'm around Africans'I suddenly feel very black American. And when I'm around black Americans'I feel very North African. North Africa and black America are both the creators of Kola Boof.

The Organization of Afro-American Unity was an organization that was a secular group. It largely consisted of people that we would later call several years later Black Powerites, Black nationalists, progressives coming out of the Black freedom struggle, the northern students' movement, people - students, young people, professionals, workers, who were dedicated to Black activism and militancy, but outside of the context of Islam.

The Dominican Republic says 'We're black behind the ears.' And in Mexico, 'there's a black grandma in the closet.' They know, they've just been intermarrying for a long time. But if we did the DNA of everyone in Mexico a whole lot of people would have a whole lot of black in them.

White people's fear of Black people with guns will never cease to amaze me. Probably it's because they think about what they would do were they in our place. Especially the police, who have done so much dirt to Black people - their guilty conscience tells them to be afraid. When Black people seriously organize and take up arms to fight for our liberation, there will be a lot of white people who will drop dead from no other reason than their own guilt and fear.

A black boxer's career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.

When I started, I was aware of using the black as a rhetorical device. It's understanding that black people come in a wide range of colors, but you find instances in a lot of black literature in which the blackness is used as a metaphor.

Of course I'm a black writer... I'm not just a black writer, but categories like black writer, woman writer and Latin American writer aren't marginal anymore. We have to acknowledge that the thing we call "literature" is more pluralistic now, just as society ought to be. The melting pot never worked. We ought to be able to accept on equal terms everybody from the Hasidim to Walter Lippmann, from the Rastafarians to Ralph Bunche.

But when I fell in love with black, it contained all color. It wasn’t a negation of color. It was an acceptance. Because black encompasses all colors. Black is the most aristocratic color of all.... You can be quiet and it contains the whole thing.

I've been in situations where I was 'black boy white,' or 'white boy black.' People didn't know, "Is he the whitest black person in the world or is he the blackest white person in the world?"

Now it's time to play a brand new game called Name That Barcode. Here's the first one: "Thick black, thin white, thick black, thick white, thick black, thin white." OK who's going to identify that?

I have a black belt in chutzpah. I was born with it. Some people, like some of the women I know, have a black belt in spending. They were born with that. But what they gave me was a black belt in chutzpah.

One can take a neon tube and simply paint it black on the front. So it would read as a black letter or a line, but it would also read as neon because there would be light coming from behind that black letter.

Later, I would realize that the position of most black students in predominantly white colleges was already too tenuous, our identities too scrambled, to admit to ourselves that our black pride remained incomplete. And to admit our doubt and confusion to whites, to open up our psyches to general examination by those who had caused so much of the damage in the first place, seemed ludicrous, itself an expression of self-hatred - for there seemed no reason to expect that whites would look at our private struggles as a mirror into their own souls, rather than yet more evidence of black pathology.

It was darker than a pitch-black panther, covered in tar, eating black licorice at the very bottom of the deepest part of the Black Sea.

Phillip Roth uses his Black women characters to make anti intellectual remarks about Black history month, begun by a man who reached intellectual heights that Roth will never attain. Roth is a petty bigot and his ignorant remarks about black culture expose him as a buffoon to scholars the world over.

As a journalist, I never critiqued anyone. I never review books. I've never felt qualified as a musician to say whether someone is a good musician or a bad musician. What happens with Black writers and Black artists is that if you're critiqued, for example, by a Black historian who wants to get his name on the cover of "The New York Times," and he says something, like, wacky, well, he'll get his name on the cover of "The New York Times" and he might get tenure, and your career suffers.

The whites have always had the say in America. White people made Jesus white, angels white, the Last Supper white. If I threaten you, I'm blackmailing you. A black cat is bad luck. If you're put out of a club, you're blackballed. Angel's-food cake is white; devil's-food cake is black. Good guys in cowboy movies wear white hats. The bad guys always wore black hats.

Obama wouldn't have been voted president if he weren't black. Somebody asked me over the weekend why does somebody earn a lot of money have a lot of money, because she's black. It was Oprah. No, it can't be. Yes, it is. There's a lot of guilt out there, show we're not racists, we'll make this person wealthy and big and famous and so forth.... If Obama weren't black he'd be a tour guide in Honolulu or he'd be teaching Saul Alinsky constitutional law or lecturing on it in Chicago.

Black people's music is in a class by itself and always has been. There's nothing like it. The reason for that is because it was not tampered with by white people. It was not on the media. It was not anywhere except where black people were. And it is one of the art forms in which black people decided what is good in it. Nobody told them. What surfaced and what floated to the top, were the giants and the best.

I'm very disappointed in Barack Obama. I was very much in support of him in the beginning, but I cannot support war. I cannot support droning. I cannot support capitulating to the banks. I cannot support his caving in to Benjamin Netanyahu. I think many black people support him because they're so happy to have handsome black man in the White House. But it doesn't make me happy if that handsome black man in the White House is betraying all of our traditional values of peace, peoplehood, caring about strangers, feeding the hungry, and not bombing children.

Obviously, I can't tell the story of what it is to be a black girl, but maybe I can tell something else. Girlhood is not about what it's like to be a black girl, it's about what it's like to be a girl.

The election, and even the re-election, of a black man as president, in a country that is 87 percent non-black - a first in human history - has had no impact on what are called 'racial tensions.'

In America one drop of black ancestry makes you black. In Brazil, it's almost as if one drop of white ancestry makes you white.

I maintain that any writer of a book is fully authorised in attaching any meaning he likes to a word or phrase he intends to use. If I find an author saying, at the beginning of his book, "Let it be understood that by the word 'black' I shall always mean 'white,' and by the word 'white' I shall always mean 'black,'" I meekly accept his ruling, however injudicious I think it.

Up until the middle to late '60s, it was a choice to film in black-and-white or color. But then television became so vital to a film's finance, and television won't show black-and-white. So that killed it off, really.

I went to an historically black college where we're always told that there's limitation. And so I'm happy to represent for black colleges.

The emphasis on personal responsibility is something we've had in black America from the get-go. Every major leader and intellectual worth her salt has advocated for black folk to better ourselves and push ourselves to the limits of our abilities and gifts. At the same time, we've got to focus on creating a society that recognizes our worth, regardless of race and other factors.

I was inspired by Colin Farrell in the fact that he's Irish and has freckles but with black hair. I'm a bunch of different things, Irish Polish, Native American, and French, but I wanted to tap into that Irish side and be freckle-y with black hair, so that's what I did.

Bill [Clinton] is every bit as black as Barack. He's probably gone with more black women than Barack.

Everytime I look at a zebra, I can't figure out whether it's black with white stripes or white with black stripes, and that frustrates me.

There's all kinds of depictions of black men. You have the Denzel Washingtons and the Will Smiths; that's wonderful, but that doesn't represent everyone. There's a Russell Crowe... well, you know, there's a black Russell Crowe.

Marcus Garvey was one of the first advocates of Black Power, and is still today the greatest spokesman ever to have been produced by the movement of Black Consciousness...He spoke to all Africans on the earth, whether they lived in Africa, South America, the West Indies or North America, and he made Blacks aware of their strength when united.

Because when you unite, that is the power of God, you know. God love Love, which is unity. So when you unite, you get the whole power of God. That's what him want. Until Black people unite...if the Black people don't unite, the world, no one, no one can live good.

I'm sure no intelligent white person, in his or her right white mind, want black men and women marrying their white sons and daughters and in return introducing their grandchildren to half brown, kinky haired black people.

There's no question here that every effort is made to earn as much money off tobacco as possible. At the same time, the same people who are doing everything they can to get every penny out of this product, are condemning its use, are bludgeoning and impugning its users, and denying them every day more and more places where they can legally use the product. In the process, they have been the architects of the black market. The people in charge of all this have themselves set the stage for black market circumstances to prosper and thrive.

If you look at countries like South Africa, where you had a black majority, there have been efforts to tax and help that black majority, but it hasn't come in the form of a formal reparations program.

We must stand up and say, "I'm black and I'm beautiful," and this self-affirmation is the black man's need, made compelling by the white man's crimes against him.

I really think the range of emotions and perceptions I have had access to as a black person and as a female person are greater than those of people who are neither.... So it seems to me that my world did not shrink because I was a black female writer. It just got bigger.

I am a black diamond, unfaceted. Black diamonds are rare, hard to cut, and therefore uncommercial.

I am of the generation of segregation. Black Lives Matter is post. I said today, and I will say all the time, "If Nina [Simone] were here, she'd have her Black Lives Matter [T-shirt] on." I think they're great kids. They don't need me or anybody else to tell them what to do.

I didn't want any middle-of-the-road creep. I always wanted the toughest guy in school, the guy from south Philly who wore tight black pants. Y'know, the guy who carried the umbrella and wore white shirts with real thin black ties. I was really nuts over this guy named Butchie Magic 'cause he let me carry his switchblade.

Wayne Brady, I don’t understand why people keep joking that you’re not black. Wayne Brady, you are BLACK. After all, I only remember you for all the years you played an uppity slave on ‘Who’s Line is it Anyway?’.