Quotes About Buildings

As the Ambassador for WWF Earth Hour, I still vividly remember that there were only 80 buildings in China that participated the Earth Hour in its first year. Six years later, there were 170 cities and thousands of buildings that participated. We are still growing strong. I am encouraged by the accomplishments we have made together and they make me proud and more determined than ever.

I don't do casinos or prisons; I like to do projects that enhance the lives of everyday people, like campus buildings, libraries, museums and government buildings. That's why I love working in the public sector.

A country whose buildings are of wood, can never increase in its improvements to any considerable degree.... Whereas when buildings are of durable materials, every new edifice is an actual and permanent acquisition to the state, adding to its value as well as to its ornament.

Layering and changeability: this is the key, the combination that is worked into most of my buildings. Occupying one of these buildings is like sailing a yacht; you modify and manipulate its form and skin according to seasonal conditions and natural elements, and work with these to maximize the performance of the building.

I graduated from Wesleyan University with a b.a. in art. I was really headed toward an architecture degree, but when I did the requirements for the major, I realized I was more interested in how people live in buildings than in making buildings. I was more interested in the interactions that happened inside the structures. So I got an art degree as a default position.

I and Trump were raised to believe that to whom much is given, much will be required. And so for the president-elect that meant that what - he describes himself this way, the kid from Queens would go to Manhattan Island and build the big buildings.

I think that's an obligation you have, to give back no matter what happens. It actually ends up being easier when you're young than when you become successful. Suddenly you realize you've gone into a whole other realm of philanthropy, from just being a volunteer to being this person that dedicates buildings and saves lots of children in some faraway place.

In New York City, when they develop something, they never use the old buildings. It's so wasteful. Why not use what's there?

We can change so many times in our lives. We're born into a family, and it's the only life we can imagine, but it changes. Buildings collapse. Fires burn. And the next second we're someplace else entirely, going through different motions and trying to keep up with this new person we've become.

The Holy Ghost does not come upon methods, but upon men. He does not anoint machinery, but men. He does not work through organizations, but through men. He does not dwell in buildings, but men. He indwells the Body of Christ, directs its activities, distributes its forces, empowers its members.

Evolution is just a theory? Well, so is gravity and I don't see you jumping out of buildings.

I think you need to, as an architect, understand the essence of a place and create a building that feels like it resonates with the culture of a place. So my buildings in India or in Kansas City or in Arkansas or in Singapore, they come out different because the places are so different.

If there were a major earthquake in Los Angeles, with bridges and highways and railroads and airports all shut down and huge buildings collapsing, I don't care how much planning you do, the first 72 hours is going to be chaotic.

When you've got Jews and Christians, Muslims, Sikhs and Hindus removing graffiti from buildings, or getting drug dealers off the street, that's side by side. When you do that, you take it from the very elevated level of interfaith dialogue to the street level of neighbors. You get them working side by side, and they become friends. Friendship sometimes counts for more than interfaith agreement or understanding. Friendship is deeply human.

I did climb about 80 buildings around the world and I climbed even the five tallest.

The winter oak... is very useful in buildings but when in a moist place it takes in water to its centre... and so it rots. The Turkey oak and the beech both... take in moisture to their centre and soon decay. White and black poplar, as well as willow, linden, and the agnus castus... are of great service from their stiffness... they are a convenient material to use in carving.

By employing the intelligence of natural systems we can create industry, buildings, even regional plans that see nature and commerce not as mutually exclusive but mutually coexisting.

I base jumped off one of the highest buildings in the world.

The buildings ... had suffered the inevitable shrinkage of places revisited.

Why, I just shake the buildings out of my sleeves.

I never wanted to make portraits - to photograph celebrities, beautiful people, beautiful landscapes, beautiful buildings, or people in distressing situations.... I have always been interested in everyman - average, ordinary people in everyday situations.

Community is not something you have, like pizza. Now is it something you can buy. It's a living organism based on a web of interdependencies- which is to say, a local economy. It expresses itself physically as connectedness, as buildings actively relating to each other, and to whatever public space exists, be it the street, or the courthouse or the village green.

It's an enormous amount of work: there are 28 separate buildings, and I work on the choice of the colors for everything. Outside colors, balcony colors, etc.. And all of this has to work together, in harmony.

I don't usually go in for reviews of buildings that aren't yet built, since you can tell only so much from drawings and plans, and, besides, has there ever been a building that didn't look great as a model?

Qatar does not have much history, it's a new emirate. So I couldn't draw on the history of the country; its history is really just being a desert. But I thought, the one thing I must learn about for this project is the Islamic faith. So I read about Islam and Islamic architecture, and the more I studied the more I realized where the best Islamic buildings were.

Even here in California with more contemporary buildings. I have a real problem with the low doorframes. It's a curse! That's just another of the many problems I have to live with.

We had the city trying to demolish two of our exhibition spaces, which was at first pretty disturbing. But following the freak-out is the realization that an attachment to any kind of form is pointless. Forgive me if I seem like a complete nihilist, but if the demolition trucks show up and the buildings come down, then that just presents a new setting in which an artist can work. The real challenge is trying to conceal my delight in the process.

The planes were hijacked, the buildings fell, and thousands of lives were lost nearly a thousand miles from here. But the attacks on the World Trade Center and the Pentagon were an attack on the heart of America. And standing here in the heartland of America, we say in one voice We will not give in to terrorists; We will not rest until they are found and defeated; We will win this struggle not for glory, nor wealth, nor power, but for justice, for freedom, and for peace; So help us God.

I stroll along serenely, with my eyes, my shoes, my rage, forgetting everything, I walk by, going through office buildings and orthopedic shops, and courtyards with washing hanging from the line: underwear, towels and shirts from which slow dirty tears are falling.

If you believe that the developing world deserves the same standards of living that we do in the developed world, then to achieve that, they need resources. They need the metals and the minerals to build the industries and the buildings and so forth, and the energy.

No wonder the film industry started in the desert in California where, like all desert dwellers, they dream their buildings, rather than design them.

We often judge cities by great public buildings. But we admire great cities because people live there in a beautiful way. You have to think about how each person will live there; you can't just think about abstract ideas.

Have you noticed how nobody ever looks up? Nobody looks at chimneys, or trees against the sky, or the tops of buildings. Everybody just looks down at the pavement or their shoes. The whole world could pass them by and most people wouldn't notice.

. . . a jostling scrum of office buildings so mediocre that the only way you ever remember them is by the frustration they induce - like a basketball team standing shoulder to shoulder between you and the Mona Lisa.

All I have is a voice to undo the folded lie, the romantic lie in the brain of the sensual man-in-the-street and the lie of Authority whose buildings grope the sky: There is no such thing as the State and no one exists alone; Hunger allows no choice to the citizen or the police; We must love one another or die.

The heart of Paris is like nothing so much as the unending interior of a house. Buildings become furniture, courtyards become carpets and arrases, the streets are like galleries, the boulevards conservatories. It is a house, one or two centuries old, rich, bourgeois, distinguished. The only way of going out, or shutting the door behind you, is to leave the centre.

Architecture is not about designing somehting from a free, fanciful idea. It is about discovering and establishing one's own principle, some kind of regularity - finding an individual formula to apply to one's buildings.

There are about 46,000 jobs supported by the solar industry right now. That's fewer than it should be, too. And you have a whole other set of jobs in energy-efficiency in buildings and in creating the "Smart Grid," as we call it.

The cities drain the country of the best part of its population: the flower of the youth, of both sexes, goes into the towns, andthe country is cultivated by a so much inferior class. The land,--travel a whole day together,--looks poverty-stricken, and the buildings plain and poor.

I have been criticized rather strenuously by painters and sculptors for not incorporating their work in our buildings.

The fact is that people who strap bombs to their bodies to blow up families at a Bar Mitzvah in Israel, plant bombs at a nightclub in Bali, or slit stewardesses' throats and ram airplanes filled with innocent Americans into office buildings do not do so for any reason related to poverty. They do so because they hold evil beliefs and have deformed consciences

We are sad at home and blame the weather and the ugliness of the buildings, but on the tropical island we learn that the state of the skies and the appearance of our dwellings can never on their own underwrite our joy nor condemn us to misery.

September 11 had such a strong visual component, the most visually documented event in human history. Nothing's ever been seen by as many people as that was. Our experiences of the day, our memories of the day are just so tied up in images of buildings falling and bodies falling.

My mother died yesterday, yesterday many years ago. You know, what amazed me the most the next day after her leaving was the fact that the buildings were still in place, the streets were still full of cars running, full of people who were walking, seemingly ignoring that my whole world has just disappeared." (rough translation)

You can't out-travel sadness. I travel not to get away from my troubles but to see how they look in front of famous buildings

There are roles I am never considered for. Meryl Streep roles, let's say. Why not? I really wanted to do 'Ironweed,' for example, because the depression era in this country was one of the best for multiracial people, because everybody was poor. Everybody lived in the tents, and under buildings, and under gratings, together.

We can appreciate but not really understand the medieval town. We cannot comprehend its compactness, the contiguity of all its buildings as a single uninterrupted whole.

An endless number of green buildings doesn't make a sustainable city.