Quotes About Buildings

The buildings that were in question, they said in the same report, which was - actually, it wasn't even a bad story, to be honest with you, but the buildings are worth $3.9 billion. And the $650 isn't even on that. But it's not $650. It's much less than that.

As the Ambassador for WWF Earth Hour, I still vividly remember that there were only 80 buildings in China that participated the Earth Hour in its first year. Six years later, there were 170 cities and thousands of buildings that participated. We are still growing strong. I am encouraged by the accomplishments we have made together and they make me proud and more determined than ever.

Feel like real time unfolding. It's going to smack of reality and feel as real as it can ... The buildings themselves aren't (shown) ... The movie's about what happened amongst this handful of men when the buildings came down.

Where can we find greater structural clarity than in the wooden buildings of the old. Where else can we find such unity of material, construction and form? Here the wisdom of whole generations is stored. What feelings for material and what power of expression there is in these buildings! What warmth and beauty they have! They seem to be echoes of old songs.

Everyone must be clear that business as usual is not an option. Most of us live in buildings erected long before we were born and our successors will have to live with the environmental consequences of the buildings we construct today. It is vital that we minimise harmful impacts for those who come after us

Our message will be that we're going to make federal government buildings a model - an energy-efficient model - and also start matching grants for cities and counties so that they can also do the same with their government buildings.

Building places that are worth living in and worth caring about require a certain attention to detail, and of a particular kind of detail that we have forgotten how to design and assemble. And that involves the relationship of the buildings to each other, the relationship of the buildings to the public space, which in America, comes mostly in the form of the street. Because it's only the exceptional places in America that have the village square or the New England green. You know. The street is mostly the public realm of America. And we have to design these things so that they reward us.

A lot of the buildings [in Toronto] around Yonge and Bloor is the architectural equivalent of Kipper Ties and 8" collar points. It's ghastly and no amount of street-level retail glitz can lift it.

No sort of defense is needed for preaching outdoors, but it would take a very strong argument to prove that a man who has never preached beyond the walls of his meetinghouse has done his duty. A defense is required for services within buildings rather than for worship outside of them.

I live in the Village right near NYU, which is taking over most of the Village. I've lived there for most of my time in New York. One of the things I like about the Village is, it's considered the kind of area where you can't have skyscrapers or, actually, many tall buildings. So you can see the sky which, I think, is a benefit.

A terrible premonition washed over me. This was how the whole world would end.... They would devour the forest and excrete piles of buildings made of stone wrenched from the earth or from dead trees. They would hammer paths of bare stone between their dwellings, and dirty the rivers and subdue the land until it could recall only the will of man. They could not stop themselves from doing what they did. They did not see what they did, and even if they saw, they did not know how to stop. They no longer knew what was enough.

That kid can hit balls over buildings.

Great buildings, like great mountains, are the work of centuries.

Our cities with their swollen populations and cliff dwelling high-rise buildings are breeding places for loneliness. Neighborhoods crumble under the housing development bulldozers and families scatter in pursuit of jobs and professions everywhere. In a world of wheels, old and comfortable groupings of people have disappeared.

The buildings that I build very often have a dreamlike reality. I don't mean by that they have a fantasy quality at all, in fact quite the reverse. They contain in some degree the ingredients that give dreams their power... stuff that's very close to us.

The church is like any large corporation in one respect. In its early days, either the early church or the early years of Microsoft, you see all kinds of creativity, innovation, invention, people have nothing to lose, they're trying to find what works. Then you wake up and you're a vast enterprise, and it's very hard, when you have all kinds of buildings and structures and hierarchy and so on, to hang on to these very creative impulses that helped you get your great success in the first place. As a church we're going to have to figure a way out from under this.

Terror is now the world narrative, unquestionably. When those two buildings were struck, and when they collapsed, it was, in effect, an extraordinary blow to consciousness, and it changed everything.

We expect too much of new #‎ buildings , and too little of ourselves.

We go to church buildings that still have a mortgage. Which means the bank owns God's house. Which means that we go and make love to God in a house that Satan owns!

I can see it. This one moment when you know you’re not a sad story. You’re alive. And you stand up and see the lights and the buildings and everything that makes you wonder. And you’re listening to that song in that drive with the people you love most in this world. And in this moment I swear… we are infinite.

The buildings ... had suffered the inevitable shrinkage of places revisited.

When people with power see things happen of which they disapprove, they drop bombs and send in tanks. When people without power see things happen of which they disapprove, they smash store windows, blow themselves up in crowded places, and fly planes into buildings. The fact that both methods have proved remarkably unsuccessful at changing things doesn't stop people from going on in the same way.

The American dream is not about how much money you make or how many buildings have your name on it.

Worship will never end; whether there be buildings, they will crumble; whether there be committees, they will fall asleep; whether there be budgets, they will add up to nothing. For we build for the present age, we discuss for the present age, and we pay for the present age; but when the age to come is here, the present age will be done away.

Susan hardly had begun to slow down when Tera appeared from between a couple of buildings and loped over to the car. I leaned forward, opened the door, and she got into the backseat. I threw her the extra clothes I had picked up, and she began to dress without comment. It worked," I said. "We did it." Of course it worked," Tera said. "Men are foolish. They will stare at anything female and naked.

The more sophisticated we get, the more advanced our buildings and vehicles become, the more vulnerable we are.

Even here in California with more contemporary buildings. I have a real problem with the low doorframes. It's a curse! That's just another of the many problems I have to live with.

I did not find Liverpool ugly. Her stately public buildings, broad streets, public squares, and noble statues redeem her from the charge.

Don't just look at buildings ... watch them.

I don't measure success by how many buildings have my name on it.

Toward the end of the Cold War, capitalism created a military horror: the neutron bomb, a weapon that destroys life while leaving buildings intact. During the Fourth World War, however, a new wonder has been discovered: the financial bomb. Unlike those dropped on Hiroshima and Nagasaki, this new bomb not only destroys the polis (here, the nation), imposing death, terror, and misery on those who live there, but also transforms its target into just another piece in the puzzle of economic globalization.

There is a backlash against me and everyone who has done buildings that have movement and feeling.

There are masses of people who need affordable housing in New York. I think that, politically, it is very difficult to give preference to artists over another group. Now, could there be an impressive envisioning process where developers would be asked to collaborate with urban designers? Maybe envision a large-scale development with local shops, dense housing, maybe a few towers, maybe a few mid-rise buildings, and art workshops in the mix? That would be great. I don't see a call for those proposals. But I think that it would not be outrageous to propose that kind of vision.

There are about 46,000 jobs supported by the solar industry right now. That's fewer than it should be, too. And you have a whole other set of jobs in energy-efficiency in buildings and in creating the "Smart Grid," as we call it.

I have been criticized rather strenuously by painters and sculptors for not incorporating their work in our buildings.

We are limited only by our lack of creativity. Our buildings should symbolize the exuberance of a free nation that encourages individual effort and creativity.

Kolkata is a great city, has great food and great people. We had some problems finding the kind of old buildings we were looking for, and even handling the crowds, but on the whole it was fun shooting there.

Whatever the political injustices are that created an environment that brought this about, it was not Americans who flew those planes into those buildings. And we should remember that. The crimes against humanity were perpetrated by people who were Arab Muslims.

As a woman, I'm expected to want everything to be nice and to be nice myself. A very English thing. I don't design nice buildings - I don't like them. I like architecture to have some raw, vital, earthy quality.

Buildings are tools to reach people, raise disciples, reach students, train up our kids, heal marriages and families and worship God.

There are roles I am never considered for. Meryl Streep roles, let's say. Why not? I really wanted to do 'Ironweed,' for example, because the depression era in this country was one of the best for multiracial people, because everybody was poor. Everybody lived in the tents, and under buildings, and under gratings, together.

You can figure out how bad a person you are by how soon after September 11th you masturbated, like how long you waited... and for me it was between the two buildings going down... I had to do it, otherwise they'd win.

One cannot completely avoid this landmark character with large buildings such as these. But the city itself is also gigantic.

I have designed the most buildings of any living American architect.

My trade and my art is living. He who forbids me to speak about it according to my sense, experience, and practice, let him orderthe architect to speak of buildings not according to himself but according to his neighbor; according to another man's knowledge, not according to his own.

The past is what provides us with the building blocks. Our job today is to create new buildings out of them.

Face the facts, all these environmental organizations are thirty, forty, fifty years old. They have big buildings, big obligations, big staffs. They may trade on their youthful dreams, but the truth is, they're now part of the establishment. And the establishment works to preserve the status quo. It just does.

Everybody is, I suppose, either Classic or Gothic by nature. Either you feel in your bones that buildings should be rectangular boxes with lids to them, or you are moved to the marrow by walls that climb and branch, and break into a inflorescence of pinnacles.