Quotes About Buildings

In Brazil, there is a fear and a denial of our past. Downtown Rio used to display the history of colonialism in Brazil. They had beautiful buildings and theaters, and there was a bakery that was threatened to be demolished, but people insisted against it. They laid down in front of it and said, "You're going to have to go over my body to destroy it." It frustrates me when I see people on Facebook posing in front of old buildings while on vacation, because they could've posed in front of equally beautiful buildings at home in Rio.

Chinese buildings are like American buildings, with big footprints. People don't care about daylight or fresh air.

Buildings are seldom just buildings in downtown Chicago, they are Examples, and not a city on Earth, I swear, is as knowledgeably preoccupied with architectural meaning. Where else would a department store include in its advertisements the name of the architect who created it, or a newspaper property section throw in a scholarly exposition of theoretical design?

We build buildings which are terribly restless. And buildings don't go anywhere. They shouldn't be restless.

Everyone must be clear that business as usual is not an option. Most of us live in buildings erected long before we were born and our successors will have to live with the environmental consequences of the buildings we construct today. It is vital that we minimise harmful impacts for those who come after us

I graduated from Wesleyan University with a b.a. in art. I was really headed toward an architecture degree, but when I did the requirements for the major, I realized I was more interested in how people live in buildings than in making buildings. I was more interested in the interactions that happened inside the structures. So I got an art degree as a default position.

Building places that are worth living in and worth caring about require a certain attention to detail, and of a particular kind of detail that we have forgotten how to design and assemble. And that involves the relationship of the buildings to each other, the relationship of the buildings to the public space, which in America, comes mostly in the form of the street. Because it's only the exceptional places in America that have the village square or the New England green. You know. The street is mostly the public realm of America. And we have to design these things so that they reward us.

In China I told pastors about how, in the West, we have these church buildings and how we go to services each week that last an hour or so. I told them how if we don't like the music or the message then we can go to different buildings and services... They all broke out into laughter. They thought I was the funniest guy they had ever seen.

There is a kind of virtue that lies not in extraordinary actions, not in saving poor orphans from burning buildings, but in steadfastly working for a world where orphans are not poor and buildings comply with decent fire codes.

Old ideas can sometimes use new buildings. New ideas must use old buildings.

When drawings of the main buildings I have designed in the last five years are juxtaposed, the fact that they all involve the pursuit of certain configurations is obvious to anyone.

People's personalities, like buildings, have various facades, some pleasant to view, some not.

...and suddenly you started singing out your love for me. My name and everything, loud enough to reach the top floors of all the buildings. I should have told you to stop, but I didn’t want you to stop. I didn’t mind if your love for me woke people up. I didn’t mind if it somehow sneaked into their sleep.

We are the only country in the world that trashes its old buildings. Too late we realize how very much we need them.

Human artifacts not only include material structures and objects, such as buildings, machines, and automobiles, but they also include organizations, organizational structures like extended families . . . tribes, nations, corporations, churches, political parties, governments, and so on. Some of these may grow unconsciously, but they all originate and are sustained by the images in the human mind.

In reality some images or drawings have a greater impact than many buildings that are built.

That kid can hit balls over buildings.

Modernism really started with people getting infatuated with the idea of "it's the twentieth century, is this suitable for the twentieth century." This happened before the First World War and it wasn't just the soldiers. You can see it happening if you read the Bloomsbury biographies. It was a reaction to a great extent against Victorianism. There was so much that was repressive and stuffy. Victorian buildings were associated with it, and they were regarded as very ugly. Even when they weren't ugly, people made them ugly. They were painted hideously.

I think you need to, as an architect, understand the essence of a place and create a building that feels like it resonates with the culture of a place. So my buildings in India or in Kansas City or in Arkansas or in Singapore, they come out different because the places are so different.

Conversion requires a subtler mind. Architects don't like it, architects want to create their own landmark buildings so that people a few years hence will say, 'Oh, that building there is being knocked down, who did that one?'

One or two of the trips were a bit scary. Soldiers had me at gun point on one trip, locked me in my van all night and escorted me in and out of buildings when I wanted to wash.

And as you got older, the training became more developed and precise. We did plays, we had voice classes with great dialect coaches. But I was never into it on a school level; it was this kind of private little thing I did. At school I was a rugby guy. At school I was a rugby guy. I was causing trouble with my mates and skating and tagging buildings, and smoking bongs.

I think buildings should imitate ecological systems.

Here in Barcelona, it's the architects who built the buildings that made the city iconic who are the objects of admiration - not a bunch of half-witted monarchs.

Let the painter composing narrative pictures take pleasure in wealth and variety, and avoid repeating any part that occurs in it, so that the uniqueness and abundance attract people to it and delight the eye of the observer. I say that a narrative painting requires (depending on the scene), wherever the eye falls, a mixture of men of diverse appearances, of diverse ages and dress, combined together with women, children, dogs, horses, buildings, fields, and hills.

The physician can bury his mistakes, but the architect can only advise his client to plant vines - so they should go as far as possible from home to build their first buildings.

Science flies you to the moon. Religion flies you into buildings.

Imagination bound us stronger than love. Within its limitless borders we launched ships and love affairs, discovered lost worlds, made buildings and babies, found husbands, wrote letters and Broadway plays. We made ourselves up everyday.

Our odd idea of the classical world, the white Washington, D.C., is based on buildings that were originally brightly painted.

We built tall buildings, but we have not become any taller.

Experimental architecture by its very nature is more prone to the depredations of time and natural elements than buildings made from conventional materials through traditional methods. Avant-garde architects often simply do not know how the products of their imagination will perform when implemented, especially if untested components are involved.

From the early days of European migration to America, in the 17th Century, the prototype of buildings was based on English precedent, even if mostly translated into the locally available material in abundance: timber.

The Assembly passed a budget that makes the right choices for young students across the state by helping schools avoid cutting essential educational programs, laying off teachers and increasing local property taxes. Without a sound investment in our children and their education, New York would face crumbling school buildings, overcrowded classrooms, and few opportunities to excel.

The planes were hijacked, the buildings fell, and thousands of lives were lost nearly a thousand miles from here. But the attacks on the World Trade Center and the Pentagon were an attack on the heart of America. And standing here in the heartland of America, we say in one voice We will not give in to terrorists; We will not rest until they are found and defeated; We will win this struggle not for glory, nor wealth, nor power, but for justice, for freedom, and for peace; So help us God.

I visited the compound of the American embassy and talked to the police and the people and encouraged them, and I told them to take the proper measure and apply the law against the people who are attacking them and attacking the buildings.

Politicians, ugly buildings, and whores all get respectable if they last long enough.

The hidden village was something we found when we went to research in China we climbed a mountain in the Sichuan province where the panda sanctuary is based, and we climbed to this beautiful, mist-covered, almost primordial place and when we turned these corners these moss covered old buildings would come into view, revealing themselves and it was so beautiful and so unlike anything we'd seen that we literally took those moments and put them into the film [Kung Fu Panda 3].

I run a taxpayer group - the most powerful guy in D.C., nonsense. OK? There are buildings with thousands of people in them, all lobbying for more spending and higher levels of spending and more government commitments. And there are a handful - a handful of groups that fight for less spending.

Of everything that man erects and builds in his urge for living nothing is in my eyes better and more valuable than bridges. They are more important than houses, more sacred than shrines. Belonging to everyone and being equal to everyone, useful, always built with a sense, on the spot where most human needs are crossing, they are more durable than other buildings and they do not serve for anything secret or bad.

And sometimes when I would get in the morning, when we'd go out - we'd see shrapnel and bits of stuff in the streets and bombed buildings, and - but I was evacuated a lot. Every time the blitz got heavy, my parents would take us off to the country.

I always lived in old buildings, and I thought about who lived here before. You'd have to be oblivious not to.

They work now with computers for building buildings and books, but not ever with new ideas.

I believe in such cartography – to be marked by nature, not just label ourselves on a map like the names of rich men and women on buildings. We are communal histories, communal books. ... All I desired was to walk upon such an earth that had no maps.

The apparition of an evil, sick unconscious wild city rose before me in visible semblance, and about the dead buildings in the barren air, the bodies of the soul that built the wonderland shuffled and stalked and stalked and lurched in attitudes of immemorial nightmare all around.

When I was a fireman I was in a lot of burning buildings. It was a great job, the only job I ever had that compares with the thrill of acting.

I just thought everybody lived around abandoned buildings and crack-heads, ... I lived in the ghetto until I was like 19. I came to Los Angeles, stayed at hotels and stuff. When I got back and I saw what my neighborhood looked like, I started getting scared.

I am willing to admit that some people might live there for years, or even a lifetime, so protected that they never sense the sweet stench of corruption that is all around them - the keen, thin scent of decay that pervades everything and accuses with a terrible accusation the superficial youthfulness, the abounding undergraduate noise, that fills those ancient buildings.

I'm battling monsters, I'm pulling you out of the burning buildings/ and you say I'll give you anything but you never come through.