Quotes About Buildings

The buildings that were in question, they said in the same report, which was - actually, it wasn't even a bad story, to be honest with you, but the buildings are worth $3.9 billion. And the $650 isn't even on that. But it's not $650. It's much less than that.

In Florence, classical buildings sit against medieval buildings. It's that contrast we like.

Architects are mostly self-centered and their buildings express their ego. [They are] not social buildings to make it more comfortable for people - to make life better for people. The cities have to be designed so people can get together and talk with one another.

I don't think things necessarily should have a meaning. If stuff has a meaning then why do [writing] about it? If you're trying to say, 'Tall buildings are great' why not just leave it at that: "Tall buildings are great."

Architecture is not a private affair; even a house must serve a whole family and its friends, and most buildings are used by everybody, people of all walks of life. If a building is to meet the needs of all the people, the architect must look for some common ground of understanding and experience.

A cricket ground is a flat piece of earth with some buildings around it.

No sort of defense is needed for preaching outdoors, but it would take a very strong argument to prove that a man who has never preached beyond the walls of his meetinghouse has done his duty. A defense is required for services within buildings rather than for worship outside of them.

I have approached the buildings as psychological and poetic manifestations - rather than from the more technical viewpoints of the architect and historian (which mostly miss the living spirit behind the forms).

Obviously the whole Wayward thing hasn't been explained to you properly. You don't have any superpowers. You can't leap over tall buildings in a single bound or fight Dark Casters with your magic cat. Basically, you're a glorified tour guide who's no better equipped to face a bunch of Dark Casters than Mary P. over here -Ridley

People are not killed by earthquakes alone, but by collapsed buildings.

When I design buildings, I think of the overall composition, much as the parts of a body would fit together. On top of that, I think about how people will approach the building and experience that space.

SoHo was called Hell's Hundred Acres because it was full of sweatshops - without fire escapes. Completely not up to code. Every once in a while, these buildings would burn and 26 Puerto Ricans would be killed.

It is important to reflect on the kindness of others. Every aspect of our present well-being is due to others' hard work. The buildings we live and work in, the roads we travel, the clothes we wear, and the food we eat, are all provided by others. None of them would exist but for the kindness of so many people unknown to us.

I see my buildings as pieces of cities, and in my designs I try to make them into responsible and contributing citizens.

My high school had been a renovated old hospital, so when I first came to the UCLA campus in the spring of 1965, I was immediately impressed by the classic northern Italian architecture that was mixed with futuristic ultra-modern buildings. The classic architecture gave it the heft of old wisdom while the modernistic look inspired hope for the future.

High buildings have no genuine advantages, except in speculative gains for banks and land owners. They are not cheaper, they do not help create open space, they destroy the townscape, they destroy social life, they promote crime, they make life difficult for children, they are expensive to maintain, they wreck the open spaces near them, and they damage light and air and view.

This is your heritage,' he said, as if from this dance we could know about his own childhood, about the flavor and grit of tenement buildings in Spanish Harlem, and projects in Red Hook, and dance halls, and city parks, and about how his own Paps, how he had beat him, how he taught him to dance, as if we could hear Spanish in his movements, as if Puerto Rico was a man in a bathrobe, grabbing another beer from the fridge and raising it to drink, his head back, still dancing, still steeping and snapping perfectly in time.

i cried when i saw those buildings collapse on themselves like a broken heart.

From the early days of European migration to America, in the 17th Century, the prototype of buildings was based on English precedent, even if mostly translated into the locally available material in abundance: timber.

We don't agree with the depiction of buildings in the '20s and 1930s. Things were seen either from above or below which tended to monumentalize the object. This was exploited in terms of a socialistic view - a fresh view of the world, a new man, a new beginning.

We had the city trying to demolish two of our exhibition spaces, which was at first pretty disturbing. But following the freak-out is the realization that an attachment to any kind of form is pointless. Forgive me if I seem like a complete nihilist, but if the demolition trucks show up and the buildings come down, then that just presents a new setting in which an artist can work. The real challenge is trying to conceal my delight in the process.

Beautiful buildings are more than scientific. They are true organisms, spiritually conceived; works of art, using the best technology by inspiration rather than the idiosyncrasies of mere taste or any averaging by the committee mind.

No wonder the film industry started in the desert in California where, like all desert dwellers, they dream their buildings, rather than design them.

I visited the compound of the American embassy and talked to the police and the people and encouraged them, and I told them to take the proper measure and apply the law against the people who are attacking them and attacking the buildings.

I wanted to be considered a good craftsman. I wanted my dresses to be constructed like buildings, molded to the curves of the female form, stylizing its shape.

I realized that were I to paint flowers small, no one would look at them because I was unknown. So I thought I'll make them big, like the huge buildings going up. People will be startled; they'll have to look at them - and they did.

I would want to have Spider-Man's web slinging abilities. I always thought it'd be cool to swing around the city jumping off of buildings and free diving.

I like the iPhone, the iPad, all the various members of that family. But I like all the various technologies that are becoming available to make the world more accessible to people who are blind and with low vision. I also like that more and more people are committing themselves to close captioning so the deaf can really know what's going on. I like the position of making buildings more accessible by having ramps and various ways people who are paraplegic to be able to get around.

I believe in such cartography – to be marked by nature, not just label ourselves on a map like the names of rich men and women on buildings. We are communal histories, communal books. ... All I desired was to walk upon such an earth that had no maps.

When I was a fireman I was in a lot of burning buildings. It was a great job, the only job I ever had that compares with the thrill of acting.

Oh, indeed there is a tie between Iraq and what happened on 9/11. It's not that Saddam Hussein was somehow himself and his regime involved in 9/11, but, if you think about what caused 9/11, it is the rise of ideologies of hatred that lead people to drive airplanes into buildings in New York.

By law, all buildings should be white.

I don't see that any buildings should be excluded from the term architecture, as long as they are done properly.

I never realised that the Edinburgh skyline was so interesting - it's gothic and very urban and there's a lot of church spires and old brownstone buildings.

And exciting buildings are fine periodically.

As a woman, I'm expected to want everything to be nice and to be nice myself. A very English thing. I don't design nice buildings - I don't like them. I like architecture to have some raw, vital, earthy quality.

I've never been in this part of Trenton before. I don't feel comfortable driving around buildings that haven't got gang slogans sprayed on them. Look at this place. No boarded-up windows. No garbage in the gutter. No brothers selling goods on the street. Don't know how people can live like this.

I discovered photography completely by chance. My wife is an architect; when we were young and living in Paris, she bought a camera to take pictures of buildings. For the first time, I looked through a lens - and photography immediately started to invade my life.

I always look for nature or natural lighting within buildings and within rooms that has been done by somebody else to suit their needs. I look at it very closely as a photographic thing, then enhance it.

I'd love to go and visit the Mosque in Mecca again, just for the sheer beauty of it, not for God - much the way a non-Catholic might go to Vatican City because of the beauty of the buildings and the artifacts.

If the flag of an armed enemy of the U.S. is allowed to fly over government buildings, then it implies that slavery, or at least the threat of slavery, is sanctioned by that government and can still legally exist.

I wanted to experience New York, to look up and see buildings.

When I was very young, most of my childhood heroes wore capes, flew through the air, or picked up buildings with one arm. They were spectacular and got a lot of attention. But as I grew, my heroes changed, so that now I can honestly say that anyone who does anything to help a child is a hero to me.

You look at energy use in the U.S. and one-third of it is automotive or our transportation system, one-third of it is manufacturing and one-third of it is buildings. That means architects are responsible for one-third of energy by their designs. So not only is it dire, it's also something that we can do.

What I feel I can do is help people become aware of how pervasive and extensive the arts are, how they affect each one of us in our daily lives—what kind of [buildings] we live in, what kind of clothes we wear, what we see with our eyes. We are often blind to the beautiful things around us. What I'm mostly concerned about is how often we're blind to our own talent. I think that within each human being there is a creative spirit, and some of us have been fortunate enough to have good teachers and parents who've brought this out and encouraged it, but others haven't.

Worship in truth is worship that arises out of an actual encounter with God, a response to the experience of knowing God's real presence and activity in our daily lives. This has nothing to do with sentiment, thinking religious thoughts or having aesthetic experiences in church buildings; any religion can give you that sort of thing.

My office has a view of low-cost housing, old East German prefabricated apartment buildings. It isn't an attractive view, but it's very helpful, because it reminds me to ask myself, whenever there is a decision to be made, whether the people who live there can afford our decisions.

I can understand why mankind hasn't given up war. During a war you get to drive tanks through the sides of buildings and shoot foreigners - two things that are usually frowned on during peacetime.