Quotes About Childhood

When I look back on my childhood I wonder how I survived at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood.

The unsparing savagery of stories like “The Robber Bridegroom” is a sharp reminder that fairy tales belong to the childhood of culture as much as to the culture of childhood... They capture anxieties and fantasies that have deep roots in childhood experience.

But when I realized it was actually going to be this portrait of the artist, birth to death, I had to then discover who Margaret as a young woman would be. I had to find the different voices for her throughout her life. I had a lot of fun discovering that. I had a lot of fun writing the childhood sections. By imagining her childhood, I was able to come up with this voice that matures as she gets older.

I think that we are all much closer to our childhood selves than we often think, so when we read about childhood, it can surprise us how immediate or moving it is, when perhaps those feelings are just there, waiting to be accessed all the time.

The difference between a childhood and a boyhood must be this: our childhood is what we alone have had; our boyhood is what any boy in our environment would have had.

Remember Graham Green's dictum that childhood is the bank balance of the writer? I think that all writers feel alienated. Most of us go back to an alienated childhood in some way or another. I know that I do.

From my childhood, I remember a tiny old woman named Mary, made pale and almost translucent by time. Mary's childhood memories extended back to the confusing and violent finale of the Civil War, and she told stories of brutal murders in those days and refused to name some of the killers, as if dead men might still be prosecuted in the late 1950s.

The loss of my childhood was the price for becoming the youngest world champion in history. When you have to fight every day from a young age, your soul can be contaminated. I lost my childhood. I never really had it. Today I have to be careful not to become cruel, because I became a soldier too early.

In childhood, we press our nose to the pane, looking out. In memories of childhood, we press our nose to the pane, looking in.

At one magical instant in your early childhood, the page of a book—that string of confused, alien ciphers—shivered into meaning. Words spoke to you, gave up their secrets; at that moment, whole universes opened. You became, irrevocably, a reader.

The human brain is by no means fully formed at birth. It continues to shape itself through life, with the most intense growth occurring during childhood.

My childhood library was small enough not to be intimidating. And yet I felt the whole world was contained in those two rooms. I could walk any aisle and smell wisdom.

The truth is that since childhood I had cultivated an existential independence. It came from perceiving the adults around me as unreliable, and without it I felt I wouldn't have survived. I cared deeply for everyone in my family, but in the end I depended on myself.

I don't particularly like to go see 3D movies, but when I'm doing it I kind of do enjoy it. I enjoy seeing the image in 3D, there's a childhood fun about being able to see those dimensions.

The satiric ethos of Mad was a much bigger childhood influence.

Is the world all grown up? Is childhood dead? Or is there not in the bosom of the wisest and the best some of the child's heart left, to respond to its earliest enchantments?

The structures of neoliberal modernity do more than disinvest in young people and commodify them, they also transform the protected space of childhood into a zone of disciplinary exclusion and cruelty, especially for those young people further marginalized by race and class who now inhabit a social landscape in which they are increasingly disparaged as flawed consumers or pathologized others.

Probably all of us, writers and readers alike, set out into exile, or at least into a certain kind of exile, when we leave childhood behind...The immigrant, the nomad, the traveler, the sleepwalker all exist, but not the exile, since every writer becomes an exile simply by venturing into literature, and every reader becomes an exile simply by opening a book.

I'd always had a childhood ambition to go into the investment capital business, and spent twenty-odd years in it. But the thought of spending the second half of my career in the same business was boring, so I looked around for other opportunities .

Shadow boxes become poetic theaters or settings wherein are metamorphosed the element of a childhood pastime.

My first memoir, 'Home,' was about my childhood, early training and formative years in the Theater, i am so pleased that my good friends at the Hachette Book Group have encouraged me to share the next phase of my life, beginning with my arrival in Hollywood and the wonderful movies and television programs I was asked to be a part of.

When trying to remember my share in the glow of the eternal present, in the smile of God, I return to my childhood, too, for that is where the most significant discoveries turn up.

Things that I grew up with stay with me. You start a certain way, and then you spend your whole life trying to find a certain simplicity that you had. It's less about staying in childhood than keeping a certain spirit of seeing things in a different way.

I was brought up in a very poor and very violent household. I spent much of my childhood being afraid.

The truth is that the heroism of your childhood entertainments was not true valor. It was theatre. The grand gesture, the moment of choice, the mortal danger, the external foe, the climactic battle whose outcome resolves all--all designed to appear heroic, to excite and gratify and audience. Gentlemen, welcome to the world of reality--there is no audience. No one to applaud, to admire. No one to see you. Do you understand?Here is the truth--actual heroism receives no ovation, entertains no one. No one queues up to see it. No one is interested.

You draw on your own childhood every time you tee it up as an actor.

I can truly say, after an experience of seventy years, that all the cares and anxieties, the trials and disappointments of my whole life, are light, when balanced with my sufferings in childhood and youth from the theological dogmas which I sincerely believed. . . . The memory of my own suffering has prevented me from ever shadowing one young soul with the superstitions of the Christian religion.

In civilized places idleness, once the prerequisite for abstract thought, poetry, religion, philosophy, and falling in love, has become a character flaw. In America we've managed to stamp it out almost completely, and few people under forty can remember a single moment of it, even in earliest childhood. The phrase 'spare time' has vanished from the land.

I spent much of my later childhood and adolescence very, very involved and interested in art, and particularly in animated movies.

Very little of the great cruelty shown by men can really be attributed to cruel instinct. Most of it comes from thoughtlessness or inherited habit. Extract from 'Memories of childhood and youth.'

On the day long after childhood when I suddenly heard of his death, the sky grew dark above my head. I was walking on a Southern highway, and a friend driving in a pony carriage passed me, stopped and said, "Have you heard that Charles Dickens is dead?" It was as if I had been robbed of one of my dearest friends.

We want the world to focus on children whose lives have been devastated by AIDS. The millions of children who are missing their parents; their childhood, their future but most importantly, they are missing YOU. Everyone can make a real difference. Your voice is needed in a global movement that can change their world.

I was born in 1953, in Paris. But soon after my birth my family (I have one sister) moved into a rent apartment in suburbs of Paris named Romainville. That time my parents were freshly married and it was extremely hard to find an apartment in Paris for a young married couple. To say they found a flat in a blocks of houses which was built after the second World War - and this is the place where I spent my childhood.

Play is the royal road to childhood happiness and adult brilliance.

My real name is Nils and Booboo is a childhood nickname. It's not two words or two capital B's, it's B-o-o-b-o-o.

Childhood reading is so important.

We are born one time only, we can never start a new life equipped with the experience we've gained from the previous one. We leave childhood without knowing what youth is, we marry without knowing what it is to be married, and even when we enter old age, we don't know what it is we're heading for: the old are innocent children innocent of thier old age. In that sense, man's world is the planet of inexperience.

Listen, everything I did in my childhood was competitive. Everything we did my dad made it into a game to win. We used to drive my mum nuts.

In my childhood I led the life of a sage, when I grew up I started climbing trees

Behavior runs in deep channels that were cut during early childhood, and it is very difficult to alter them. In order to change a deeply ingrained pattern, you have to build a sturdy dam, dig another canal and reroute the river in the new direction. That effort is rarely successful over the long haul.

Memory's so treacherous. One moment you're lost in a carnival of delights with poignant childhood aromas, the flashing neon on puberty, all that sentimental candyfloss. The next, it leads you somewhere you don't want to go.. Somewhere dark and cold, filled with the damp ambiguous shapes of things you'd hoped were forgotten.

Being from Africa is the best thing that could have ever, ever happened to me. I cannot see it any other way. All of my fundamental principles that were instilled in me in my home, from my childhood, are still with me.

In fact I no longer value this kind of memento. I no longer want reminders of what was, what got broken, what got lost, what got wasted. There was a period, a long period, dating from my childhood until quite recently, when I thought I did. A period during which I believed that I could keep people fully present, keep them with me, by preserving their mementos, their "things," their totems.

Those who rhapsodize about the ease and joy of childhood have perhaps forgotten what it's like to be 12 years old.

Holding onto and manipulating physical objects is one of the things we learn earliest and do the most. It should not be surprising that object control is the basis of one of the five most fundamental metaphors for our inner life. To control objects, we must learn to control our bodies. We learn both forms of control together. Self-control and object control are inseparable experiences from earliest childhood. It is no surprise that we should have as a metaphor-a primary metaphor-Self Control is Object Control.

It's essential that a part of you not grow up. Childhood wonder gives us our spark and beauty.

I make my share of mistakes, but one I never make is to underestimate the power of things. People imbued from childhood with the myth of the primacy of feeling seldom like to admit they really want things as much as they might want love, but my career has convinced me that plenty of them do. And some want things a lot worse than they want love.

My childhood may have been more demented than most, because I learned to read very early and was allowed to read whatever I wanted.