Quotes About Criticism

Pedants make a great rout about criticism, as if it were a science of great depth, and required much pains and knowledge--criticism however is only the result of good sense, taste and judgment--three qualities that indeed seldom are found together, and extremely seldom in a pedant, which most critics are.

In certain kinds of writing, particularly in art criticism and literary criticism, it is normal to come across long passages which are almost completely lacking in meaning.

I remember when I heard the words "Biblical criticism" in my town, it was with disdain: "Biblical criticism? How dare you?".

I don't think theory adds to criticism. (Methodology does, for better or worse.) Theory's function is to make criticism self-conscious, maybe even a little sheepish, about its ex cathedra pronouncements.

As for how criticism of Keats' poetry relates to criticism of my own work, I'll leave that for others to decide.

Neither praise nor blame is the object of true criticism. Justly to discriminate, firmly to establish, wisely to prescribe and honestly to award - these are the true aims and duties of criticism.

Poetry is about as much a 'criticism of life' as red-hot iron is a criticism of fire.

It is the will of God that we must have critics, and missionaries, and Congressmen, and humorists, and we must bear the burden. Meantime, I seem to have been drifting into criticism myself. But that is nothing. At the worst, criticism is nothing more than a crime, and I am not unused to that.

I don't want to grow a thick skin. Some people say, "Oh, you're an actress, you have to get used to criticism." But I don't accept that. I'll never get used to criticism, and I'll always care about whether or not people like my performances - because I'm an entertainer, and I want to please.

I got a little criticism for working with Puff [Daddy] and I got some criticism for doing the special but you have to weigh the good with the bad. I got more of a good response than bad when I did those two things.

Common criticism of the Internet is that it is dominated by the crude, the uninformed, the immature, the smug, the untalented, the repetitious, the pathetic, the hostile, the deluded, the sefl-righteous, and the shrill. This criticism overlooks the fact that the Internet also offers - for the savvy individual who knows where to look - the tasteless and borderline insane.

Once the government can demand of a publisher the names of the purchasers of his publication, the free press as we know it disappears. Then the spectre of a government agent will look over the shoulder of everyone who reads. ... Fear of criticism goes with every person into the bookstall. The subtle, imponderable pressures of the orthodox lay hold. Some will fear to read what is unpopular, what the powers-that-be dislike. ... fear will take the place of freedom in the libraries, book stores, and homes in the land.

If you want to write for T.V. and movies, you will be subjected to kind and unkind criticism. You had better get used to it and develop a shell.

The anxiety around such work [vulnerably written ethnographies] is that it will prove to be beyond criticism, that it will be undiscussable.

Even the greatest idea can become meaningless in the rush to judgement. To gauge an idea as feasible we must cut our ties to the status quo and find the balance between constructive criticism and judgment. Within that balance we will uncover crucial input for making our ideas a reality.

I have observed in my 30 years in Washington that when a President initiates a major policy speech on a controversial issue while Congress is in recess, it usually is because what he is advocating is indefensible and that he is seeking to minimize criticism.

I gave up music criticism because of the increasingly obvious conflict of interest. I couldn't say anything bad about the records when I might be meeting that person's manager backstage an hour later.

I like a lot of hardcore, but it's just a genre about which I don't have much to say. It's kind of a thing where, unless you're active in the hardcore community, what could you have to say of value about it? It resists criticism because it's not just a style but an entrance into several different worlds of ideas- political, philosophical, societal. The music is really only part of the whole scene. In that sense, the music doesn't change much because it shouldn't: It needs to be there as a signal that you're entering into a certain discursive mode, maybe.

Criticism is the seed of divorce, and it develops rebellion in our young.

The exercise of criticism always destroys for a time our sensibility to beauty by leading us to regard the work in relation to certain laws of construction. The eye turns from the charms of nature to fix itself upon the servile dexterity of art.

You just never give up, no matter how hard the challenges are, and observe this world with a healthy dose of criticism and don't just follow the herd like somebody else might do.

Criticism, that fine flower of personal expression in the garden of letters.

Great leaders inspire. They maintain a hopeful attitude, even in the face of discouraging setbacks, constant criticism and abundant opposition. People don't follow discouraged leaders. They follow those who persist with hope.

The factor in human life provocative of a noble discontent is the gradual emergence of a sense of criticism, founded upon appreciation of beauty, and of intellectual distinction, and of duty.

Criticism- a big bite out of someone's back.

Few are there that will leave the secure seclusion of the scholar's life, the peaceful walks of literature and learning, to stand out a target for the criticism of unkind and hostile minds.

We as the band are passionate and energetic musicians. We have minimised the amount of self-criticism. Fear of death, total impatience and an unconcerned attitude to weary notions of good and bad is what's making us exceed speed limits. We're hijacking the holy inspiration from otherness, and we don't spoil it with personal aesthetic preferences. We are panthers and gazelles, not slugs and tortoises. Though it must be said that after turning forty I've started to resemble a sloth more and more.

There are floods of praise coming in as well as criticism.

Difficulties, opposition, criticism-these things are meant to be overcome, and there is a special joy in facing them and in coming out on top. It is only when there is nothing but praise that life loses its charm and I begin to wonder what I should do about it.

That's something you can't get off the wires in New York is people providing intelligent coverage of what your theater company in Podunk is up to. Many of the people who write what we call amateur criticism are professionals in anything other than name and receiving a paycheck. Very often, they know more than the professional critic who might be writing for their local newspaper. So, really, I'm all for it. It's changing the playing field, it's shaking things up, it's going to make the critical environment a healthier environment.

The Stonehenge proposal got a lot of interesting criticism. One of the best - or worst - said something like, "Go home to Las Vegas." I think this project could possibly be realized at a very late part of my career. Right now, I don't have the authority, the budget, the credibility.

There was a criticism that stuck with me a little bit, which is that somebody said that I was jumping on a bandwagon by talking about sexuality. Obviously that's not a massive takedown, but I found that personally quite offensive because it's something that I've been living with and dealing with my whole life, and just because I decided to speak about it now is not me jumping on a bandwagon; it's a reflection of how I feel within this industry and how I've grown in the past five years.

Only the very rarest of princes can endure even a little criticism, and few of them can put up with even a pause in the adulation.

The purpose is to help, to prevent, to correct, to improve, rather than to punish. Criticism is not meant to punish, but rather to correct something that is preventing better results. The only goal is improvement.

Drama criticism ... is a self-knowing account of the way in which one's consciousness has been modified during an evening at the theatre.

The lawyers have escaped most criticism [and undeservedly so]. The tax shelters [were approved by lawyers, who got paid huge commissions to do so] and every miscreant had a high-falutin' lawyer at his side. Why don't more law firms vote with their feet and not take clients who have signs on them that say, "I'm a skunk and will be hard to handle?" I've noticed that firms that avoid trouble over long periods of time have an institutional process that tunes bad clients out. Boy, if I were running a law firm, I'd want a system like that because a lot of firms have a lot of bad clients.

It is this capacity for relentless self-criticism that should be - everywhere - the true measure of intellectual freedom and cosmopolitanism, not the entrenched cultural power and self-congratulatory moral rhetoric of some people in countries long accustomed to telling other societies what to do and how to behave.

I thought, if I write a book that is not a retelling of Pride and Prejudice, it's not going to mean that I will not get any criticism. I might as well write the book that I want to write.

Nothing enrages me more than when people criticize my criticism of school by telling me that schools are not just places to learn maths and spelling, they are places where children learn a vaguely defined thing called socialization...I think schools generally do an effective and terribly damaging job of teaching children to be infantile, dependent, intellectually dishonest, passive and disrespectful to their own developmental capacities.

Cultural criticism finds itself faced with the final stage of the dialectic of culture and barbarism. To write poetry after Auschwitz is barbaric. And this corrodes even the knowledge of why it has become impossible to write poetry today. Absolute reification, which presupposed intellectual progress as one of its elements, is now preparing to absorb the mind entirely. Critical intelligence cannot be equal to this challenge as long as it confines itself to self-satisfied contemplation.

What is new about Barthes's posthumous reputation is the view of him as a writer whose books of criticism and personal musings must be admired as serious and beautiful works of the imagination.

You have to have a thick enough skin to cope with the criticism. I'm very self-critical and I have a lot of friends that I trust who are film directors and writers and people in my profession.

In general, the best advice I can give people is to take criticism seriously, apologize for anything you have done wrong, and pull back from conflict. Of course, if you are right on a content matter, you should press forward in the interest of quality, but conflict often has a way of taking on a life of its own, unfortunately.

Indeed, even if one believed that criticisms of Israel are by and large heard as anti-semitic (by Jews, anti-semites, or people who could be described as neither), it would become the responsibility of all of us to change the conditions of reception so that the public might begin to distinguish between criticism of Israel and a hatred of Jews.

One doesn't mind adverse criticism so long as it isn't stupid.

Fortunately, America remains a robust democracy, where most individuals are not afraid to speak out. What we have done in Iraq has, however, compromised out standing as an advocate of basic human rights - the prime minister of one country responding to criticism of America for its human rights put it, it was liking having Dracula guard the blood bank. The loss of America's moral standing has been one of the great losses of this war.

I'm afraid of being too sure, to just deliver. I think that's the biggest danger for actors - after a certain time, when you're known and recognised, people expect you to do what you're supposed to do, and there's almost no more criticism and that's very dangerous.

Because I was a dancer when I was a kid, I have so much empathy for these young girls who are so drawn to something lovely in music and in movement, and yet they encounter a world full of judgment and criticism of 11-year-old artists and bodies.