Quotes About Cultural

Artists are looking for a new modernity that would be based on translation: What matters today is to translate the cultural values of cultural groups and to connect them to the world network. This “reloading process” of modernism according to the twenty-first-century issues could be called altermodernism, a movement connected to the creolisation of cultures and the fight for autonomy, but also the possibility of producing singularities in a more and more standardized world.

I think a lot of Indians want Indian artists to be cultural cheerleaders rather than cultural investigators.

Even the favorite reviews, the audience response is the movie is too slow, deliberately slow. But for the Chinese audience, the biggest complaint is it happens too quick. I think the historical background that build into our genes is different. American people has never been occupied. The deep sadness and sentimentality, the cultural background that relates to melodrama that we relate to and grow up with, the propaganda, I didn't imagine the difference is so big. It's a very interesting cultural phenomenon.

Consumerism is, quite precisely, the consuming of life by the things consumed. It is living in a manner that is measured by having rather than being... and consumerism is hardly the sin of the rich. The poor, driven by discontent and envy, may be as consumed by what they do not have as the rich are consumed by what they do have. The question is not, certainly not most importantly, a question about economics. It is first and foremost a cultural and moral problem requiring a cultural and moral remedy.

The real problems are cultural. The problems of the people who take drugs as a cultural trap - I think there's a real problem there, the crack stuff, the hopelessness of the junkie. The urban angst.

It's impossible to say that live art enjoys any single status in the information age--there are versions of live art that are still primarily art-world phenomena, others that appeal to much broader audiences. The Burning Man festival is a case in point--an event featuring performance that is itself a performance, which partakes simultaneously of frontier mythology, a counter-cultural impulse, and popular cultural visibility.

I think there should be some way to find some kind of reasonable accommodation that allows the state to continue to say, you know, that women's rights supersede any kind of a cultural custom that's oppressive to women, but also potentially allows a woman to take the oath, I don't know, in a separate room. It would be up to the court to find some kind of cultural accommodation.

Different cultural and geological references inspire the collection as seen in ancient tribes and tradition.

The union of a man and a woman is the most enduring human institution, honored and encouraged in all cultures and by every religious faith." ... "Marriage cannot be severed from its cultural, religious and natural roots without weakening the good influence of society.

Our task is to build cultural fortresses to protect our emerging nativeness. They must be strong enough to hold at bay the powers of consumerism, the powers of greed and envy and pride. One of the most effective ways for this to come about would be for our universities to assume the awesome responsibility to both validate and educate those who want to be homecomers -- not necessarily to go home but to go someplace and dig in and begin the long search and experiment to become native.

Somehow the past is a safe place to explore our collective cultural neuroses.

Most Christian 'believers' tend to echo the cultural prejudices and worldviews of the dominant group in their country, with only a minority revealing any real transformation of attitudes or consciousness. It has been true of slavery and racism, classism and consumerism and issues of immigration and health care for the poor.

Moral certainty is always a sign of cultural inferiority. The more uncivilized the man, the surer he is that he knows precisely what is right and what is wrong. All human progress, even in morals, has been the work of men who have doubted the current moral values, not of men who have whooped them up and tried to enforce them. The truly civilized man is always skeptical and tolerant.

We've always believed that popular culture and populist politics go hand in hand. It's an honor to be working with so many respected and influential artists, and we're indebted to them for having the courage to speak out at a time when our country so desperately needs change. For our 2.5 million members and far beyond, the Vote for Change tour will have a seismic cultural impact.

Chairman Mao creatively applied Marxism-Leninism to every aspect of the Chinese revolution, and he had creative views on philosophy, political science, military science, literature and art, and so on. Unfortunately, in the evening of his life, particularly during the "Cultural Revolution", he made mistakes - and they were not minor ones - which brought many misfortunes upon our Party, our state and our people.

I've just always had a personal fascination with the myth of Abraham Lincoln. And once you start to read about him and the Civil War and everything leading up to the Civil War, you start to understand that the myth is created when we think we understand a character and we reduce him to a kind of cultural national stereotype.

We're born into a certain family, nation, class. But if we have no connection whatsoever with the worlds beyond the one we take for granted, then we too run the risk of drying up inside. Our imagination might shrink; our hearts might dwindle, and our humanness might wither if we stay for too long inside our cultural cocoons. Our friends, neighbors, colleagues, family - if all the people in our inner circle resemble us, it means we are surrounded with our mirror image.

I try to understand place on a deeper level than just the physical or environmental aspects. It includes cultural and intellectual forces, too. Its an inclusive approach that brings in many disciplines and sees place as a dynamic thing.

When you lose the gayborhoods, you lose the political power that comes when you're concentrated in precincts, and you also lose the cultural vitality.

The crucial differences which distinguish human societies and human beings are not biological. They are cultural.

After two decades of reconstruction work, I want to work on projects that lay at the intersection of cultural diplomacy and national identity - ones that empower local communities to define progress, not have it sanctioned by others.

Now, after the material resources of the colonies have been looted, their spiritual and cultural resources are being transformed into commodities for the world market.

The gospel always comes to people in cultural robes. There is no such thing as a ‘pure’ gospel, isolated from culture

Saul Bellow says, funny enough, what French think of your work is tremendously important. And it is. It's more than what the Italians, the Spanish, and the Germans think. Somehow it's still got that cultural primacy. I feel that too: to get praised in France is better than to get praised anywhere else.

When I started, there was more of a cultural assumption that many readers would find gay characters irrelevant or repugnant.

There's a cultural conviction that any 'artist' must have personal suffering to back up their work, otherwise there's something undeserved and therefore inauthentic about it, perhaps even some sort of cheating.

[Cultural departments] don't care about culture. Maybe they're the furthest from the people who understand culture.

My experiences have been, from the very beginning, cultural and creative. And my business has been a way of exposing the culture, exposing the artists so that the world could hear and see them.

In a world where there are no longer books we have almost all of us read, the movies we have almost all of us seen are perhaps the richest cultural bond we have. They go on haunting us for years the way our dreams go on haunting us. In a way they are our dreams. The best of them remind us of human truths that would not seem as true without them. They help to remind us that we are all of us humans together.

I am religious by nature, I'm not a nihilist. I don't follow, I don't even know what the tenets of things like deconstructionism are, and all those schools that come up and their way of looking at things that people strive to incorporate into what they write. I don't even know what they are. Because I sense from a distance that I don't want to know. And therefore even if I had no politics, actual politics, my cultural point of view is hopelessly out of date with the modern literary sensibility. Which is nihilistic, and ironic, detached, cool, and cowardly.

People who grow up in a region doubtless have a better cultural awareness of their own cuisine, but it's also true that a lot of locals go to McDonald's, Applebee's and the like.

In two novels written forty years apart, a man and a woman tell stories of their love. . . . Taken together they provide an unusually touching story of young love unable to prevail against an opposition whose strength was tragically buttressed by the uncertainties of a cultural divide.

In the story ["The Pyramid and the Ass"] there's this war against the so-called Buddhist Terrorists. As we find out, they're not really terrorists at all, just good folks trying to liberate people from technology and fight against an American government/corporation trying to coopt our souls. The inherent racism and Buddhist-phobia in the story plays into the present demonizing of Islam - and of our loss of knowledge about the great, spiritual history of the Sufis, for example, or the cultural heritage from the middle east.

[Virginity is] a cultural ideology that conflates passivity - the act of not having sex - with superior morality.

New York City is just one node on the global cultural scene. Social media reflects the state of the world, so I've become more devoted to that. To be a NYC artist feels local and small. Social media feels now.

I guess both Nabokov and Popper had, in different ways, immunized me against the fashion for French-influenced literary theory in the '70s, '80s, and '90s - "immunized" in the sense that they made me no longer susceptible to this epidemic cultural virus. I looked into Derrida and found that he rarely seemed to be interested in truth; he was more interested in making a splash.

Our culture will become like it was during the medieval times when there truly was a cultural elite. The rest of the people will just watch television, which will be their only frame of reference.

We don't want to be wounds ("No, you're the wound!") but we should be allowed to have them, to speak about having them, to be something more than just another girl who has one. We should be able to do these things without failing the feminism of our mothers, and we should be able to represent women who hurt without walking backward into a voyeuristic rehashing of the old cultural models.

We are, at almost every point of our day, immersed in cultural diversity: faces, clothes, smells, attitudes, values, traditions, behaviours, beliefs, rituals.

There seems also to be a tremendous risk to indigenous cultures if we insist that all scholarship be conducted in English. We are, for example, dealing with ancient and very highly-developed cultures in Korea, Japan, China and the Middle East. What is the impact on cultural and scholarly vitality forcing everyone to do their work in English? I do not have an answer, but this issue has been very much on my mind.

It's not anything that is just perpetuated by White America or just perpetuated by Black America. It's just a cultural understanding that you're just not a part of the equation when it comes to sexuality and I think that people mistake your lack of opportunity with the level of your talent.

Through developing trusting and respectful relationships with the boys in our lives, we can help boys to value and acknowledge their relational capabilities, which they may otherwise learn to discount or overlook. We can also offer and model for them definitions of maturity, masculinity, health and success that will enable them to remain grounded in their self-knowledge (e.g. as they encounter societal pressures to conform to group and cultural norms), and to form relationships that will sustain rather than constrain them.

Christianity is not a political theory. It is not even a cultural theory. It is, at its root, all about changing the heart of each man and woman, boy and girl, so that we begin to think God's thoughts and act in accordance with his character.

Incrementalism: In the first generation, the goal of the movement was wholesale social and cultural transformation. Small, incremental victories were too little given the magnitude of America's moral decay. Since 1988, the new leaders have recognized that incrementalism is the surest path to success in political competition. The current movement is committed to securing small victories now, postponing for the long-term more fundamental changes in society and politics.

People who bowl vote. Bowlers are not the cultural elite.

The problem is that those of us sympathetic with the plight of indigenous people view them as quaint and colorful, but somehow reduced to margins of history as the real world [(our world)] moves on We will be known as an era in which we stood by and either actively endorsed or passively accepted the massive destruction of both biological and cultural diversity on the planet.

What bothers me is when music becomes entertainment. Of course, music is supposed to be entertaining, but go back to any period of time - music had a cultural significance on different levels, whether it was folk music, it was the news of the village, or it had to do with the rites of passage.

Museums have no political power, but they do have the possibility of influencing the political process. This is a complete change from their role in the early days of collecting and hoarding the world to one of using the collections as an archive for a changing world. This role is not merely scientifically important, but it is also a cultural necessity.