Quotes About Culture

...culture is useless unless it is constantly challenged by counter culture. People create culture; culture creates people. It is a two-way street. When people hide behind a culture, you know that's a dead culture.

I was on television a couple of years ago and the reporter asked me, "How does it feel being on mainstream media? It's not often poets get on mainstream media." I said, "Well I think you're the dominant media, the dominant culture, but you're not the mainstream media. The mainstream media is still the high culture of intellectuals: writers, readers, editors, librarians, professors, artists, art critics, poets, novelists, and people who think. They are the mainstream culture, even though you may be the dominant culture."

We do not have an American culture. We have a white American culture and a black American culture. So when those two groups try to get together, [it's] very difficult because they each feel like they have the right to their culture.

Culture does not make people - people make culture. So if it is in fact true that the full humanity of women is not our culture, we must make it our culture. [...] A feminist is a man or a woman who says, 'yes there is a problem with gender as it is today and we must fix it. We must do better.'

The real controversy comes with anthropologists - not all, but some - who see themselves as studying culture, and they then see culture from the perspective of humans, which is what they study. From their perspective, or, from some of their perspectives, it's sort of heresy to even talk about culture in any other animal. Others would say, "Yeah, you can talk about it, but our definitions of culture are so utterly different from yours and include things like values, and so on, which you've never shown to exist in any of these other creatures."

It may very well be that people in San Francisco don't think we have any culture in Nebraska, but we have a different culture, and it's a very deep culture. We have these Czech immigrants, who are making this marvelous ethnic food and their Catholic lives and it's very fascinating stuff.

The only way to drive out bad culture is to create good culture. We need to recognize that artistic talent is a gift from the Lord - and that developing those talents is the only way to create good culture.

It may seem sometimes as if a culture of peace does not stand a chance against the culture of war, the culture of violence and the cultures of impunity and intolerance. Peace may indeed be a complex challenge, dependent on action in many fields and even a bit of luck from time to time. It may be a painfully slow process, and fragile and imperfect when it is achieved. But peace is in our hands. We can do it.

I'm not against other cultures, but I believe what the Germans call a "leitkultur", a dominant culture that we should have, even in our constitution state, what our dominant culture is and that our laws should apply to that culture and to no other one.

Here in the U.S., culture is not that delicious panacea which we Europeans consume in a sacramental mental space and which has its own special columns in the newspapers - and in people's minds. Culture is space, speed, cinema, technology. This culture is authentic, if anything can be said to be authentic.

The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life. But Hollywood has forgotten that, in the past, what made Hollywood great and what made it go ahead was the fact that Hollywood was fed with, for example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.

Maybe it's naïve, but I would love to believe that once you grow to love some aspect of a culture-its music, for instance -you can never again think of the people of that culture as less than yourself. I would like to believe that if I am deeply moved by a song originating from some place other than my own homeland, then I have in some way shared an experience with the people of that culture. I have been pleasantly contaminated. I can identify in some small way with it and its people.

The theoretical recognition of the split-space of enunciation may open the way to conceptualising an international culture, based not on the exoticism of multiculturalism or the diversity of cultures, but on the inscription and articulation of culture's hybridity. It is the inbetween space that carries the burden of the meaning of culture, and by exploring this Third Space, we may elude the politics of polarity and emerge as the others of our selves.

Are we, finally, speaking of nature or culture when we speak of a rose (nature), that has been bred (culture) so that its blossoms (nature) make men imagine (culture) the sex of women (nature)? It may be this sort of confusion that we need more of.

Miami, which has already aired, has this wonderful blend of Caribbean culture and Latin American culture and Southern American culture (talking about fried chicken). All those combine to make for a very very interesting array of ingredients, restaurants, and the chefs that come there. It also has great seafood, not to mention the glorious citrus that's there. And all those things inform what you do - and they should.

I used to believe that you could change the culture or behavior of a company. I still believe it's possible, but it is at least a five to ten year process, if you are successful at all. More recently, I have been attracted to the ideas of the behavioralist, Edgar Schein. Schein has argued that you cannot change the culture of a company, but you can use the culture of a company to create change. It's an interesting approach to overcoming resistance. And if you can change how a company does its work, you might eventually be able to change how its people think.

Culture is the most potent method of adaptation that has emerged in the evolutionary history of the living world. - Theodosius Dobzhanksky...the 'facts' of culture history are interpretations based upon assumed culture process.

Language makes culture, and we make a rotten culture when we abuse words.

The culture of France is unique because it's a culture that has a high priority on the arts, more than any other place in the world in our time since Greece. So as a practicing artist, if you will, this is home ground. They love us, so music, literature, art continues to be the center.

The criteria or the paradigm for us is not the West, not the Western paradigm, because the West has its own culture, we have our own culture, they have their own reality, we have our own reality.

We live in a cluttered culture, a culture of information in which even our computers can't tell us what's worth knowing and what is merely cultural scrap. In such a society, we don't have the experience of contemplative space, of the time or mood to engage a book of poetry or even read a novel. Who can achieve the unconscious-conscious state of the reader when everything is stimulation, everything is movement and information?

As Colin Wilson has written, "modern civilisation, with its mechanised rigidity is producing more outsiders than ever before-people who are too intelligent to do some repetitive job, but not intelligent enough to make their own terms with society." Those "intelligent enough" to make their own terms with society are what we will later refer to as artists of life. The outsider views himself as a product of a culture he rejects-the artist views himself as a culture-builder.

In world history, those who have helped to build the same culture are not necessarily of one race, and those of the same race have not all participated in one culture.

Play is older than culture, for culture, however inadequately defined, always presupposes human society, and animals have not waited for man to teach them their playing.

Do you and I believe him (Christ) enough to obey him and to follow him wherever he leads, even when the crowds in our culture - and maybe in our churches - turn the other way?...For the sake of an increasingly marginalized and relatively ineffective church in our culture, I want to risk it all. For the sake of my life, my family, and the people who surround me, I want to risk it all.

I assure you that interest in Japanese culture in Russia is just as strong as interest in Russian culture in Japan.

China is a great nation that offers the world a great culture, so many good things. I love the Chinese people and I hope there is the possibility of having good relations. We're in contact, we talk, we are moving forward but for me, to have as a friend a great country like China, which has so much culture and has so much opportunity to do good, would be a joy.

At least three further requirements supplement the strategies of environmentalists if we were to create and preserve a less violent world. 1) Every culture must begin to affirm the female future. 2) Species responsibility must be returned to women in every culture. 3) The proportion of men must be reduced to and maintained at approximately ten percent of the human race.

Aesthetics is not an end in itself. But in our culture, which is becoming more multi-sensory and less respectful of God, we have a responsibility to pay attention to the design of the space where we assemble regularly. In the emerging culture, darkness represents spirituality. We see this in Buddhist temples, as well as Catholic and Orthodox churches. Darkness communicates that something serious is happening.

One of the things I think is important about 'Watchmen' is that it have resonance within cinematic pop culture as well as superhero culture.

As the welfare state is hollowed out, a culture of compassion is replaced by a culture of violence, cruelty and disposability.

I see people getting so caught up in celebrating diversity that they are neglecting their commonality. I don't see this as a good thing. The Chinese culture has survived for more than five thousand years in part because the Chinese have embraced the same language and culture. I hope I am wrong about this, and that the flame is still on beneath the great American melting pot. Americans need each other, and a house divided, no matter the color of its occupants, is still divided. And divided we all fall.

Europe's experiment with multiculturalism, or the side-by-side existence of different cultures, has failed throughout the continent. Integration requires a minimum basis of shared values, that is, a culture of mutual tolerance and respect - in other words, what constitutes the heart of European culture.

No occupation is so delightful to me as the culture of the earth, and no culture comparable to that of the garden.

So in Jamaica it is the aim of everybody to talk English, act English and look English. And that last specification is where the greatest difficulties arise. It is not so difficult to put a coat of European culture over African culture, but it is next to impossible to lay a European face over an African face in the same generation.

We are living in a Millennial culture that is attacking "patriarchy." The culture in America as zeroed in, and it's been going on and it's been building since the modern era of the feminazis began, since the late sixties and early seventies.

The world's culture is changing, adapting. People are keeping what's good in a culture, and sweeping out the rest.

If I were to critique myself - step out of KRS objectively and look at him - I would say that KRS has introduced the concept of being hip-hop, not just doing it. The concept of rap as something we do, while hip-hop is something we live. The concept of living a culture. Don't just look at hip-hop as rap music, see it as a culture.

I love California. It has such a strong contribution to the history of culture, and popular culture. For better and worse, of course. Even the worst can be interesting to some degree sometimes for somebody creative.

The culture that's going to survive in the future is the culture that you can carry around in your head.

One of the things is challenging yourself to do a Rome show when everybody's done a Rome show. To find some aspect of food culture or chef culture that people can look at in a new way.

Language both reflects and shapes society. Culture shapes language and then language shapes culture. Little wonder that the words we use to talk to each other, and about each other, are the most important words in our language: they tell us who I am, they tell us who you are, they tell us who 'they' are.

Slow travel now rivals the fly-to-Barcelona-for-lunch culture. Advocates savour the journey, travelling by train or boat or bicycle, or even on foot, rather than crammed into an airplane. They take time to plug into the local culture instead of racing through a list of tourist traps.

Pop culture has none of the vibrancy that you find in the folk culture, where people speak directly to their own experience in the human condition.

It is suggested that all written works, including this one, have dangerous implications to the vitality of an oral tradition and to the health of a civilization, particularly if they thwart the interest of a people in culture, and following Aristotle, the cathartic effects of culture. "It is written but I say unto you" is a powerful directive to Western civilization.

In the eyes of history, religious toleration is the highest evidence of culture in a people. It was not until the Western nations broke away from their religious law that they became more tolerant, and it was only when the Muslims fell away from their religious law that they declined in tolerance and other evidences of the highest culture.

The evolution of cultures appears to follow the pattern of the evolution of species. The many different forms of culture which arise correspond to the "mutations" of genetic theory. Some forms prove to be effective under prevailing circumstances and others not, and the perpetuation of the culture is determined accordingly.

We do not need to minimize the poverty of the ghetto or the suffering inflicted by whites on blacks in order to see that the increasingly dangerous and unpredictable conditions of middle-class life have given rise to similar strategies for survival. Indeed the attraction of black culture for disaffected whites suggests that black culture now speaks to a general condition.