Quotes About Dance

The desires of the heart are as crooked as corkscrews Not to be born is the best for man The second best is a formal order The dance's pattern, dance while you can. Dance, dance, for the figure is easy The tune is catching and will not stop Dance till the stars come down from the rafters Dance, dance, dance till you drop.

You put music in categories because you need to define a sound, but when you don't play it on your so-called radio stations that claim to be R&B or jazz or whatever... All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.

Don't be daunted. Just do your job. Continue to show up for your piece of it, whatever that might be. If your job is to dance, do your dance. If the divine, cockeyed genius assigned to your case decides to let some sort of wonderment be glimpsed, for just one moment through your efforts, then 'Ole!' And if not, do your dance anyhow. And 'Ole!' to you, nonetheless. I believe this and I feel that we must teach it. 'Ole!' to you, nonetheless, just for having the sheer human love and stubbornness to keep showing up.

Dance as if this is the last dance. Dance with abandon, holding nothing back. That will bring transformation to your being, and a possibility of transformation for other people too.

When I am dancing, it feels like my prayer. It's like an offering. I offer my head back to the dance, I offer my shoulders back to the dance, my elbows, my hands, my spine, my knees, my feet, my whole self, my bones, my blood, my experience, my suffering... I offer it all back to the dance and I say: take it, do whatever you want with me. Release me.

The tango is a very interior dance. It's not an exterior - it's not flashy and all over the floor. It's a very interior dance when you see the old guys dance in the clubs. I learned everything from the old guys in the clubs.

There is no insurmountable solitude. All paths lead to the same goal: to convey to others what we are. And we must pass through solitude and difficulty, isolation and silence in order to reach forth to the enchanted place where we can dance our clumsy dance and sing our sorrowful song - but in this dance or in this song there are fulfilled the most ancient rites of our conscience in the awareness of being human and of believing in a common destiny.

Find something you like, go into a room, close the door and read it aloud. Read it aloud. Everybody in the world who likes dance can see dance, or hear music, or see art, or admire architecture - but everybody in the world uses words who is not a recluse or mute. But the writer has to take these most common things, more common than musical notes or dance positions, a writer has to take some adverbs, and verbs and nouns and ball them up together and make them bounce.

The Marquesan girls dance all over; not only do their feet dance, but their arms, hands, fingers, ay, their very eyes seem to dance in their heads.

I think a lot of times when people hear the word dance, they think 'oh, that's something that I can't do.' But dance really lives in our bodies and the thing that I've come to learn, embrace and lift up is that we have history in our bodies that's living and breathing. We have our own individual history but we also have our heritage. Each one of us has our movement language and it's about tapping into that and pulling that out. That's the thing that I try to encourage everybody because it's not about dance, it's about the movement and the gesture and how we honor it.

My records are borderline dance records. They've got a real electro-rock heart and soul, and the vibe of the sentiment is pop, but there's a lot of people that were like, 'This is a dance record.'

And now, what does it all matter? It matters more than anything else in the world. The whole dance, or drama, or pattern of this three-Personal life is to be played out in each one of us: or (putting it the other way round) each one of us has got to enter that pattern, take his place in that dance. There is no other way to the happiness for which we were made.

I want to be taken playfully, not seriously - not with a long British face, but with beautiful laughter. Your laughter, your playfulness is the recognition that you have understood me. Your seriousness shows that you have misunderstood me, you have missed it - because seriousness is nothing but sickness. It is another name of sadness; it is a shadow of death. And I am all for life. If it is needed for your laughter, your dance, even to reject me, then reject me - but don't reject the dance and the song and the life, because that is my teaching.

When a sincere woman begins to dance, the seven heavens, the earth, and all creatures begin to dance.

I change my mind about things - for a while I was punk rocker, and if you weren't a punk rocker you were an apostate. Then I was a dance music enthusiast, and if you weren't a dance music enthusiast, you were an apostate. I was carnivore, and if you were a vegan, I didn't want to talk to you. Then I was vegan, and if you were a carnivore I didn't want to talk to you.

There's a dance that happens with you and that's why I really like doing it with stunt men, because they know how to dance generally better than actors do. It is choreography and if you aren't used to doing it things can go wrong.

The mindset of this [“Gangnam Style”] dance is dress classy, and dance cheesy,

Dance in your dream. Go out into the street and hug everyone you meet. Tell them how beautiful they are. Dance together.

The Creator wants us to drum. He wants us to corrupt the world with drum, dance and chants. After all, we have already corrupted the world with power and greed....which hasn't gotten us anywhere - now's the time to corrupt the world with drum, dance and chants.

Music has no borders, no race or color, no limits of country, no ethnicity. Music makes the people come together. Dance it,Dance all.

If you dance, you dance because you have to. Every dancer hurts, you know.

Consciousness expresses itself through creation. This world we live in is the dance of the creator. Dancers come and go in the twinkling of an eye but the dance lives on. On many an occasion when I am dancing, I have felt touched by something sacred.In those moments, I felt my spirit soar and become one with everything that exists.

Death had ruled my life till I met Lady Dance. Her dance had set me free.

I'm a terrible dancer! I dance like a guy who is trying to dance.

Though I soon became typecast in Hollywood as a gangster and hoodlum, I was originally a dancer, an Irish hoofer, trained in vaudeville tap dance. I always leapt at the opportunity to dance in films later on.

Fandango was around before the Internet. Fandango is a Spanish-American dance. It's a lively tempo dance. It's almost like the tango. That's what it says in the Merriam-Webster [dictionary]. The second entry is [defined as] 'tomfoolery.' That's what it says in the dictionary, that's what I go by. I remember Queen saying it too on 'Bohemian Rhapsody.' When I was little I never understood what they meant by 'do the fandango.

The future of dance will always be tied up with the public's acceptance of the star. If they accept the star, then they'll accept the dance.

Indian classical dance is sustained by a profound philosophy. Form seeks to merge with the formless, motions seek to become a part of the motionless, and the dancing individual seeks to become one with the eternal dance of the cosmos.

The oldest form of the Choral Dance is the circle. Even the chimpanzees dance in a circle, and people of every continent still do it.

This is the bravo’s dance, the water dance, swift and sudden. All men are made of water, do you know this? When you pierce them, the water leaks out and they die.

Dance today is clearly in an unsettled state. Old forms and traditions are being given up. New ones are arising to take their place. A time of change presents a confused picture. That there is change is proof that dance is organically vital--and much more so than it has ever before been in this country.

I wanted it to be a wonderful combination of being able to dance a little bit, not being especially good, but also playing a character who says the line, "I love to dance".

There is a general decline of taste for classical dance,ce, which is neglected and this must be developed from the grassroots. There is so much of razzle-dazzle... that classical dance suffers.

Dance until the earth dance.

I could dance with you till the cows come home. Better still, I'll dance with the cows and you come home." Groucho Marx was never one to pass up an opportunity for a play on words and this occurs in his dialogue of the 1933 film Duck Soup.

I remember seeing a photograph of myself en pointe with my hand over my head and the other hand turned in under my breast curtseying. I took dance lessons at Miss Debbie's Dance Studio, and she put this picture of me in the storefront window. I was so unbelievably humiliated by the sight of myself.

I wish I could dance like Michael Jackson. I'd love to be able to have my life exactly the way it is, but with his dance moves.

I dance not to entertain but to help people better understand each other. Because through dance I have experienced the wordless joy of freedom, I seek it more fully now for my people and for all people everywhere.

I was used to dancing, but only when someone told you what to do. So in the nightclub I was all over the place, I combined everything. Street dance, modern dance, a bit of jazz and ballet, I was Twyla Tharp, I was Alvin Ailey, I was Michael Jackson. I didn't care, I was free.

Modern physics has... revealed that every sub-atomic particle not only performs an energy dance, but also is an energy dance; a pulsating process of creation and destruction.

I am too tall [to dance]. Tall people don’t dance. It’s just not right.

My job as art critic is to watch artists dance naked in public, and then I will, in turn, dance naked critically in public.

I've sought out several dance teachers-shaman-like women dance teachers-to get in touch with the mystical through movement.

I didn't want to move or act like a rich man. I wanted to dance in a pair of jeans. I wanted to dance like the man in the streets.

But I was 22 before I took my first dance class. I had never been athletic, so I was very stiff; I still am. I think what I got mostly from dance was carriage.

"Dance," said the Sheep Man. "Yougottadance. Aslongasthemusicplays. Yougotta dance. Don'teventhinkwhy. Starttothink, yourfeetstop. Yourfeetstop, wegetstuck. Wegetstuck, you'restuck. Sodon'tpayanymind, nomatterhowdumb. Yougottakeepthestep. Yougottalimberup. Yougottaloosenwhatyoubolteddown. Yougottauseallyougot. Weknowyou're tired, tiredandscared. Happenstoeveryone, okay? Justdon'tletyourfeetstop."

My dad moved to New York after he won "Soul Train" and the car and got settled in out there and was able to step right into Dance Theatre of Harlem and felt like he was in a show called "Omnibus" and "American Dance Machine."

New steps. That's what it amounted to. The two of them were learning the steps that would bring them together, a dance that would take them into forever. A dance that could be nothing less than God's plan for their lives.