Quotes About Dance

You put music in categories because you need to define a sound, but when you don't play it on your so-called radio stations that claim to be R&B or jazz or whatever... All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.

In that last dance of chances I shall partner you no more. I shall watch another turn you As you move across the floor. In that last dance of chances When I bid your life goodbye I will hope she treats you kindly. I will hope you learn to fly. In that last dance of chances When I know you'll not be mine I will let you go with longing And the hope that you'll be fine. In that last dance of chances We shall know each other's minds. We shall part with our regrets When the tie no longer binds.

Dance me to your beauty with a burning violin Dance me through the panic 'til I'm gathered safely in Lift me like an olive branch and be my homeward dove Dance me to the end of love

When I get on the dance floor, my purpose in being on the dance floor is not to end up at another spot when the music stops. The purpose of the dance is to enjoy every step along the way.

Doing photo booths and signings, and doing all of that for charity, and having dance parties every night, is so much fun. I like to dance, and I know other people that like to dance. It's a great way to celebrate the time that we're all down there together.

People need to dance. I'd say dance at least twice a day. That's how to get your energy up and how you keep you revolutionary spirit going. It's Emma Goldman who said, "Any revolution where I can't dance is not my revolution." I think that's the revolution we want.

Truth cannot be defined, although it can certainly be experienced. But experience is not a definition. A definition is made by the mind, experience comes through participating. If somebody asks, "What is a dance?" how can you define it? But you can dance and you can know the inner feel of it. God is the ultimate dance.

When I was 16, my friends and I were all starting to think about what we were going to do with our lives, and I started picturing myself majoring in dance at college traveling around with a contemporary dance company, and it didn't excite me as I thought it would all those years. I was just thinking about the things that I loved most about dance, which was entertaining and telling a story, and that's when I kind of opened my eyes again to acting.

Your mind makes you dance like a monkey all the time... Now you have to become stronger; you have to make the mind dance. Make it dance on the stage of mantra. For that, mediate and repeat mantra.

Dance. Dance for the joy and breath of childhood. Dance for all children, including that child who is still somewhere entombed beneath the responsibility and skepticism of adulthood. Embrace the moment before it escapes from our grasp. For the only promise of childhood, of any childhood, is that it will someday end. And in the end, we must ask ourselves what we have given our children to take its place. And is it enough?

Well, I took ballet for many, many years, so my whole childhood really revolved around dance class. I grew up around dance; my mother was a dancer.

Religion in the West has a very wrong connotation. It has almost reached to a point where the very word 'religion' creates a repulsion, where the very word 'religion' reminds one of dead churches and dead priests. It reminds one of serious looking people, long faces. It has lost the capacity to dance, to sing, to celebrate. And when a religion has lost the capacity to dance, to celebrate, to sing, to love, just to be, then it is no more religion - it is a corpse, it is theology. Theology is dead religion.

You can dance anywhere and you can dance in your mind, in your heart.

Tshikona is lwa-ha-masia-khali-i-tshi-vhila, "the time when people rush to the scene of the dance and leave their pots to boil over." Tshikona "makes sick people feel better and old men throw away their sticks and dance." Tshikona "brings peace to the countryside...." It is an example of the production of the maximum of available human energy in a situation that generates the highest degree of individuality in the largest possible community of individuals.

The aboriginal women leaders of Papunya - the Papunya Artists - performed a dance for me: the Honey Ant dance. They'd never done it for anyone else. They honoured me with a ceremonial stick that signifies the story of the land.

Waking up is unpleasant, you know. You are nice and comfortable in bed. It is irritating to be woken up. That's the reason the wise guru will not attempt to wake people up. I hope I'm going to be wise here and make no attempt whatsoever to wake you up if you are asleep. It is really none of my business, even though I say to you at times, "Wake up!" My business is to do my thing, to dance my dance. If you profit from it fine; if you don't, too bad! As the Arabs say, "The nature of rain is the same, but it makes thorns grow in the marshes and flowers in the gardens."

You know I very much respect Yvonne Rainer, she is very important - in American dance, the entire development of modern dance, and creating a wonderful physical language.

I grew up on rap and hip-hop and fell into dance music. Hip-hop died down, and I moved more into dance music, disco and house. It feels very natural. My rhythm growing up on hip-hop and R&B was cool, fresh, and I feel comfortable with it.

When I die I'm going to dance first in all the galaxies...I'm gonna play and dance and sing.

We look at the dance to impart the sensation of living in an affirmation of life, to energize the spectator into keener awareness of the vigor, the mystery, the humor, the variety, and the wonder of life. This is the function of the American dance.

But art is not simply works of art; it is the spirit that knows Beauty, that has music in its soul and the color of sunsets in its headkerchiefs; that can dance on a flaming world and make the world dance, too.

Coming from dance, I feel acting is - I'm not going to say easy, because it's not. But the dance world is more hard-core.

Look, spaghetti arms. This is my dance space. This is your dance space. I don't go into yours, you don't go into mine. You gotta hold the frame.

Contrary to conventional wisdom, dance is not a universal 'language' but many languages and dialects. There are close to 6000 verbal languages, and probably that many dance languages.

You don't pick dance. Dance picks you.

The wind? I am the wind. The sea and the moon? I am the sea and the moon. Tears, pain, love, bird-flights? I am all of them. I dance what I am. Sin, prayer, flight, the light that never was on land or sea? I dance what I am.

I actually got started in acting when I was in pre-school. I was really into dance and performing, so my mom had me in dance classes, and then I got involved in a local theater company.

There would be no chance at all of getting to know death if it happened only once. But fortunately, life is nothing but a continuing dance of birth and death, a dance of change. Every time I hear the rush of a mountain stream, or the waves crashing on the shore, or my own heartbeat, I hear the sound of impermanence. These changes, these small deaths, are our living links with death. They are death's pulses, death's heartbeat, prompting us to let go of all the things we cling to.

Dance until the earth dance.

The way a musical can make us feel is unlike anything else, in song and particularly in dance. I think people fly through plate-glass windows when they get shot because movies don't have dance scenes any more. This is what we do instead.

Latin guys dance. American guys don't dance. That's a big difference.

Dance, and make joyous the love around you. Dance, and your veils which hide the Light shall swirl in a heap at your feet.

It’s hard to drink when you dance. And it’s hard to dance when you drink.

I used to dance when I was younger - ballet and modern dance.

I am too tall [to dance]. Tall people don’t dance. It’s just not right.

I learned to act by watching Martha Graham dance, and I learned to dance by watching Charlie Chaplin act.

New wave disco was coming to the fore then, and we were at a different point entirely. I like to listen to dance music, but I don't think I'm primarily a dance music writer.

One might say, for example, that a patient has a kind of St Vitus's dance; a kind of dropsy; a kind of nerve fever; a kind of ague. One would never say, however (to end once and for all the confusion of these names) He has St. Vitus's dance, He has nerve fever, He has dropsy, He has ague, since there simply are not any fixed, unchanging diseases to be known by such names.

dance is simply the refinement of human movement - walking, running, and jumping. We are all experts. There should be no art form more accessible than dance, yet no art is more mystifying in the public imagination.

A fitness instructor in Maine has been charged with running a prostitution business out of her Zumba dance studio. Authorities first got suspicious when they saw guys going to work out at a Zumba dance studio.

When I dance, I dance; when I sleep, I sleep; yes, and when I walk alone in a beautiful orchard, if my thoughts drift to far-off matters for some part of the time for some other part I lead them back again to the walk, the orchard, to the sweetness of this solitude, to myself.

No, dance is not a monster. The stage is monstrous, not in the negative sense but on the grandiose side. And dance is sacred as something emotionally strong happens.

I don't tap dance, and I don't think you can learn to tap dance in three weeks at my ripe old age.

And dance is wonderful because dance is so immediate.

All things are aggregations of atoms that dance & by their movement produce sound. When the rhythm of the dance changes, the sound it produces also changes... Each atom perpetually sings its song, and the sound at every moment creates dense subtle forms.

To be in the dance bar you have to be young, good looking, able to dance, and comfortable talking to people.

Having a dance background, I became used to rejection at an early age. Dance is very competitive, especially for a sensitive person like me. But I realized it’s better not to take it so seriously. If you beat yourself up, it’s hard to keep going.

I want people to dance. I want people to feel good. You went to work, you feel bad - come here, feel good, dance. Don't leave the club feeling worse than you did before you got there! That's what music used to be for.