Quotes About Dance

It's beautiful to dance alone, beautiful to dance with your children, beautiful to dance with your friends, beautiful to dance with your lover, or even collectively. But the ultimate dance is the one we do by ourselves, when we make ourselves known to God.

In that last dance of chances I shall partner you no more. I shall watch another turn you As you move across the floor. In that last dance of chances When I bid your life goodbye I will hope she treats you kindly. I will hope you learn to fly. In that last dance of chances When I know you'll not be mine I will let you go with longing And the hope that you'll be fine. In that last dance of chances We shall know each other's minds. We shall part with our regrets When the tie no longer binds.

If you do not join the dancing you will feel foolish. So why not dance? And i will tell you a secret: If you do not join the dance, we will know you are a fool. But if you dance, we will think well of you for trying. if you dance badly to begin and we laugh, what is the sin in that? We will begin there.

Dance, my darling dance! If you dance then death can't catch you! Nothing bad can touch you! Dance!

Doing photo booths and signings, and doing all of that for charity, and having dance parties every night, is so much fun. I like to dance, and I know other people that like to dance. It's a great way to celebrate the time that we're all down there together.

You dance love, and you dance joy, and you dance dreams.

I'll always have a totally open mind to endless possibilities. I want to do a dance album. Not Techno, but a record that's exclusively designed for people to dance to. That whole dance genre is kinda into its own world. I'd just like to get in there and mess around with that.

Truth cannot be defined, although it can certainly be experienced. But experience is not a definition. A definition is made by the mind, experience comes through participating. If somebody asks, "What is a dance?" how can you define it? But you can dance and you can know the inner feel of it. God is the ultimate dance.

Find something you like, go into a room, close the door and read it aloud. Read it aloud. Everybody in the world who likes dance can see dance, or hear music, or see art, or admire architecture - but everybody in the world uses words who is not a recluse or mute. But the writer has to take these most common things, more common than musical notes or dance positions, a writer has to take some adverbs, and verbs and nouns and ball them up together and make them bounce.

Why do I dance? Dance is my medicine. It’s the scream which eases for a while the terrible frustration common to all human beings who because of race, creed, or color, are ‘invisible’. Dance is the fist with which I fight the sickening ignorance of prejudice.

I think a lot of times when people hear the word dance, they think 'oh, that's something that I can't do.' But dance really lives in our bodies and the thing that I've come to learn, embrace and lift up is that we have history in our bodies that's living and breathing. We have our own individual history but we also have our heritage. Each one of us has our movement language and it's about tapping into that and pulling that out. That's the thing that I try to encourage everybody because it's not about dance, it's about the movement and the gesture and how we honor it.

My goal now is to dance all the dances as long as I can, and then to sit down contented after the last elegant tango some sweet night and pass on because there wasn't another dance left in me.

I consider a country-dance as an emblem of marriage. Fidelity and complaisance are the principle duties of both; and those men who do not choose to dance or to marry them selves, have no business with the partners or wives of the neighbors.

Dance has always been a really important thing for me, so being able to physically express the characters through music and dance is like another layer to things.

The dance is the mother of the arts. Music and poetry exist in time; painting and architecture in space. But the dance lives at once in time and space.

Though I soon became typecast in Hollywood as a gangster and hoodlum, I was originally a dancer, an Irish hoofer, trained in vaudeville tap dance. I always leapt at the opportunity to dance in films later on.

I go to a dance class myself called BBS - Body By Simone - its little mini dance routines and I am often the oldest person in the room although I forget that. I'm fairly fit.

We look at the dance to impart the sensation of living in an affirmation of life, to energize the spectator into keener awareness of the vigor, the mystery, the humor, the variety, and the wonder of life. This is the function of the American dance.

This is the bravo’s dance, the water dance, swift and sudden. All men are made of water, do you know this? When you pierce them, the water leaks out and they die.

Sometimes, when I'm alone, I put on six inch heels and wear nothing else and dance around in front of the mirror and do my little stripper dance.

If somebody asks, "What is a dance?" how can you define it? But you can dance and you can know the inner feel of it.

Contrary to conventional wisdom, dance is not a universal 'language' but many languages and dialects. There are close to 6000 verbal languages, and probably that many dance languages.

You don't pick dance. Dance picks you.

In fact, I wasn't going to dance in Xanadu, but several journalists told me that Olivia Newton-John kept saying how sad she was that she wouldn't get the chance to dance with me. So I finally said, "All right, throw in a number." But I'm through with dancing.

I wanted it to be a wonderful combination of being able to dance a little bit, not being especially good, but also playing a character who says the line, "I love to dance".

I absolutely love what I do. And I want to dance for as long as I can and feel good about what I'm putting out there on the stage. But my goal has always been to be a principal dancer with ABT. Before I knew that there had never been a black woman, that was always my goal. I wanted to dance Odette-Odile and Kitri and "Don Quixote" and Aurora in "Sleeping Beauty." So that's still my goal. But knowing that it's never been done before, I think makes me fight even harder.

I'm weirdly flexible, so when I dance, I dance like a 17-year-old girl.

But how much better, in any case, to wonder than not to wonder, to dance with astonishment and go spinning in praise, than not to know enough to dance or praise at all; to be blessed with more imagination than you might know at the given moment what to do with than to be cursed with too little to give you -- and other people -- any trouble.

I actually sing horribly, but I used to dance pretty good. I was a gymnast, and you can usually use those gymnastic tricks with dance. Plus, they're so much fun to do. That wasn't really a big part of my career. It was just a phase.

Latin guys dance. American guys don't dance. That's a big difference.

I was born to be a ballerina - my physique, my spirit, my feeling for music. What I am can only be expressed in dance. I am an erotic woman and that's what dance is.

I was used to dancing, but only when someone told you what to do. So in the nightclub I was all over the place, I combined everything. Street dance, modern dance, a bit of jazz and ballet, I was Twyla Tharp, I was Alvin Ailey, I was Michael Jackson. I didn't care, I was free.

I love to dance. I can dance for, like, four or five hours nonstop without even drinking water. It's a beautiful, beautiful thing.

I am too tall [to dance]. Tall people don’t dance. It’s just not right.

My job as art critic is to watch artists dance naked in public, and then I will, in turn, dance naked critically in public.

Once a song and dance man, always a song and dance man. Those few words tell as much about me professionally as there is to tell.

For me, it's like biking around the neighborhood, the walks and stuff, because I have never enjoyed the gym. Or I'll do, since I used to dance a lot, all the old dance exercises.

Making these photographs has often seemed to me like a kind of dance. Often I have danced badly and the world has fallen apart at my feet. But sometimes the dance has gone well and my subject and I have moved together as if with shared purpose.

It's a great thing when a man knows how to dance, she said. When a man can dance, the world is his oyster." Adele, Henry's Mother

So dance music is now pop music. So now, as a dance producer, what do I have to do? So I'm starting to do alien music, because pop is not pop anymore; we need to go alien to be independent.

When you have achieved a state of calmness and readiness, then you are ready to know, ready to understand in a deep way the dance between emptiness and appearance. Once you catch a glimpse of that dance, don't hang on to it. Just let it go, like your first glimpse of essence love.

Every dance is a kind of fever chart, a graph of the heart. The instrument through which the dance speaks is also the instrument through which life is lived ... the human body.

The only time I feel pressured is when some woman's husband comes over and says, "Will you go ask my wife to dance? She's a great dancer and would just love to dance with you."Suddenly there's a crowd of people standing around us and they expect that they're about to see Fred and Ginger. Here the woman and I have just met, and these people think that it's showtime. That is the only time I think it is really embarrassing.

I don't know why everyone is making dance movies. I auditioned for three dance movies in the past two months and for one of them I just couldn't do it.

I think every time I said, "I'm working with Nile [Rodgers]," the reaction was, "Oh, great. I love 'Let's Dance.' " I think that's pretty expected. I'm not sure Nile and I went in consciously not to make "Let's Dance." We just wanted to work together again.

You can't really dance properly to James Brown. If you dance to James Brown, you look like an idiot. There's a lot of jerking.

So if you are seeking something else in the name of creativity, then drop the idea of being creative. At least consciously, deliberately, do whatsoever you want to do. Never hide behind masks. If you really want to be creative, then there is no question of money, success, prestige, respectability. Then you enjoy your activity; then each act has an intrinsic value. You dance because you like dancing; you dance because you delight in it.

I tend to write pretty much by myself. I always did that anyway. I used to write with Ron Strykert 'cause he was the only guitarist and we played well together. We lived in the same place. I would play a certain style and he would kind of dance around what I did, in a sense. I learned from him and also vice-versa. With this band, I think I bounce ideas off everybody. Perhaps on the next album they'll be more collaborative stuff, but for the last 2-3 years, I've been pretty well writing by myself.