Quotes About Feels

You think to yourself, “If one drink feels really good and two feels really, really good, a hundred ought to feel fantastic.” As sane people know, it doesn't work that way. A hundred drinks feels terrible. Bad things happen. But the addict keeps at it, thinking at some point it's going to get good again The point is to not feel what you're feeling. The problem is, you become someone you never thought you would become, and you have no idea how you got there.

It feels good, you know. It feels like you're out there, you know, doin' your own thing, know what I'm sayin'? It's like, people can't really compare it to anything, and that kinda feels good. It opens me up to a lot of different arenas, a lot of different type of situations, you know like Tony Hawk will call. You know what I'm sayin'? I can just image if my songs was about shootin' up, and like sellin' cocaine, I doubt Tony Hawk would be callin' you know?

She believes in love and romance. She believes her life is one day going to be transformed into something wonderful and exciting. She has hopes and fears and worries, just like anyone. Sometimes she feels frightened. Sometimes she feels unloved. Sometimes she feels she will never gain approval from those people who are most important to her. But she’s brave and good-hearted and faces her life head-on.

Even though it's still, annoyingly, something everybody feels the need to bring up to anybody who doesn't look like a model, there are more women now who are super successful and have different body types. You know, like men do. That feels like progress to me.

When a woman tries on clothing from her closet that feels tight, she will assume she has gained weight. When a man tries something from his closet that feels tight, he will assume the clothing has shrunk.

There's a constant contradiction between what feels good and what feels right. But you live with decisions that you make in your life.

The difference between guilt and shame is very clear--in theory. We feel guilty for what we do. We feel shame for what we are. A person feels guilt because he did something wrong. A person feels shame because he is something wrong. We may feel guilty because we lied to our mother. We may feel shame because we are not the person our mother wanted us to be.

The truth feels different from other things. The closest you can come to describing it is that it feels like taking a perfect breath.

What I love about Neill's Blomkamp work is that his stories are small human stories. But what's interesting about Neill's movies is that they're set in the future but they're so incredibly timely that it feels like maybe in the present in the next dimension. It feels like it's happening now. The universe is very recognizable, in many ways.

It feels like we've grown enough as musicians over the last few years to go new places, and our conceptual and compositional abilities have developed along with it, so we're pushing all the envelopes we can at the same time and it still feels like cutting edge work to us. It seems to resonate with people.

The individual feels the vanity of human desires and aims, and the nobility and marvelous order which are revealed in nature and in the world of thought. He feels the individual destiny as an imprisonment and seeks to experience the totality of existence as a unity full of significance.

When I go home, the first thing I do is wash the dishes. It feels real and it feels like home and it's humbling, it's something you don't do when you're living in a hotel, everyone cleaning up after you.

He [Dalai Lama] feels, and I feel, and everyone feels the suffering and frustration of the Tibetans who long for action, who long for a militant response. But, in some ways very few of those individuals have ever been in the position of being head of state.

Writing is self-reinforcing. Don't make a fetish out of it, and don't surrender to the myth of the garret, or the myth of the chained muse. It's like playing the guitar, or practicing taekwondo, or having sex. The more you do, the better you get. The better you get, the better it feels. The better it feels, the more you want to do.

Diversity on the bench is critical. As practitioners, you need judges who 'get it!' We need judges who understand what discrimination feels like. We need judges who understand what inequality feels like. We need judges who understand the subtleties of unfair treatment and who are willing to call it out when they see it!

I want to write for people that are trying to do some kind of quality music. What I mean by quality music is not so much the trend, what is hot right now. I don't write trendy, I write what feels good and something that feels good will never get old. Timeless music is what I try to shoot for.

All streams flow to the sea because it is lower than they are. Humility gives it its power. If you want to govern the people, you must place yourself below them. If you want to lead the people, you must learn how to follow them. The Master is above the people, and no one feels oppressed. She goes ahead of the people, and no one feels manipulated. The whole world is grateful to her. Because she competes with no one, no one can compete with her.

I guess part of my ambivalence about pursuing music as well as acting is that acting is already one of the most difficult careers to create for yourself, I must be insane to embark on creating two careers in two of the most difficult fields. But I have really different ambitions with music; I just want to stay in love with music. I want it to continue to be a means of expression for me that feels like it's mine, and something that feels community-based.

It all changed when I realized I'm not the only one on the planet who's scared. Everyone else is, too. I started asking people, Are you scared, too? You bet your sweet life I am. Aha, so that's the way it is for you, too. We were all in the same boat. That's probably what is so effective at our workshops. When I ask, Who else feels like this? the whole room of hands goes up. People realize they are not the only one who feels that way.

I think how I've gotten better, hopefully, at taking what I've got and being able to mish-mash something together, and as long as it feels real to me in the moment, then it feels like a success.

Regarding the current Broadway revival of The Music Man, Jay Nordlinger wrote: There will always be those who sniff that the show is "feel good"-but, oh, it feels good to feel good. And the main reason The Music Man feels so good is that it is good-a great American musical.

Losing feels worse than winning feels good.

We've decided [with Jordan Peele] that we need to be on the Internet for a little bit of time every day to figure out what's going on. It feels like we're working. It feels like you're all typing and you're searching.

There's always going to be one more thing. Because that's what infinite feels like. And the difference between love and everything else is that it's infinite, it's built out of something infinite, or it feels like it is, anyway, which is the same thing to us. You think a million billion more things will come your way, a million billion more versions of everything. But no, everything that actually causes that infinite feeling, the circumstances of every infinite feeling, is so, so finite.

Be like the bird who, pausing in her flight awhile on boughs too slight, feels them give way beneath her, and yet sings, knowing she hath wings.

We both laugh. And it feels good. A release. Like laughing at a funeral. Maybe inappropriate, but definitely needed.

If someone's lying to us, then it's rare that we know that they're lying to us. It's only in bad films that you recognize immediately that an actor's playing in such a way that you can see that he's lying, and that's simply dumb. But to reach that, it requires that you make a film in such a way that a spectator feels compelled to find his own explanation. You want to lead the spectator to find his own interpretation. To ask questions rather than provide all of the answers. Doing that leads to open endings and open dramaturgy.

Most illogical Irrational nature of our womanhood, That blushes one way, feels another way, And prays, perhaps another!

There's nothing that compares to being in a band with your best friends. We're so comfortable together, we understand each other. It feels, like, normal. Whereas solo period felt like I was trying to be something, and play a role, and pretend.

An engaged woman is always more agreeable than a disengaged. She is satisfied with herself. Her cares are over, and she feels that she may exert all her powers of pleasing without suspicion. All is safe with a lady engaged; no harm can be done.

This is where the strength of the physician lies, be he a quack, a homeopath or an allopath. He supplies the perennial demand for comfort, the craving for sympathy that every human sufferer feels.

Buddhism doesn't promise to fulfill our desires. Instead it says, 'You feel unfulfilled? That's okay. That's normal. Everybody feels unfulfilled. You will always feel unfulfilled. There is no problem with feeling unfulfilled. In fact, if you learn to see it the right way, that very lack of fulfillment is the greatest thing you can ever experience.' This is the realistic outlook.

It is only when we possess ourselves that we can give ourselves to others. If what we possess feels wrong, bad, or wicked, then we try not only to hide it from others, but we also try to hide it from ourselves.

I don't want to be married to someone who feels inferior to my success or because I make more money than he does.

I don't want to. Believe me. But I can't help it. Rose said in time, I'll learn the control to keep his feelings out, but I can't do it now. And he has so much, Sydney. So much feeling. He feels everything so strongly— love, grief, anger. His emotions are up and down, all over the place. What happened between him and Rose . . . it tears him apart.

I'm not the only one who feels the sting of continually losing.

As long as one feels that he is the doer, he cannot escape from the wheel of births.

You're looking for purity, something that just isn't all garbled, someplace where you can feel the earth again, where you can feel what the wind feels like, where you can see the stars at night, and actually, not just look at little dots in the sky, but feel an energy from them.

One listens to a piece of great music, say, and feels deeply moved by it, and wants to put this feeling into words, but it can't be put into words. That's what - the music has already supplied the meaning, and words will just be superfluous after that. But it's that kind of verbal meaning that can't be verbalized that I try to get at in poetry.

Not many people understand what a pump is. It must be experienced to be understood. It is the greatest feeling that I get. I search for this pump because it means that that my muscles will grow when I get it. I get a pump when the blood is running into my muscles. They become really tight with blood. Like the skin is going to explode any minute. It's like someone putting air in my muscles. It blows up. It feels fantastic.

The worst nightmare for al Qaeda is to come into a community that feels supported and has hope.

I just love any kind of language that can change the energy in a room. There are no limits for me, as long as it feels like it's being used in a particular way to garner or elicit a very particular reaction, so that you can then use that reaction later for something else. But when it's gratuitous language or physical exposure, then I get a bit like, "Oh! Put it away!"

There are certain people whom one feels almost inclined to urge to hurry up and die so that their letters can be published.

A Jazz man should be saying what he feels: humor, sadness, joy... all the things that humans have.

A reader, encountering a sentence about a barking dog, would have to dwell on why that choice was made at that moment. Everything in a novel is explicitly chosen, whereas some of what a film captures feels incidental, according to the vagaries of photography and sound recording.

If the new American father feels bewildered and even defeated, let him take comfort from the fact that whatever he does in any fathering situation has a fifty percent chance of being right.

In my heart and mind, I know I can hit anybody. I'm always relaxed. It's hard to explain. It's like playing with my kids. It feels natural.

The Sugar Frosted Nutsack is fantastic. It's volcanic and sexy and utterly unlike anything I've read before. It feels like the future in a dazzling way that has nothing to do with looking backward. It's been a long wait for a new novel from Mark Leyner, but worth it. Ten out of ten from me.