Quotes About Figure

So much of my work is defined by the difference between the figure in the foreground and the background. Very early in my career, I asked myself, "What is that difference?" I started looking at the way that a figure in the foreground works in eighteenth- and nineteenth-century European paintings and saw how much has to do with what the figure owns or possesses. I wanted to break away from that sense in which there's the house, the wife, and the cattle, all depicted in equal measure behind the sitter.

The more you stay in this kind of job, the more you realize that a public figure, a major public figure, is a lonely man.

Kids don't know the language of figure skating. If you ask them to do a compulsory figure, they don't know how to, and that's so important for the edge quality. I think that's why the older skaters are still as popular as they are - because they have that quality that people are missing in this generation.

We had to get out of Chicago so quick. Election night happens, suddenly I'm talking to Ben Bernanke and Hank Paulson and trying to figure out whether the world's going to fly apart, and Michelle is trying to figure out where the girls are going to go to school. And we pack up and leave and basically our house in Chicago just became like a time capsule. My desk in my home office still had stacks of articles and bills and stuff from 2008.

Don't try to figure out what other people want to hear from you; figure out what you have to say.

I always write with music. It takes me a while to figure out the right piece of music for what I'm working on. Once I figure it out, that's the only thing I'll play.

Figure out what you love to do, then figure out how to get paid to do it.

Knowing you don't have much time left changes things. You get kind of philosophical. And you figure things out-more like, they figure themselves out-and everything gets real clear.

There's so many things happening with computers and what-not, where we may be able to live until 150 and even longer, but if the planet's not here for us to live on it, if we burn ourselves out from global warming and everything else, if we don't figure that out, if we don't figure out an alternative form of energy, I think we're in big, fat trouble.

As an actor, I've learned to become a detective. You have to figure out who that person is. If the character is a thief, you have to figure out what makes them a thief. Whatever the prevailing idiosyncrasy is, I have to find it in the script.

Buried is the strangest film I've ever done. I'll be the only person in the movie. So, I'm still trying to figure that out. I have a short but impactful amount of time to figure that out and that's all I'm doing when I get home. I won't bury myself, of course... that would be a sad end! And then the plan is to do Deadpool after that.

One of the questions asked in that study was, How many Vietnamese casualties would you estimate that there were during the Vietnam war? The average response on the part of Americans today is about 100,000. The official figure is about two million. The actual figure is probably three to four million. The people who conducted the study raised an appropriate question: What would we think about German political culture if, when you asked people today how many Jews died in the Holocaust, they estimated about 300,000? What would that tell us about German political culture?

In life, the challenge is not so much to figure out how best to play the game; the challenge is to figure out what game you're playing

I have a lot of books optioned. This one sat around for a while - part of that was just because I was trying to figure it out, and I didn't realize I needed Pam to figure it out - but I'm not somebody that likes to option books and then sit on them.

Unfortunately, in self-discovery, you get the culty types who want the father figure or mother figure to tell them everything to do. They don't want to do any work. They want to hang on your energy and try to drain it.

John Maynard Keynes essentially said, don't try and figure out what the market is doing. Figure out a business you understand, and concentrate.

The president stands between the twin mirrors of the past and future, causing his being to become reflected an infinite amount of times. At first, this can be very disorienting. But it induces the president to move quickly. He may, for example, mimic a wave with his arms in order to see how his actions extend across this mirroring of time, observing if the figure at the end acts at the same instant as the figure before him, and so on and so forth.

You would hardly believe how difficult it is to place a figure alone on a canvas, and to concentrate all the interest on this single and universal figure and still keep it living and real.

I think that behind the scenes the Pope [Francis] is seen as more of a religious figure, but obviously he is sort of a global political figure.

I had to figure out myself to figure out my game.

I mean, he was something that happened to me, you know? But before he was this minor figure in the drama of my life he was - you know, the central figure in the drama of his own life.

I'm trying to figure things out in the world. No one knows what this life thing is all about - there's no manual. Just trying to figure it out.

It's a character that I always found really likable. I'm fond of Zorro because he was a popular figure who worked for the people.

I think one of the problems in determining the ending for a television series is that you don't know how long the show is gonna last. Particularly because we were in the unique position of adapting Tom's Perrotta novel The Leftovers, it always felt like the first season was gonna end with the end of Tom's novel, and then we would figure things out from there and look back.

Obviously I've been reading Kafka for a long long time, since I was really young, and even before I ever read him I knew who he was. I had this weird sense that he was some kind of family. Like Uncle Kafka. Now I really think of him that way, the way we think about an uncle who opened up some path for being in a family that otherwise wouldn't have existed. I think of him that way as a writer and a familial figure.

I'm not interested in 'abstracting' or taking things out or reducing painting to design, form, line, and color. I paint this way because I can keep putting more things in it - drama, anger, pain, love, a figure, a horse, my ideas about space. Through your eyes it again becomes an emotion or idea.

I would not be as married to locations and ideas, when I show up in the city that I'm actually going to shoot it in. You really have to roll with it. That perfect thing you have in your head just isn't going to be there sometimes, and you have to figure out what you're going to do, if you can't find it.

On a movie set that works, you have your father figure, the director, you have your siblings, your other actors.

She looked up at him and her face was pale and austere in the uplight and her eyes lost in their darkly shadowed hollows save only for the glint of them and he could see her throat move in the light and he saw in her face and in her figure something he'd not seen before and the name of that thing was sorrow.

Women are pretty good. Women usually fight about some stupid guy and then when they figure out it's just a stupid guy they make up and move on.

Food is a product of supply and demand, so try to figure out where the supplies are fresh, the suppliers are creative, and the demanders are informed.

There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.

I'm trying to figure out the trick of working to live as opposed to living to work, but I don't know if I've quite stumbled upon it just yet.

As a parent, you have to figure out how to shape your kid's character. You want to have human beings who learn about good character. You have to be able to see your child with clarity, see the good side and the bad side of them, and work on the bad side and make them better so they fulfill their potential.

No one talked about the fact that in this year under the Obama administration you've seen the highest casualties in Afghanistan. And the fact that it took him almost 90 days to figure out what his strategy is going to be was absolutely appalling.

Some religions believe that there's a hierarchy, that you don't have a connection, but you must go through the shaman or the priest or whoever the religious leader is. And that's what surprises me, that some people who find a huge value in these kinds of systems also seem to enjoy ILLUSIONS. I can't figure it out.

Figure out what you are meant to contribute to the world and make sure you contribute it. If this requires public speaking or networking or other activities that make you uncomfortable, do them anyway. But accept that they're difficult, get the training you need to make them easier, and reward yourself when you're done.

That's what I am, Frank thought, an ordinary genius. He had unlocked the secret of radio. The sport of the ordinary! Brillliant me like Reed Seymour couldn't figure this out for the life of them! Reed was ashamed of radio. ...radio was a cinch if you kept reaching down and grabbing up handfuls of the ordinary.

Every citizen has to figure out what kind of government he or she wants.

Inspiration means that you don't have to figure things out, or think about them. Ideas and answers pop into your head and the energy carries you forward, if you allow it. Planning. . . is a way of ritually killing inspiration, which transcends the need for planning.

I've been walking to school and trying to figure out what's going on there; some of the production and songs are so ridiculous. I want to get inside that.

About three million computers get sold every year in China, people don't pay for the software. Someday they will, though. And as long as they're going to steal it, we want them to steal ours. They'll get sort of addicted, and then we'll somehow figure out how to collect sometime in the next decade.

The Reverend grinned, his fangs flashing. "You know, I've heard this rumor… about a member of the Brotherhood who's celibate. Yeah, go figure, a warrior who abstains. And I've heard a few other things about this male. He's down to one leg. Has a scarred sociopath for a twin. You wouldn't by any chance know of such a Brother?" Phury shook his head. "Nope.

Every project is an opportunity to learn, to figure out problems and challenges, to invent and reinvent.

Let’s take this figure of the feminist killjoy seriously. Does the feminist kill other people’s joy by pointing out moments of sexism? Or does she expose the bad feelings that get hidden, displaced, or negated under public signs of joy? Does bad feeling enter the room when somebody expresses anger about things, or could anger be the moment when the bad feelings that circulate through objects get brought to the surface in a certain way?

Haters are just confused admirers because they can't figure out the reason why everyone loves you.

The experimentalists think that we can only get at our concepts by way of empirical investigation, while the armchair philosophers think that we can skip the experiments and figure things out from our armchairs. What they have in common, however, is regarding our concepts as the targets of philosophical theorising, and I just don't think that, in the vast majority of cases, the subject matter of philosophy has our concepts as its target.

I've never not been pleased with one of my albums. I figure because it's spoken word, there will be people who relate to it, and people who don't, so I don't worry about any of that. I've been doing it for over twenty years. I've always written because it was something I had to do, never for the glory.