Quotes About Grew

My wife Jennifer's family is all from there. Jennifer grew up there, so we have personal ties forever - her mom, dad, her brother, her twin brother - so, there's certainly a personal connection there that will also be there. Also, even though I grew up in Omaha, I feel like I really grew up in Milwaukee.

I mean, I've always felt like a lot of people's misconceptions of me have to do with how I grew up. I grew up poor, and I grew up rich. I think some people who have never met me have a misconception that when I was living with my father when he was successful, that I was somehow adversely affected by his success or the money he had and was making at the time.

People like Howlin' Wolf, Bob Dylan, The Rolling Stones, John Lee Hooker, Nina Simone, Captain Beefheart - all of these artists were what I grew up listening to every day of my life. And there's a very healthy music scene in the west country of England, where I grew up.

I grew up fundamentalist, evangelical, Protestant. Those are my roots, and they are good roots. But it means the Pharisees are my people. I grew up with an image of God that was not helpful -- largely the face of my father expanded.

Language is the primary way we communicate with each other, and we have really strong feelings about what words mean, and about good language and bad. Those things are really based on sort of an agglutination of half-remembered rules from high school or college, and our own personal views on language and the things we grew up saying, the things we grew up being told not to say.

I grew up in a very racially integrated place called Pottstown. It was an agricultural / industrial town which has since become a suburb of Philadelphia. I grew up basically in a black neighborhood.

My grandmother was also an active member of the tenants association and a staunch supporter of the Democratic Party, and both of my parents were extremely liberal, so I think I grew up in a household that was very politically conscious - we all watched the elections on TV, and we watched the debates. So it was an awareness that we were raised with, and as we grew into young adults, we just naturally became politically active. It was just understood that it was important, that it was our responsibility.

MY ACT IS 'NOTHING BUT COMEDY. I TALK SOUTHERN BECAUSE I PICKED IT UP WHEN I MOVED TO THE SOUTH. IM NOT TRYING TO MAKE ANY SOCIAL POLITICAL POINT, NOR AM I TRYING TO MAKE FUN OF REDNECKS. I GREW UP A COUNTRY KID AND WILL ALWAYS BE ONE. I GREW UP WITH PEOPLE THAT SAID CERTAIN THINGS FUNNY AND I PREFORM USING THE SAME LANGUAGE BECAUSE I FIND IT HYSTERICLE. THATS IT. ITS A COMEDY SHOW THAT IS FUNNY AND THATS IT.

I grew up with television. I love television and to be working in it is awesome. I think where I do well at television is because I grew up watching the great sitcom actors Jackie Gleason, I love Rob Reiner, also John Ritter.

I'm singing the way that I love to sing, which is like old soul, like old Al Green. I grew up about an hour from Memphis. So all that music that I grew up with - the Stax music and early rhythm n' blues - I'm doing that. I'm actually getting out from behind my guitar and I'm singing.

I grew up not really thinking I had a disability. I grew up thinking I had different shoes.

She had always lived her best life in dreams. She knew no greater pleasure than that moment of passage into the other place, when her limbs grew warm and heavy and the sparkling darkness behind her lids became ordered and doors opened; when conscious thought grew owl's wings and talons and became other than conscious.

Socially, hip-hop has done more for racial camaraderie in this country than any one thing. 'Cause guys like me, my kids - everyone under 45 either grew up loving hip-hop or hating hip-hop, but everyone under 45 grew up very aware of hip-hop. So when you're a white kid and you're listening to this music and you're being exposed to it every day on MTV, black people become less frightening. This is just a reality. What hip-hop has done bringing people together is enormous.

You want to do things that you watched when you grew up. I grew up on The Sound of Music, Mary Poppins and Singin' in the Rain. I watched those, over and over again, so of course, I want to do musicals.

We grew up as poor people but we never knew poverty. I still love and miss the Somalia I grew up in. Things changed, when my father became a diplomat later on.

I grew up with the Blind Boys' music. My family owns a music store in Claremont, California, called The Claremont Folk Music Center. I grew up with a heavy diet of gospel, folk, and blues because those are kind of the cornerstones of traditional American music.

I grew up in a sport that didn't allow you to grow up. There was always the threat of younger competition. So you had to maintain the image of youth.

The tree which fills the arms grew from the tiniest sprout.

I didn't grow up identifying with beauty. I grew up thinking I could be smart and funny - those are the things I got feedback on.

I grew up in a town called Hopedale, Massachusetts. I was born there in 1964, and the only thing I hate outside of myself is everything else.

Feeling at peace, however fragilely, made it easy to slip into the visionary end of the dark-sight. The rose shadows said that they loved the sun, but that they also loved the dark, where their roots grew through the lightless mystery of the earth. The roses said: You do not have to choose.

I grew up on the Bones Brigade as well. The very first skateboard video I saw was the Bones Brigade Video Show and I'd always valued the Bones Brigade and Powell Peralta as the ultimate in skateboarding.

I've always loved dogs. I grew up with them and I love working with them. They're really fun.

In arguing too, the parson own'd his skill, For e'en though vanquish'd he could argue still; While words of learned length and thundering sound Amaz'd the gazing rustics rang'd around; And still they gaz'd, and still the wonder grew That one small head could carry all he knew.

I don't need any explanation about what you do with your life. You and I...we grew up together,and that's it. Yeah, we shared a lot of stuff back then, and we were there for each other when it mattered. But neither one of us can fit into the clothes we used to wear , and this relationship between us is just the same. It doesn't fit in our lives any longer. We don't...fit anymore. And listen., I didn't mean to get pissy in the truck, but I think you need to be clear on this. You and I? We have a past. That's it. That's ...all we'll ever have" (Blay to Qhuinn).

My mother was very involved with me. And we had a dialogue constantly. And it was like an umbilical cord. As long as the words were flowing back and forth we were connected and feeding each other. And I probably grew up very afraid of losing that connection.

I grew up at the beach and I was always involved in beach clean-ups and caring for my environment.

I feel like I am a lot of who I am because I watched these shows that said it was okay to be a total weirdo. Shows like 'Pete and Pete,' 'Hey, Dude,' 'Salute Your Shorts' - that's what I grew up with.

I grew up in this Southern Baptist atmosphere, and my mother and father were both, I guess you would say, academics. They were both teachers.

That was how things were back then. Anything that grew took its time growing, and anything that perished took a long time to be forgotten. But everything that had once existed left its traces, and people lived on memories just as they now live on the ability to forget quickly and emphatically.

I grew up in a conservative household. That was the life of the time in Egypt: a conservative, middle-class household.

I'm a hybrid-genre person, which a lot of people find confusing. I grew up listening to American country music and rock n' roll made between 1955 and 1959. The Everly Brothers and Chuck Berry were my first musical loves and are still what I am most moved by. Roy Orbison came a little bit later.

I dreaded having a boring life when I grew up. And I certainly can't complain about being bored.

I grew up with a pencil. A pencil was my computer at the time and so drawing, drawing, drawing and the tools of drawing where the usual ones and eventually then you graduated from the tools when the work increases and you start to draw by freehand as precise as possible and as accurate as possible, and I was pretty good at that.

I grew up in a very musical household. My brother had KISS and Van Halen records, but my parents loved country and show tunes, so I had all of those records when a kid. I pretty much knew exactly what I was going to do at a young age. I loved album covers, I loved listening to a record and staring at the art while listening to it. When I got older and discovered paining, drawing and PhotoShop, I was able to do both simultaneously; I enjoy making both.

My biggest downfall is my inner voice. Growing up as a dancer makes you very judgemental with yourself. You learn to look at yourself in the mirror and you criticise every line in your body. It's never perfect. I grew up with this because I had ballet every day in school.

We should conserve evil just as we should conserve the forests. It is true that by thinning and clearing the forests the earth grew warmer.

And I've always felt comfortable certainly in a courtroom because you're just performing. And there was a time in my life when I thought when I grew up I'd be a trial lawyer myself.

I'm always interested to meet my friends' parents, or who they were raised by. Where they grew up, I always find very interesting.

I grew up in a tough neighborhood and we used to say you can get further with a kind word and a gun than just a kind word.

I grew up playing classical piano and percussion.

We grew up as this family of deniers. And people who knew us for years were stunned when "The Great Santini" came out because we had this appearance of being this happy, large, smiling family. We were taught to smile, put the best face forward. And so when the book ended up - Dad swatting us around the room, no one believed me.

I talked to my mother about it a lot. I asked her what it was like to grow up in New York and Harlem in the 1920s and 1930s, and I asked her about a woman leaving her husband. I asked her about how she would feel about that woman, and my mother grew up in the Church Of God In Christ, and she told me that the woman might be isolated because the other women thought she might go and come after their husbands. That's how they thought then.

I grew up in the time just when cassettes were waning and CDs were growing. And so mix tapes - and not mix CDs - mix tapes were an important part of the friendship and mating rituals of New York adolescents. If you were a girl and I wanted you - to show you I like you, I would make you a 90-minute cassette wherein I would show off my tastes. I would play you a musical theater song next to a hip-hop song next to an oldie next to some pop song you maybe never heard, also subliminally telling you how much I like you with all these songs.

Things you grew up watching, they just stay with you. They form what you like to do.

It's like a puzzle, putting together your individual accent and what you grew up with or what you heard. It must be insane to be a dialect coach, to balance all that out.

My relationship with the journalists who covered the campaign was complicated. I often hid from the critical eye of their cameras and their omnipresent digital recorders, wary of the critique implicit in every captured moment. But I also grew to respect and understand their passion for their work, their love for the journey we were sharing.

The sky darkened, the air grew colder, but he didn't mind. It didn't occur to him to move. This was the right place. This was where he had wanted to be.