Quotes About Grew

No matter where its seed fell, it made a tree which struggled to reach the sky. It grew in boarded-up lots and out of neglected rubbish heaps, and it was the only tree that grew out of cement. It grew lushly, but only in the tenements districts.... That was the kind of tree it was. It liked poor people.

No one paid any attention to how things looked, and as they moved faster and faster everything grew uglier and dirtier, and as everything grew uglier and dirtier they moved faster and faster, and at last a very strange thing began to happen. Because nobody cared, the city slowly began to disappear. Day by day the buildings grew fainter and fainter, and the streets faded away, until at last it was entirely invisible. There was nothing to see at all.

I have to be honest with you, it never occurred to me, as years went by, that my country would look like this as I grew into it, and as it grew into a different world. That's why I keep pressing the notion that we must seek wisdom.

She grew up hard and she grew up fast, in the age of television.

I grew up taking it for granted that missionaries were what American boys grew up to be.

As the style of Faulkner grew out of his rage--out of the impotence of his rage--the style of Hemingway grew out of the depth andnuance of his disenchantment.

I grew up in Russia where you can not be a trash talker because where I grew up if you're a trash talker you should have to answer for your words. If you don't answer for your words you're nobody. You have no respect from your friends, everybody but here in America everybody comes to say everything for free but they will have to pay in the ring for me.

From 1947 to 2001, the American economy grew annually at a rate of 3.5 percent. After China got into the World Trade Organization, got access to our markets and flooded our markets with its illegally subsidized exports, we grew at a rate of 1.8 percent from 2002 to 2015. That's almost cut in half.

But something magical happened to me when I went to Reardan. Overnight I became a good player. I suppose it had something to do with confidence. I mean, I'd always been the lowest Indian on the reservation totem pole - I wasn't expected to be good so I wasn't. But in Reardan, my coach and the other players wanted me to be good. They needed me to be good. They expected me to be good. And so I became good. I wanted to live up to the expectations. I guess that's what it comes down to. The power of expectations. And as they expected more of me, I expected more of myself, and it just grew and grew.

My father was a fish market porter. So I grew up on fish, because he used to steal one a day, I grew up on the very best fish that money could buy, 'cause he only stole the good stuff.

I grew up in Oregon so I grew up around reservations, so I've always kind of had this knowledge. Not a tremendous amount of knowledge, but an outsider's knowledge of what reservation life was like.

I grew up looking at the Sunset Strip, literally. The things that I remember are the Rainbow Room, the Roxy, the Bizarries, Tower, I grew up my whole life going there, Filthy McNasty's and I said, I need these things and now fill it in with other iconic buildings.

I really do love Diana Ross; I grew up listening to her records. I grew up in a little town in Mexico, so while we got the music, we never got the experience of watching her.

My grandmother was also an active member of the tenants association and a staunch supporter of the Democratic Party, and both of my parents were extremely liberal, so I think I grew up in a household that was very politically conscious - we all watched the elections on TV, and we watched the debates. So it was an awareness that we were raised with, and as we grew into young adults, we just naturally became politically active. It was just understood that it was important, that it was our responsibility.

I grew up looking at... going to the movies a lot, as much as they'd let you. I grew up in Manchester in the north of England in the '40s and '50s. I saw a lot of movies. They were all Hollywood and British movies. I didn't see a film that wasn't in English until I was 17 when I went to London to be a student.

I grew up Spanish, so I grew up watching a lot of novellas.

[Michael] Chabon is arguing in favor of what is at the same time an old-fashioned and very forward-thinking opening up - of taking off the class associations with those labels, because we grew up, or I certainly grew up, feeling that, "Oh, there's literary fiction, and beneath that, there's these other things." He's actually saying that they're all of equal merit, and in many cases, that work in the genres, or work that draws from the genres is more entertaining for readers, since it is our job to entertain people.

I was the little French boy who grew up hearing people talk of De Gaulle and the Resistance. France against the Nazis! Then when that boy grew up, he began to uncover things. We began to legitimately ask the question, 'What exactly did our parents do during the Occupation?' We discovered it was not the story they were telling us.

I grew up with four T.V. channels. If you missed a show, you missed it. You gotta wait a week for the next one. I'd mail-order books: take a quarter, get an envelope, send off for it and wait until it arrived. I grew up waiting for things.

I grew up in the church not being able to listen to anything but gospel. So, while [other] people grew up with their parents listening to Marvin Gaye and Aretha Franklin, I never knew they existed until I was able to listen to what I wanted to.

I don't know that I ever bought into the "American dream." I was a child of privilege. I grew up in the '50s and it was a quiet time in America, at least on the surface and I grew up in a kind of feathery bed of privilege.

I was'nt always black. there was this freckel that just grew and grew.

I grew up with video games. My generation kind of grew up with the Nintendo and the Sega Genesis. Then, I had a Dreamcast and, finally, the PlayStation. So yeah, I've always been a big gamer.

I'm not the only kid who grew up this way, surrounded by people who used to say that rhyme about sticks and stones, as if broken bones hurt more than the names we got called, and we got called them all. So we grew up believing no one would ever fall in love with us, that we'd be lonely forever, that we'd never meet someone to make us feel like the sun was something they built for us in their toolshed. So broken heartstrings bled the blues, and we tried to empty ourselves so we'd feel nothing. Don't tell me that hurts less than a broken bone...

I grew up with the Blind Boys' music. My family owns a music store in Claremont, California, called The Claremont Folk Music Center. I grew up with a heavy diet of gospel, folk, and blues because those are kind of the cornerstones of traditional American music.

I grew up in New York and I've always lived here, so I look at myself as a regular person. When somebody recognizes me from the film - and it can be a wide range of people, which shows the power of film - I feel like they're talking about someone else we both know. I just find it hard to believe that anyone would stop me to share how much they loved something that I was a part of.

Where I grew up, we had the three TV networks, maybe two radio stations, no cable TV. We still had a long-distance party line in our neighborhood, so you could listen to all your neighbors' phone calls. We had a very small public library, and the nearest bookstore was an hour away.

It is good sense applied with diligence to what was at first a mere accident, and which by great application grew to be called, by the generality of mankind, a particular genius.

I didn't grow up identifying with beauty. I grew up thinking I could be smart and funny - those are the things I got feedback on.

We laughed a lot and I grew warmer still, lovely and warm. I do realize that some of that warmth was due to the wine, but there was much more to it than that. There are two distinct aspects to Communion wine: one aspect is the wine itself, the other is the idea of communion. Wine is certainly warming, but communion is a great deal more so.

I grew up watching science fiction with my dad. It was kind of our little secret. It was our bonding time as father and daughter.

I grew up middle class. My father was a public functionary who didn't leave an inheritance, just debts.

From that date the abandonment of the older State proceeded with a rapidity never before known, and with it grew the domestic slave trade and the pro-slavery feeling.

I grew up on movie sets and traveling the world with my pops.

In the woods, if you stopped, if you grew still, you'd hear a whole new set of sounds, wind rasping through silhouetted leaves and the cries and chatter of blue jays and brown thrashers and redbirds and sparrows, the calling of crows and hawks, squirrels barking, frogs burping, the far braying of dogs, armadillos snorkeling through dead leaves.

Because I grew up in Chicago, I didn't have an emotional relationship to segregation. I understood the facts and stories, but there was not an emotional relationship.

All North Koreans know the risk of all their actions. Yeonmi Park grew up in North Korea and says watching outside videos changed her perspective of the world. She says, as a child, all she learned from watching state-run media was love for the Kim regime and North Korea.

How I grew to believe Black hair has power, genius, and magic in it, defying gravity and limitation. I mean, look at how marvelous it is: Black hair grows up and out.

Well, you know, people don't know me as a country artist and I am new to the genre. But that's how I grew up singing.

We should conserve evil just as we should conserve the forests. It is true that by thinning and clearing the forests the earth grew warmer.

Like everyone is either, "I grew up with it," or "I loved it," or loved them now. And when you watch The Muppet Movie now, it is so current. It's like The Simpsons before The Simpsons. It's not as cynical as The Simpsons would be but it's self-aware and there are a billion jokes, it breaks the fourth wall every five minutes, it's astounding, it's awesome. It's very exciting to be a part of that.

I grew up watching PBS and wanting to be a part of it, just like HBO.

I'm always interested to meet my friends' parents, or who they were raised by. Where they grew up, I always find very interesting.

I talked to my mother about it a lot. I asked her what it was like to grow up in New York and Harlem in the 1920s and 1930s, and I asked her about a woman leaving her husband. I asked her about how she would feel about that woman, and my mother grew up in the Church Of God In Christ, and she told me that the woman might be isolated because the other women thought she might go and come after their husbands. That's how they thought then.

The American accent is a little bit tricky. We grew up with American TV shows, so we've had a lot of exposure to it and that helps, but there's little nuances and little details. Sometimes there'll be just a phrase or couple words that are really difficult to get your mouth around. At the end of every season we go over and revoice anything that has sound issues, including my kiwi accent coming out.

Again, somehow, one saw life, a pure bead. I lifted the pencil again, useless though I knew it to be. But even as I did so, the unmistakable tokens of death showed themselves. The body relaxed, and instantly grew stiff. The struggle was over. The insignificant little creature now knew death. As I looked at the dead moth, this minute wayside triumph of so great a force over so mean an antagonist filled me with wonder. Just as life had been strange a few minutes before, so death was now as strange.

I grew up on a lot of early Beatles, DC5, Cream, Clapton, Page, Beck and Hendrix.

I grew up in the heart of the Depression.