Quotes About Guitar

Many kids and parents ask me, 'What kind of guitar can I buy?' It's a great opportunity for those people to be able to buy a quality guitar that's not necessarily a little Fender or whatever. Ernie Ball signature model guitar is something that's more signature.

Well, it grow together. It's like, first time I try to write a song is the first time I try to play the guitar. And so I can write a song without the guitar. But it really grow together. I really like stay with my guitar. But it just happen, is the inspiration come through man. Because, I personally, it look like, could I write a whole heap a tune, it look like. But I pick special tune to write. Cause a man can think of plenty things. Yuh know wah ah mean.

I was very pleased when PRS presented me with my SE Angelus acoustic, a beautiful guitar of stunning quality. It was in response to the challenge of building a guitar that shared the integrity and attention to detail that the Alex Lifeson Private Stock Angelus possesses in a package more broadly accessible. The SE Alex Lifeson Thinline is that model. Carefully selected materials, expert craftsmanship and a smart approach to concept resulted in a guitar that is beautiful to look at and rewarding to play.

My vocation is more in composition really than anything else - building up harmonies using the guitar, orchestrating the guitar like an army, a guitar army.

There happened to be guitar classes at the college, and there was a guitar teacher there with whom I used to play. In addition, I also would go out into country schools and teach little kids basic guitar and singing a few times a week.

My vocation is more in composition really than anything else-building up harmonies using the guitar, orchestrating the guitar like an army, a guitar army. ... I always felt if we were going in to do an album, there should already be a lot of structure already made up so we could get on with that and see what else happened. ... I always believed in the music we did and that's why it was uncompromising. ... I don't think the critics could understand what we were doing.

I did take guitar lessons as a teenager, though, and I started to teach myself how to play everything I could play on the guitar on piano, so I had a really weird, non-traditional route to proficiency. I think it probably helped me come at things from a new angle.

About ten years ago, I knew three chords on the guitar. Now, in 1982, I know three chords on the guitar.

I didn't go to guitar school and I don't know how to play chords, but I can do it in my own way and I think sometimes that will piss off some guitar players who sit around playing their stuff all day long and then there are people who like that.

Paint pictures with sound. First, find your white-the deepest, roundest sound you can play on the guitar. Then, find your black-which is the most extreme tonal difference from white you can play. Now, just pick the note where you've got white, pick it where you've got black, and then find all those colors in between. Get those colors down, and you'll be able to express almost any emotion on the guitar.?

My dad has always been very proud of me but I think I have exceeded his expectations. When I told him I wanted to be an actor and moved to New York City, I think he assumed I would be playing the guitar on the subway and collecting spare change in my guitar case. The fact that I'm not doing that means that I'm a huge success.

I sit around and play acoustic guitar - usually acoustic, sometimes electric, occasionally piano, but more often guitar, just trying to come up with tunes. Ideas kind of pop into your head.

I enjoy listening to Olla Bell. There is also this young guitar player, John Duke Lippincott, he sometimes goes by Johnny Duke. He is the most brilliant guitar player from right here in Wilmington, DE.

If your going to learn to play lead guitar, get an electric guitar .. it doesn't have to be an expensive one .. acoustic guitars aren't good for learning lead, because you can't play up very high on the neck and they take heavier-gauge strings which makes it hard to bend notes

I was trained at classical piano as a youngster back in PA. To rebel, I bought a drum set and played in some rock & roll bands. In college I picked up a guitar and became obsessed with practicing which led to playing guitar in indie rock bands in the mid 90's. Which led me to Los Angeles.

A guitar is something you can hold and love and it's never going to bug you. But here's the secret about the guitar - it's defiant. It will never let you conquer it. The more you get involved with it, the more you realize how little you know.

I fool around with guitar and I can fool around on piano. I don't really play either instrument although I can play a couple of songs on guitar. You don't really need to be able to play to compose. There are many composers and arrangers who work out of their heads.

I guess my guitar parts are usually precise, but the execution of those parts is downright treacherous, since I'm not very good on guitar.

It seemed so wimpy at first when I started to play [guitar]. So I started playing loud with lots of effects just to try to mimic the dynamic [of the drums]. Drums seemed a lot more expressive. [I was] Trying to emulate the feeling of playing the drums on the guitar - I guess that's why I played it so loud.

I'm glad I get singled out for my slide guitar-playing, which isn't that difficult to do. I didn't take guitar lessons, but I just love the way it sounds, almost like the human voice.

I've always been at war with the guitar. All vocalists are fighting a war with the electric rhythm guitar.

When you heard Jimi Hendrix, you knew it was Jimi Hendrix. He introduced himself with his instrument. His attack to a guitar man, was, oh, something else! You think of one of the great American ball players, or one of the great fighters of the world, you know, that's the way he would attack any note on his guitar.

The voices on the record, that was trying to treat my voice like guitar players treat guitar tones.

I'm sort of old-fashioned in the sense that I like to write something that I feel I could just perform alone, obviously, because I do that a lot in concert. So I try to make a song where there is as much that is as distinct as I can get it, just if I'm playing it or if I'm singing it. That makes me really do a lot of stuff in the guitar work when I sit and try to figure out how to indicate what sort of dynamic I'm aiming for. Where, rhythmically, I want to go. That's sort of what ties a lot of different records together, is that it's usually always based around me singing and playing a guitar.

Can't stand it. Too many amps, too much volume, it's just flat-out ear assault. Speedy guitars leave me not feeling detached but physically upset. When you think of all the subtleties that were built into the guitar and amps for you to discover they completely cover the whole lot with a rack of effects. The guitar doesn't need that.

Listening to as many guitar solos as possible is the best method for someone in the early stages. But saxophone solos can be helpful. They're interesting because they are all single notes, and therefore can be repeated on the guitar. If you can copy a sax solo you're playing very well, because the average saxophonist can play much better than the average guitarist.

I'm playing a D-28 Martin that I've had about 20 years or so. I've got a '51 Martin and I thought I shouldn't be taking this on the road. So I went down to Gruhn Guitars in Nashville and kind of traded around and ended up with this one. This guitar sounded pretty good as new guitar.

Musically, I am still hooked and just hypnotized by the sound of the guitar itself. I mean, a guitar sounds good if you drop it on the floor.

Now any person who plays an acoustic guitar standing up on stage with a microphone is a folk singer. Some grandmother with a baby in her arms singing a 500-year-old song, well, she's not a folk singer, she's not on stage with a guitar and a microphone. No, she's just an old grandmother singing an old song. The term "folk singer" has gotten warped.

All the time I was playing the flute, the lines, the solos, the riffs, the construction, were based on my guitar skills. I did not play the flute to exploit its natural faculties, but I used it as a surrogate guitar.

There's people that say “It's not fair You have all that stuff.” I wasn't born with it. It was a horrible process to get to this. It took me my whole life. If you're new at this- and by “new at it.” I mean 15 years in, or even 20- you're just starting to grow traction. Young musicians believe they should be able to throw a band together and be famous, and anything that's in their way is unfair and evil. What are you, in your 20s, you picked up a guitar? Give it a minute.

When I'm not writing music, I'm playing guitar, or reading philosophy. So all I have left is just an hour or two for Claudia Schiffer.

I used to play the drums. When I was 11 I got my first professional job, I played drums in a cabary and played Elvis and stuff, I used to play left handed actually. Then I started to pick up the guitar when I was around 15, but I played the drums for a long time.

As a guitar player, you can gravitate to the blues because you can play it easily. It's not a style that's difficult to pick up. It's purely emotive and dead easy to get a start with.

I play mostly guitar, and I played drums in my brother's band for a while growing up.

That it's a lot harder to make a keyboard sound not-cheesy than a guitar.

I've always wanted to smash a guitar over someone's head. You just can't do that with a piano.

Once I picked up an electric guitar, I lost interest in piano, and I just wanted to rock. I studied piano for so long, I got burned out on it.

I picked up the guitar at 11, but even before then, I was writing songs on the organ.

I started playing guitar at the age of 8 or 9 years. Very early, and I was like already into pop music and was just trying to copy what I heard on the radio. And at a very early age I started experimenting with old tape recorders from my parents. I was 11 or 12 at that time and then when I was like 14 or 15 I had a punk band. I made all the classic rock musician's evolutions and then in the early nineties I bought my first sampler and that is how I got into electronic music, because I was able to produce it on my own. That was quite a relief.

I'll get up there and I'll do my guitar solos in one of those space outfits.

I did pick up a guitar once, but the strings hurt my fingers so I put it down again.

I get to do a lot of things I don't usually get to do with the boys. I love playing guitar and rocking out on stage, so I do a ton of that with my solo project. [Backstreet Boys] all give each other the freedom to do our own thing, which just makes the bond the five of us have stronger

I get to play a scorching lead guitar, and there's not much that's more fun than that.

I played lead guitar in a band called The Federal Duck, which is the kind of name that was popular in the '60s as a result of controlled substances being in widespread use. Back then, there were no restrictions, in terms of talent, on who could make an album, so we made one, and it sounds like a group of people who have been given powerful but unfamiliar instruments as a therapy for a degenerative nerve disease.

What I've wanted to do my whole life is just act. When I was younger, I loved to entertain people. I always used to make up dance routines, do little plays. I love to perform, basically. Music, as well, is a passion of mine. I've been singing my whole life. I probably annoy people because I sing all the time on the streets. And I play the drums and I play the guitar. I've been writing music since I was 13.

In Kid A and Amnesiac, the guitar becomes one more texture, difficult to separate from other textures.

It's a cocktail-party circuit in D.C., That guy who couldn't master the guitar and get in a band and get laid, he ends up there. Gary Condit make sense to me. He's away from his family, he's in D.C. - if he was a car dealer in the [San Fernando] Valley somewhere out there, he'd be the guy who was trying to get laid by offering you the free undercoating package.