Quotes About Guitar

I always hated jazz guitar. I loved jazz saxophone but I hated jazz guitar. If I would buy an organ trio record I would make sure I'd buy one that did not have a guitar player on it. The sound was awful!

Sitting around home I mostly play acoustic. I've got seven or eight guitars of various sorts, including a baritone. Sometimes at home, because a guitar is just lying around, that's the guitar I pick up rather than actually choosing something. I try to plan ahead for my laziness by leaving interesting things scattered about. If I leave a baritone guitar lying around, that's the one I'll pick up, and I'll start writing baritoney things.

The weeping of the guitar begins. The goblets of dawn are smashed. The weeping of the guitar begins. Useless to silence it. Impossible to silence it. It weeps monotonously as water weeps as the wind weeps over snowfields. Impossible to silence it. It weeps for distant things. Hot southern sands yearning for white camellias. Weeps arrow without target evening without morning and the first dead bird on the branch. Oh, guitar! Heart mortally wounded by five swords.

Yeah. I started using them [SDD-3000s] shortly after first working with Edge on The Unforgettable Fire. Basically, I stole his sound. It wasn't a complicated rig: just a guitar he liked through a Korg SDD-3000 digital delay into a Vox. Three components, mono - that's it. The great thing about the Korgs is its three-position level switch, which lets you hit the amp with about 10 extra dB. It's more overdriven than if you just plugged the guitar straight into the amp, even when it's on bypass. But a lot of the guitar sounds on Achtung Baby were recorded through a Korg A3 effects processor.

I always liked the steel guitar. I also love the guys that play the bottleneck. But I could never do it; I never made it do what I want. So every time I would pick up the guitar, I'd shake my hand and trill it a bit. For some strange reason my ears would say to me that sounds similar to what those guys were doing. I can't pick up the guitar now without doing it. So that's how I got into making my sound. It was nothing pretty. Just trying to please myself. I heard that sound.

I did take guitar lessons as a teenager, though, and I started to teach myself how to play everything I could play on the guitar on piano, so I had a really weird, non-traditional route to proficiency. I think it probably helped me come at things from a new angle.

I was interested in the electric guitar even before I knew the difference between electric and acoustic. The electric guitar seemed to be a totally fascinating plank of wood with knobs and switches on it. I just had to have one.

There are guys in country music who are wizards on the guitar. If you're a country fan, you're used to it. But as a rock guitar player, you listen.

When I came to the States, I still wanted to be an electric guitar player. But moved to Santa Fe in '86. And just decided that nylon string guitar is really what I wanted to do... And that really change my life totally as well... And Santa Fe is one of those really unusual places that is such an interesting mix of culture. There is a lot of from restaurants to music... I remember one of the first groups I saw playing there in the back of a restaurant, was a banjo player, a classical violinist, and a flamenco guitarist. And I thought to myself, "What? You know, this is great."

Your sound is in your hands as much as anything. It's the way you pick, and the way you hold the guitar, more than it is the amp or the guitar you use.

You are working up to Mr. Fantastic Fiction levels of Zombie Expert, which is like playing Guitar Hero on some level that actually melts the guitar controller, burning your fingers with searing hot plastic till you scream in pain. Only with words. And zombies.

I'm not too picky about guitars. I love to collect them, mostly oddballs, but I'm not married to any brand or model. Whatever guitar has the best character for the song is the one I want to use, because if you've got a style, you're going to sound like yourself no matter what guitar you play.

A guitar is something you can hold and love and it's never going to bug you. But here's the secret about the guitar - it's defiant. It will never let you conquer it. The more you get involved with it, the more you realize how little you know.

Treat each guitar track-and each song-completely different. For example, if I'm using a certain amp and guitar on one track, I'll deliberately use something else for the next tune or overdub.

I don't know of a guitar player that has only one guitar. They're never happy with one. I'm never happy with just one of them. I woke up and ended up with six, even if you can only play one at a time!

For me, the most difficult thing is that I am learning melodies on guitar from some songs whose melodies were not meant to be played on guitar. Ever. They were intended mostly for keyboards or melodic percussion.

One day you pick up the guitar and you feel like a great master, and the next day you feel like a fool. It’s because we’re different every day, but the guitar is always the same…beautiful.

This guitar is such a pal. It's a psychiatrist. It's a doggone bartender. It's a housewife. This guy is everything. Whenever I find that I've got a problem, I'll go pick my guitar up and play. It's the greatest pal in the whole world.

The guitar, by its very nature, the nature of its sound, by the soft nuance of its powerful and ancient voice, by the magic of the tone, goes directly to the part of oneself where love is felt. When I hear the sound of the guitar, it goes to some part inside of me that opens the door that holds feelings of love and everything that is beautiful which lives inside of me.

Being a professional wrestler was never one of my goals in life. I always wanted to be some kind of entertainer. I used to want to be a rock singer or a guitar player but I can't sing and I can't play the guitar.

My dad is obsessed with music, so I was raised around this guitar player that really wanted me to be a guitar player.

Listening to as many guitar solos as possible is the best method for someone in the early stages. But saxophone solos can be helpful. They're interesting because they are all single notes, and therefore can be repeated on the guitar. If you can copy a sax solo you're playing very well, because the average saxophonist can play much better than the average guitarist.

I don't even wanna say female guitar-players, just guitar-players, because music of all things doesn't need to be gendered and stratified, that's so boring.

Musically, I am still hooked and just hypnotized by the sound of the guitar itself. I mean, a guitar sounds good if you drop it on the floor.

When I began, the guitar was en-closed in a vicious circle. There were no composers writing for the guitar, be-cause there were no virtuoso guitarists.

Inspiration and stealing are two completely different things. If somebody wants to make a song like "Stairway to Heaven" and writes a song on acoustic guitar, Led Zeppelin does not own every song that's on acoustic guitar for the rest of time.

Sam [Phillips] wanted I Walk The Line up - you know, up-tempo. And I put paper in the strings of my guitar to get that (vocalizing) sound, and with the bass and the lead guitar, there it was. Bare and stark, that song was when it was released. And I heard it on the radio and I really didn't like it, and I called Sam Phillips and asked him please not to send out any more records of that song.

I played the cello from when I was ten, and then I bought a guitar from the father of some friends of mine and played that for a while. And then when I was fourteen or so, I bought a guitar - a real nice one - in Durham, North Carolina, that I worked with up until I was about twenty-five.

I write songs on guitar and that's about how good of a guitar player I am. I can write songs on it.

We play loud electric guitar music, and we'd hope that that doesn't mean you have to act like an asshole.

Technically, I'm not a guitar player, all I play is truth and emotion.

I used to play the drums. When I was 11 I got my first professional job, I played drums in a cabary and played Elvis and stuff, I used to play left handed actually. Then I started to pick up the guitar when I was around 15, but I played the drums for a long time.

The only thing I ever really wanted was a Strat .. I started playing guitar after seeing Jimi Hendrix on TV the day he died...then I got Deep Purples' Fireball album which was also a big influence .. I have a collection of more than 200 of them that includes Strats from every year since March 1954 - the first month the Strat was made

I think Clapton is brilliant. He's the only one who moved me. The only one who made me want to play the guitar.

It's just me and my guitar, and the rhythm's from there, and the poetry of life.

Well, I started writing songs about three years ago when I learned to play the guitar, but I've been singing since I was eleven.

At that time there was, but they didn't have the guitar I wanted. There are only about 2000 people there and the next town was Dodge City 40 or 50 miles away and I didn't have a car. So it was easier to order it through the mail - which you shouldn't do. But it turned out okay. It was one of those Ovations - there's not much danger in ordering one of those.

My guitar, I sing of thee 'Tis with thee that I decoy And ensnare enchantingly the ladies I enjoy.

Once I picked up an electric guitar, I lost interest in piano, and I just wanted to rock. I studied piano for so long, I got burned out on it.

I was really young, but I can't say that I wrote much of anything. I liked to scribble; I thought of it as that. But I was playing guitar and ukulele when I was in second grade.

There is no way that I could pinpoint just one person. When I first started, I was listening to Randy Rogers quite a bit, and I was also pretty big into Josh Grider back then. I remember going to a lot of Kevin Fowler shows early, and Eli Young Band was another one of the groups I listened to a lot of when I was learning to write and play guitar.

I still believe in the old-school show thing no frills, no fancy equipment just a guitar and some amps and some drums, and throw it out there and do it the best you can in a live sense, because it's easy to make records. But the live show is where you really show if you've got the balls to do it.

This is going to sound crazy, but I can hear music in my head. I can imagine a piano or a guitar playing, and I can sort of think out.

I just think that the question of women in rock or women playing guitar, I just think it's such a non-issue, and I think that probably the sooner critics and press outlets can just erase the 'what's it like being a women in rock?' question from their vocabulary, the better off everyone will be.

My life has been a roller coaster ride, but somehow I've always been able to land on my feet and still play the guitar.

It's just for some reason I've got just as many fans that only like me when I'm yelling or being funny or whatnot, and jumping up and down on a pogo stick while playing a fancy lead guitar. And they get mad when I sing a heartfelt emotional song and if there's an album full of them.

I'll get up there and I'll do my guitar solos in one of those space outfits.

I did pick up a guitar once, but the strings hurt my fingers so I put it down again.