Quotes About Guitar

The Majesty guitar symbolizes the very reason why I am so proud to be a Music Man artist. I had the idea for this guitar a couple of years ago but it is because of their innovative spirit and dedication to the art of guitar building that it is now a reality. I am so grateful that I am able to collaborate with the best guitar company on the planet and so incredibly proud that together we have created what is to me, the perfect musical instrument for guitar players. I really hope you get a chance to play one and am confident that you will feel the same!

I'm not a big fan of guitar face. You know, when someone's playing guitar, and they make this really embarrassing face, like they smush their lips together and... they look you in the eye and it's really humiliating. You know some people have that really embarrassing guitar face? I remember thinking about this when I was doing the DJing, because... you do have to focus, and that's what happens, it's your focus face. But you're in a movie, so you should probably lock it up.

And a lot of the technique and the little T-Bone phrases that define his style, Chuck Berry, when he rearranged the beat, they became rock 'n roll guitar licks. So in essence, T-Bone was not only the first electric blues guitar player, but he was the first electric rock 'n roll guitar player, really.

I actually bought a travel guitar, and that guitar is really cool. You can actually fold the guitar, and you can plug headphones into it, but it's acoustic, or semi-acoustic.

Yeah. I started using them [SDD-3000s] shortly after first working with Edge on The Unforgettable Fire. Basically, I stole his sound. It wasn't a complicated rig: just a guitar he liked through a Korg SDD-3000 digital delay into a Vox. Three components, mono - that's it. The great thing about the Korgs is its three-position level switch, which lets you hit the amp with about 10 extra dB. It's more overdriven than if you just plugged the guitar straight into the amp, even when it's on bypass. But a lot of the guitar sounds on Achtung Baby were recorded through a Korg A3 effects processor.

Michael Bloomfield was the antithesis of a collector ... he didn't care how old a guitar was; all he wanted was something that sounded good when played it ... and he cared nothing about the collectibility of an instrument ... his philosophy was "A good player can make any guitar sound good" ... to Michael, a guitar was just a tool.

Instead of buying a guitar for $2,000 or $2,500 - I'm not sure how much these are going for - but it's maybe $300 or something like that. It's more for beginners and stuff like that. Obviously it's not hitting the pros. And you can't get the Piezo pickup and the color-changing paint and the inlays and all the fancy things that my signature guitars offer, but you can get the general feel of the guitar - and the body style. It's cool.

It was quite nice to get an opportunity to introduce on the second album something a bit fresh for us. For the rest of the world, perhaps it's not, because guitar is quite ubiquitous, but for us it's exciting to just have guitar on the record.

I suppose my little Martin acoustic guitar is quickly becoming a prize possession. It's a lovely guitar. I bought it at the Cambridge Folk Festival in 2001 before I had cleaned up.

Basically, I'm just a guitar player that figured out I wasn't ever gonna be able to buy dinner with my guitar playing so I got into songwriting, which is a little more profitable business.

I'm not too picky about guitars. I love to collect them, mostly oddballs, but I'm not married to any brand or model. Whatever guitar has the best character for the song is the one I want to use, because if you've got a style, you're going to sound like yourself no matter what guitar you play.

I'm really interested in trying to learn how to play the guitar since I've got two of them! I can kind of mess around on the piano, but I'm going to start learning how to play the guitar.

I started writing little short stories and poems as soon as I learned to read and write. I think I was six years old. And then when I got to be eleven, twelve, and into my teens, I was just listening to records all the time, and I got a guitar. I started to take guitar lessons when I was twelve.

There's so much that can be done on the guitar. And that's what is so good about the guitar - everyone can really enjoy themselves on it and have a good time, which is what it's all about.

And if the world does turn, and if London burns, I'll be standing on the beach with my guitar. I want to be in a band, when I get to Heaven. Anyone can play guitar, and they won't be a nothing anymore.

I still only play by ear. I don't have any training. But the piano actually makes more sense to me than guitar, even though I play more guitar now. And then, it wasn't till later that I started really writing songs. Writing songs was an outlet that I needed, so I became obsessed with it. It allowed me to express a bunch of stuff that had been piling up.

I don't know of a guitar player that has only one guitar. They're never happy with one. I'm never happy with just one of them. I woke up and ended up with six, even if you can only play one at a time!

Let me explain something about guitar playing. Everyone's got their own character, and that's the thing that's amazed me about guitar playing since the day I first picked it up. Everyone's approach to what can come out of six strings is different from another person, but it's all valid.

I had given up the guitar between '75 and '78. I completely lost interest. I was sick of hearing other guitar players and I was tired of my tunes.

Randy [ Rhoads] had small hands. Boy, could he play guitar. He became an even better guitar player after he died.

I've always been at war with the guitar. All vocalists are fighting a war with the electric rhythm guitar.

From the classical guitar right through to the furthest electrical experiments and everything in-between, it's amazing what the guitar can actually do. I mean, when one thinks about sounds.

My ex-wife was trying to be nice once, so she took me to a concert in Los Angeles. I went with her to Symphony Hall, and the orchestra was playing. When the show started, the spotlight was sharp on this one man (Andres Segovia) and he had sombrero on and his guitar propped up like this and, oh man ... he was a master ! - I really heard it. That one guitar sounded like a whole orchestra to me.

Unless the guitar works as a color, then I don't use it, so I haven't been playing guitar too much lately.

I didn't want to take the guitar solos down note-for-note, but more or less use them as a map, and keep all the hooks from the guitar playing, and let myself come through.

I've always lived in that guitar world. I have noticed kids being more into the real essence of guitar music now.

From the age of 16 on, I brought my guitar everywhere. I just fell in love with learning the guitar, and I wanted to learn songs and chords, and that led to wanting to start a band, and to wanting to do our first show.

I noticed a lot of guitar players neglected the rhythm part of rhythm guitar and decided I would try to focus in that.

The first guitar I ever had was a gut-string Spanish guitar, and I couldn't really get the hang of it. I was only 13, and I talked my grandparents into buying it for me. I tried and tried and tried, but got nowhere with it.

I loved the idea of recording. The idea of sound-on-sound-recording captured me as a young kid, and once I realized what it was I had an epiphany. Before I was even playing the guitar, I would create these lists of how I would record things and overdub them, like Led Zeppelin song, 'I could put this guitar on this track...' and so on.

Another guitar player who had a tremendous influence on my life was Howard Roberts ... I'd listened to a lot of Tal Farlow, Johnny Smith and Kenny Burrell, and I was certainly into those guys, but I was awestruck at the intensity and fire in Howards' guitar playing... for me, it became a roadmap.

Oddly enough, Hendrix is not my favorite guitar player. There are very few guitar players I get feeling from.

I am saying what comes out, because I'm really not a methodical writer. I'm not a good building writer, where you are like "well, I going to make a song today, and I think it will be a pop song." Some people are great at it and it's beautiful. If I am feeling musical and I pick up the guitar, usually something will eventually come out and I'll see where it goes.

I do play the guitar, and I can sing, but just enough to carry a tune.

Seeing my children makes me come most alive. I come home and I see my kids' faces light up when they see me at the door with my guitar case. They run to me, we hug. I never go beyond a few weeks without being in their presence, so they have adjusted quite well.

I used to play the drums. When I was 11 I got my first professional job, I played drums in a cabary and played Elvis and stuff, I used to play left handed actually. Then I started to pick up the guitar when I was around 15, but I played the drums for a long time.

I was left with an urge to make the guitar sound like things it shouldn't be able to sound like.

As a kid I used to pretend I was John Denver, of all people, and play the guitar and sing Take Me Home, Country Roads.

That it's a lot harder to make a keyboard sound not-cheesy than a guitar.

Guitar playing is just something that came to me and is really second nature now.

I suppose ultimately I'm interested in music. I'm a musician. I'm not a gunslinger. That's the difference between what I do and what a lot of guitar heroes do.

I play drums and guitar. My best instrument is definitely drums, so I'm featured a lot on the album drumming. It's pretty futuristic as well.

Doctor, if I put this here guitar down now I ain't never going to wake up.

Don't have much, but what I've got is yours, except of course my steel guitar.

I started playing guitar at the age of 8 or 9 years. Very early, and I was like already into pop music and was just trying to copy what I heard on the radio. And at a very early age I started experimenting with old tape recorders from my parents. I was 11 or 12 at that time and then when I was like 14 or 15 I had a punk band. I made all the classic rock musician's evolutions and then in the early nineties I bought my first sampler and that is how I got into electronic music, because I was able to produce it on my own. That was quite a relief.

This is going to sound crazy, but I can hear music in my head. I can imagine a piano or a guitar playing, and I can sort of think out.

I've always been on a personal mission to save the guitar.

That's why I love music so much. It completely saved me. There are so many feelings you can't explain, and you can hear one note on a guitar and somehow that sound explains what you can't put into words.