Quotes About Guitar

My dad is obsessed with music, so I was raised around this guitar player that really wanted me to be a guitar player. One of my earliest memories is him kind of forcing a guitar on all my brothers and me. You know, "You have to practice three hours a day!" I hated guitar at the time. I kind of picked up trumpet to spite him.

A gut-string classical Spanish guitar, a sweet, lovely little lady. The smell of it. Even now, to open a guitar case, when it's an old wooden guitar, I could crawl in and close the lid.

The weeping of the guitar begins. The goblets of dawn are smashed. The weeping of the guitar begins. Useless to silence it. Impossible to silence it. It weeps monotonously as water weeps as the wind weeps over snowfields. Impossible to silence it. It weeps for distant things. Hot southern sands yearning for white camellias. Weeps arrow without target evening without morning and the first dead bird on the branch. Oh, guitar! Heart mortally wounded by five swords.

Claude Debussy defined the guitar as an expressive harpsicord. I believe that is the best definition ever given of the Spanish guitar. This phrase is the starting point for my Concierto de Aranjuez Our guitar is the only survivor of the rich and anarchic instrumental wildlife of the Middle Ages.

I bought one of those Learn How to Play Guitar Chords By Yourself and it shows you the diagram where to put your hands and I took that in my room, sat with my singles and learned how to play guitar.

I like posing with a guitar better than I can play the guitar, so I think I found the right field. But I've spent enough time with rock stars to tell you that the best thing in life to be is a rock star.

I was interested in the electric guitar even before I knew the difference between electric and acoustic. The electric guitar seemed to be a totally fascinating plank of wood with knobs and switches on it. I just had to have one.

It grabs me, but not as much as it grabs some of the other people that rave about them. With the Black Keys, I'm missing crescendos with the sax, keyboard or guitar solo. It never comes to me. All my favorite music is rife with crescendo and I'm not hearing enough with them. If you can get the Black Keys to hear this, tell them I offer my crescendo guitar anytime they desire it.

51 Martin [guitar] sounded pretty good as new guitar. Martin has several levels of guitars now, and this one is pretty good.

I feel like I'm just learning how to play the guitar. I mean, really learning to play the guitar

I sit around and play acoustic guitar - usually acoustic, sometimes electric, occasionally piano, but more often guitar, just trying to come up with tunes. Ideas kind of pop into your head.

I could care less about sitting around and practicing the guitar for hours a day and trying to be the best guitar player on the planet.

The Marshall guitar amplifier doesn't just get louder when you turn it up. It distorts the sound to produce a whole range of new harmonics, effectively turning a plucked string instrument into a bowed one. A responsible designer might try to overcome this limitation - probably the engineers at Marshall tried, too. But that sound became the sound of, among others, Jimi Hendrix. That sound is called electric guitar.

I think there are quite a few new Instro/Surf groups that are really great. The Mermen are good and there doing something different. The Space Cossacks, Penetrators, The Fathoms, I really like The Falcons from Canada, Mike Beddoes is a really fine guitar player. I like Nokie Edwards of The Ventures, who gave me a guitar lesson once when we were playing opposite them in 1962 at The Rose Garden Ballroom in Pismo Beach. That's were The Impacts started and got signed to Del Fi in 1962.

One of the reasons I took up the guitar was I didn't want to speak to anybody. I really felt uncomfortable speaking to people, so I took the guitar up so I could hide behind it. I'm not comfortable explaining things, because my brain doesn't work that way.

I still only play by ear. I don't have any training. But the piano actually makes more sense to me than guitar, even though I play more guitar now. And then, it wasn't till later that I started really writing songs. Writing songs was an outlet that I needed, so I became obsessed with it. It allowed me to express a bunch of stuff that had been piling up.

I wanted to be an actor, an astrologer, an astronaut; a lot of different things were going through my mind. But I also wanted to play guitar. I mentioned to my parents that I wanted an electric guitar for Christmas. They got me one! I sat there all Christmas morning making a lot of loud horrible noise.

I fool around with guitar and I can fool around on piano. I don't really play either instrument although I can play a couple of songs on guitar. You don't really need to be able to play to compose. There are many composers and arrangers who work out of their heads.

Let me explain something about guitar playing. Everyone's got their own character, and that's the thing that's amazed me about guitar playing since the day I first picked it up. Everyone's approach to what can come out of six strings is different from another person, but it's all valid.

At age ten I switched to guitar, and I've loved the instrument ever since. And I love to practice. I just do. I just love guitar. It still brings a smile to my face!

I do not consider myself a guitar player. My father is a guitar player - I'm not.

I'm always happiest trying new instruments - and honestly enjoy playing, say, the glockenspiel with Radiohead as much as I do the guitar. I think regular touring has forced me to play the guitar more than anything else, which is why I'm probably most confident playing that. And whist I'd be lost if I couldn't play it too, I dislike the totemic worship of the thing... magazines, collectors, and so on. I enjoy struggling with instruments I can't really play.

I had given up the guitar between '75 and '78. I completely lost interest. I was sick of hearing other guitar players and I was tired of my tunes.

I've always been at war with the guitar. All vocalists are fighting a war with the electric rhythm guitar.

When "Here Comes the Sun" started, what happened? No, the sun didn't come out, but Mom opened up like the sun breaking through the clouds. You know how in the first few notes of that song, there's something about George's guitar that's just so hopeful? It was like when Mom sang, she was full of hope, too. She even got the irregular clapping right during the guitar solo. When the song was over, she paused. "Oh Bee," she said. "This song reminds me of you." She had tears in her eyes.

The most obvious thing you can't do with a guitar synthesizer is to really sound like a guitar.

Listening to as many guitar solos as possible is the best method for someone in the early stages. But saxophone solos can be helpful. They're interesting because they are all single notes, and therefore can be repeated on the guitar. If you can copy a sax solo you're playing very well, because the average saxophonist can play much better than the average guitarist.

[Chamber of Reflection off of Salad Days]I think it's probably that one. There's no guitar on that song, I've never recorded a song with absolutely no guitar, which is interesting. The idea behind it, well it's a Free Mason reference because before they become Free Mason's they had to go into this room called the Chamber of Reflection where they think about the life they brought with them, the life they've lived up until this point and all their wrong and right doings. And that's basically what I did with this album.

I loved the idea of recording. The idea of sound-on-sound-recording captured me as a young kid, and once I realized what it was I had an epiphany. Before I was even playing the guitar, I would create these lists of how I would record things and overdub them, like Led Zeppelin song, 'I could put this guitar on this track...' and so on.

When Lonnie Mack came out with the guitar instrumental "Memphis" I thought, Oh God, finally somebody we guitar players can relate to !

I usually start with a guitar riff or some little pattern of chords, and then I kind of go from there. Usually my lyrics are the last thing to go onto a song. For years and years I only ever did instrumental, so I'm still trying to get confidant with my lyrics and find the right balance. I'll generally get inspired from the music. I'll have a guitar line, and then I'll have a melody line, and I hook the lyrics up to fit that rhythm. So, my lyrics to tend be very rhythmic as well. They work with the music rather than the music works around them.

I said this to my daughter, if you don't practice the guitar, when you get older you wouldn't be able to play it. It's that simple. If you want to play the guitar, you put a half hour in everyday, but you have to do it.

My guitar is really tempermental. I don't give up on it though, I'm close to my guitar!

We play loud electric guitar music, and we'd hope that that doesn't mean you have to act like an asshole.

In oddball places, the electric guitar has been taken as an almost alien object - this weird, six-stringed instrument that fell down to earth and was then played loud but with traditional grace and intelligence

I could have probably gone on and still played the part of the guitar player of Limp Bizkit, but musically I was kind of bored. If I was to continue, it would have been about the money and not about the true music, and I don't want to lie to myself, or to them or to fans of Limp Bizkit.

When I'm not writing music, I'm playing guitar, or reading philosophy. So all I have left is just an hour or two for Claudia Schiffer.

Well, harpsichord is kind of a big guitar, isn't it? I mean, it is plucked, after all.

I'm left handed, but my dad taught me to play guitar right-handed.

I was left with an urge to make the guitar sound like things it shouldn't be able to sound like.

It's just me and my guitar, and the rhythm's from there, and the poetry of life.

I've been used for writing rhythm guitar chords for a long time because it's so easy to play and chords just sound good on it.

As a kid I used to pretend I was John Denver, of all people, and play the guitar and sing Take Me Home, Country Roads.

My earliest musical memory was getting to watch my dad play drums in a local band. He's a banker by trade, but a drummer at heart. I remember seeing the guitar player do the solo from "Werewolves of London" with his teeth, and that was the moment that had me hooked.

I learned to play guitar on my lying back while I was bed-ridden. I only thought to record the songs because sometimes I would I couldn't remember what I had just done. Eventually I started singing, because I thought if I sang it that would help to remember even more. But I wasn't trying to sing. And then one day-this is really weird -I just wrote a song. It came out at a rapid rate and I recorded it and I listened back to it and was like "Wow, it's a tune."

I got a bit bored of just me and my guitar.

I got my first guitar in October of 1968. I'm self-taught.

With a guitar I would be able to express the things I felt in sounds.