Quotes About Guitar

For me, the guitar was just a tool to make songs. I started when I was 10 - I learned what I had to learn to get my ideas across. I always felt I was a weak guitar player, but now I realize with the finger-picking stuff, I actually know how to do what I do with my songs, but I couldn't step in and be an overall guitar player. But my guitar playing has always been driven by the need to write songs.

My vocation is more in composition really than anything else-building up harmonies using the guitar, orchestrating the guitar like an army, a guitar army. ... I always felt if we were going in to do an album, there should already be a lot of structure already made up so we could get on with that and see what else happened. ... I always believed in the music we did and that's why it was uncompromising. ... I don't think the critics could understand what we were doing.

I still play that guitar. It's a Martin D-18 with a clear pick guard. I've played that guitar on and off my TV shows for nearly 50 years.

About ten years ago, I knew three chords on the guitar. Now, in 1982, I know three chords on the guitar.

I'll try any guitar just to see if it's different in an effort to see if it will lead me anywhere. I'm trying to have a guitar built. What's needed is better instruments, better amplifiers, better hardware for electric music to get better.

The time I burned my guitar it was like a sacrifice. You sacrifice the things you love. I love my guitar.

Besides being a guitar player, I'm a big fan of the guitar. I love that damn instrument.

My dad has always been very proud of me but I think I have exceeded his expectations. When I told him I wanted to be an actor and moved to New York City, I think he assumed I would be playing the guitar on the subway and collecting spare change in my guitar case. The fact that I'm not doing that means that I'm a huge success.

51 Martin [guitar] sounded pretty good as new guitar. Martin has several levels of guitars now, and this one is pretty good.

My dad is a huge rock and roll lead guitar fan. I didn't even really know that until recently. Everything has to have a guitar solo in it.

Once I got a guitar that was relatively user-friendly, but not super-duper easy, I really came on as a guitarist, at that point. It helped. It was a super-expensive guitar either, but something needs to steer you a bit, if you're playing an instrument that is really hard.

My setup for a live performance lately has been just guitar and synthesizer. Sometimes I only bring one. The guitar is in pretty bad shape and isn't sounding the same. Most of the time my live approach has been pretty different from recording.

I grew up not really listening to guitar players. Especially when I was studying music, I was just interested in piano players and arrangers and composers; I came to playing in a band from the perspective of someone who never expected to play guitar in a band.

You shouldn't hear the guitar by itself. It should be part of the drums... You only notice the guitar when it's not there.

The use of electronics is a natural extension of the instrument - it is an electric guitar. So we guitarists have been plugging into something since 1931, and we are not about to stop now. Current advances in technology means we can have a huge array of sounds at our fingertips, and this offers amazing possibilities to the contemporary composer. It is always a guitar (I don't play synthesizer) but it becomes something else all together - more like sculpting sound in real time using metal wires, 5 fingers and a pick.

They said, 'You have a blue guitar, / You do not play things as they are.' / The man replied, 'Things as they are / Are changed upon the blue guitar.'

I approach playing acoustic guitar more of as a percussive instrument. It's fragile. I don't have a lot of finesse when it comes to my guitar playing.

Unless the guitar works as a color, then I don't use it, so I haven't been playing guitar too much lately.

When you heard Jimi Hendrix, you knew it was Jimi Hendrix. He introduced himself with his instrument. His attack to a guitar man, was, oh, something else! You think of one of the great American ball players, or one of the great fighters of the world, you know, that's the way he would attack any note on his guitar.

Listening to as many guitar solos as possible is the best method for someone in the early stages. But saxophone solos can be helpful. They're interesting because they are all single notes, and therefore can be repeated on the guitar. If you can copy a sax solo you're playing very well, because the average saxophonist can play much better than the average guitarist.

Another guitar player who had a tremendous influence on my life was Howard Roberts ... I'd listened to a lot of Tal Farlow, Johnny Smith and Kenny Burrell, and I was certainly into those guys, but I was awestruck at the intensity and fire in Howards' guitar playing... for me, it became a roadmap.

There were basically three themes. One was the sun theme which is the guitar when he'd get sun on his leg and it comes again in the end. And there's of course the lullaby which Dido sang, "If I Rise." And then there's this driving guitar which is the motivation theme.

When I was nine years old, I started playing guitar, and I took classical guitar lessons and studied music theory. And played jazz for a while. And then when I was around fourteen years old, I discovered punk rock. And so I then tried to unlearn everything I had learned in classical music and jazz so I could play in punk rock bands.

I looked at myself, and I just said, well, you know, I can sing but I'm not the greatest singer in the world. I can play guitar very well, but I'm not the greatest guitar player in the world... And so I said, well, if I'm going to project an individuality, it's going to have to be in my writing.

There's two or three kids out there trying to make good music, and the rest of them sound like it's been strained through some kind of white toast or something. It all sounds just too neat and perfect, with no surprise to it at all. No story, no nothing. It's like building cars, like an assembly line. It doesn't sound like anything that came from a guitar.

My wife bought me a vintage Gibson guitar that isn't just beautiful but has tremendous sentimental value. I have plenty of guitars for live gigs but this is one to treasure.

I could have probably gone on and still played the part of the guitar player of Limp Bizkit, but musically I was kind of bored. If I was to continue, it would have been about the money and not about the true music, and I don't want to lie to myself, or to them or to fans of Limp Bizkit.

I do play the guitar, and I can sing, but just enough to carry a tune.

Seeing my children makes me come most alive. I come home and I see my kids' faces light up when they see me at the door with my guitar case. They run to me, we hug. I never go beyond a few weeks without being in their presence, so they have adjusted quite well.

I started playing guitar kind of by accident.

Guitar playing is just something that came to me and is really second nature now.

I grew up playing the guitar. I started when I was nine, and by the time I was nine and a half or ten, I was doing seven or eight hours' practice every day. I did two hours' practice at six o'clock in the morning before I went to school, and another two hours as soon as I got home from school in the afternoon. Then I did four hours at night before I went to bed. I did that until I was fourteen or fifteen.

Rock and Roll is simply an attitude. You don't have to play the greatest guitar.

It's like this when you fall hard for a musician. It's a crush with religious overtones. You listen to the songs and you memorize the words and the notes and this is a form of prayer. You attend the shows and this is the liturgy. You're interested in relics -- guitar picks, set lists, the sweaty napkin applied to His brow. You set up shrines in your room. It's not just about the music. It's about who you are when you listen to the music and who you wish to be and the way a particular song can bridge that gap, can make you feel the abrupt thrill of absolute faith.

I didn't want to fall into the trap of competing with all these other great guitar players. I just want to sidestep the whole thing and get out of the race.

Guitar players never listen to lead singers.

You know, once you've had that guitar up so loud on the stage, where you can lean back and volume will stop you from falling backward, that's a hard drug to kick.

If something is too hard to do, then it's not worth doing. You just stick that guitar in the closet next to your shortwave radio, your karate outfit and your unicycle and we'll go inside and watch TV.

Martin Swinger is one of those rare singer-songwriters who excels at everything: singing, songwriting, guitar-playing, and being so present with his humor, tenderness, and wild mind that his performances are also deep conversations, soul to soul and heart to heart, about the quirks, surprises, and love that brings us most alive. His songs, ranging from the little plastic parts that hold the world together, to what enlightenment comes from Buddha and Betty Boop falling in love, are whimsically and wisely original and enduring.

I've always been on a personal mission to save the guitar.

I loved playing the guitar and I knew I was pretty good at it, so that's what I wanted to do with my life.

It's a cocktail-party circuit in D.C., That guy who couldn't master the guitar and get in a band and get laid, he ends up there. Gary Condit make sense to me. He's away from his family, he's in D.C. - if he was a car dealer in the [San Fernando] Valley somewhere out there, he'd be the guy who was trying to get laid by offering you the free undercoating package.

I never met a politician who didn't want to be a guitar player in a rock band. I've got the opportunity to say what I believe in.

But remember, guitar players are a dime a dozen.

We had to sit in this courtroom in Reno for six weeks. It was like Disneyworld. We had no idea what a subliminal message was - it was just a combination of some weird guitar sounds, and the way I exhaled between lyrics. I had to sing 'Better by You, Better Than Me' in court, a cappella. I think that was when the judge thought, 'What am I doing here? No band goes out of its way to kill its fans'.

If you really love guitar, you're going to spend every waking hour stroking the thing.

Playing the guitar, you kind of lock into a rhythm and a groove, and then it relaxes me to make up lyrics and sing.

An uncle of mine emigrated to Canada and couldn't take his guitar with him. When I found it in the attic, I'd found a friend for life.