Quotes About Hear

It saddens me that in many churches today, you hardly hear the name of Jesus being mentioned. Instead, you hear psychology being taught. You hear motivational teachings. You hear 'doing, doing, doing', 'vision, vision, vision' or 'calling, calling, calling'. You hear very little of Jesus Christ and His finished work being taught. Is this what Christianity is about? Your doing, your calling and your vision?

Back then, Pro Tools only had four or eight tracks, so we couldn't actually hear all the tracks. We could only hear eight at a time, so if a song had 25 or 30 tracks, we wouldn't be able to hear it until we went into the studio an put it all on tape. The process was a little bit backwards.

Never hear what somebody thinks about you, you'll live longer. Hear that they're in pain. Don't hear their analysis.

It's always a blast playing the new stuff. But I feel like songs, in a way, are never finished. You get to a point where you're comfortable enough to put a stamp on it and send it out there, but even after recording it, when you're playing it live, you hear different harmonies, you hear different notes, you hear different tempos or peaks and valleys in the song.

I simply couldn’t conceive of how devastating it would be not to be able to hear my children’s voices. Not to be able to communicate with them, to hear them learn, grow, and express themselves verbally. How fortunate, how blessed I am. This overwhelmed me. I can talk to my children, I can respond to their needs and comfort them when they tell me they are unwell. I can tell them stories and hear them tell theirs.

I always talk about the reporters that grovel when they wanna write something that you wanna hear but not necessarily millions of people wanna hear or have to hear.

When you go out and audition, you're going to hear a lot of 'No's.' As weird as it may sound, you almost have to love hearing 'no' because you're going to hear it way more than you hear 'yes'.

I'm giving my fans the songs that they want to hear from me. Why do we love to hear ourselves being downgraded. Why do we love to hear the negative situations that we see in our lives daily? I'm not trying to make sense of it, I'm not giving any solutions, I'm just tossing the question.

There are some stories you can't hear enough. They are the same every time you hear them. But you are not. That's one reliable way of understanding time.

James says that you deceive yourself if you only hear the Word but do not do it. How many people live in this deception their whole life-hearing and hearing, but never even trying to do what they hear!

Jazz is so difficult. A lot of people think once they've learned these licks they can get up and play them for the rest of their life. But that's not being truthful to the music 'cause it's not developing. Cats you hear that don't make no mistakes? They ain't trying to do nothing. everything they hear is on the mark, but they've played it so many times... I've built a whole career out of making mistakes!

I hear about people getting shot all the time. But most of the guys you hear about getting shot pulled through.

for what is the gift of the poet and the artist except to see the sights which others cannot see and to hear the sounds that others cannot hear?

If you hear an old parable and you don't believe it, it's mythology. If you hear an old parable and you believe it, it's religion.

No one wants to hear about how awesome you were; people want to hear about the time you blew it. So I think the longer you do stand-up, the more comfortable you are. You stop wanting to hide your foibles and instead want to show who you are.

I hear voices. A shout. A laugh. Clay's laugh. I strained to see through the night. Fog had rolled in from Lake Ontario, but I could hear him laughing. The concrete turned to grass. The fog wasn't from the lake, but from a pond. Our pond. I was at Stonehaven, bounding through the back acres. Clay was running ahead of me.

Flowers speak to us if we listen. Appreciating the blossom in hand or pausing in the garden to admire the beauty quiets our outer selves till we hear something new, something we did not hear before - the still, small voice of Nature herself.

I hear them mumblin, I hear the cacklin I got em scared, shook, panickin

Music and time have such an interesting relationship. Music makes time fall away like almost nothing else. You hear a song from another moment of your life and it really is like you're still there. That's why the music of our youth ends up being particularly powerful. The coming of age music that you grab a hold of as the symbol or the expression of your independence and hopes for the future and anger and rebellion or whatever it is you're feeling is so powerful for the rest of your life when you hear it.

Choosing an agent is like picking a college. They give you a pitch, you hear what they've got to say, you hear what they're going to do for you. Ultimately it's a good gut reaction.

there are two kinds of music - good music and bad music. Good music is music that I want to hear. Bad music is music that I don't want to hear.

It is a secret known but to few, yet of no small use in the conduct of life, that when you fall into a man's conversation, the first thing you should consider is, whether he has a greater inclination to hear you, or that you should hear him.

Organismic awareness is awareness of the Present only - you can't taste the past, smell the past, see the past, touch the past, or hear the past. Neither can you taste, smell, see, touch or hear the future. In other words, organismic consciousness is properly timeless, and being timeless, it is essentially spaceless.

I hear the birds singing. Listen. I hear them in their cage. The others-all our kind who know of her-they think of her as heartless, but she wasn't heartless. She was only aware of things which I didn't learn till so many decades had passed. She knew secrets that only suffering can teach.

Contrary to popular belief and hope, people don't usually come running when they hear a scream. That's not how humans work. Humans look at other humans and say, 'Did you hear a scream?' because the first scream might have been you screaming inside your head, or a horse backfiring.

I have always been accused of taking the things I love – football, of course, but also books and records – much too seriously, and I do feel a kind of anger when I hear a bad record, or when someone is lukewarm about a book that means a lot to me. Perhaps it was these desperate, bitter men in the West Stand at Arsenal who taught me how to get angry in this way; and perhaps it is why I earn some of my living as a critic – maybe it’s those voices I can hear when I write. ‘You’re a WANKER, X.’ ‘The Booker Prize? THE BOOKER PRIZE? They should give that to me for having to read you.

I get to listen to a lot of this music again doing my DJ work on Little Steven's Underground Garage. To hear Van [Morrison] on Them's version of "It's All Over Now, Baby Blue"- what a vocal, and what an arrangement. Also, I get to hear so many records that I missed the first time around - The Chocolate Watchband, Roky Erikson. It's an audio food fest, a total privilege, a second chance.

I don’t think it would have all got me quite so down if just once in a while—just once in a while—there was at least some polite little perfunctory implication that knowledge should lead to wisdom, and that if it doesn't, it's just a disgusting waste of time! But there never is! You never even hear any hints dropped on a campus that wisdom is supposed to be the goal of knowledge. You hardly ever even hear the word 'wisdom' mentioned!

There are two types of teachers. Those who tell you what you want to hear and those who tell you what you don't want to hear.

When I hear what we call music, it seems to me that someone is talking. And talking about his feelings, or about his ideas of relationships. But when I hear traffic, the sound of traffic - here on Sixth Avenue, for instance - I don’t have the feeling that anyone is talking. I have the feeling that sound is acting. And I love the activity of sound... I don’t need sound to talk to me.

I hate albums that are really happy. When I am really happy, I don't like to hear happy albums, and when I am really sad I don't wanna hear happy albums... and I tend to gravitate towards the lonely and isolated anyway when I write.

They wanted to hear about the sex, of course. But not the rest; no one wanted to hear the rest.

I hear you calling and it's needles and pins (And pins) I want to hurt you just to hear you screaming my name Don't want to touch you but you're under my skin (Deep in) I want to kiss you but your lips are venomous poison

Did you hear that? I didn't hear anything. Put that question another way.

That education is the most important of all professions is a message the public should hear and understand. And, as importantly, a message that our educators need to hear as well.

Rhythms and sounds are often the first thing I hear and want in a poem, so I can't imagine trying to translate something without at least being able to hear what it sounds like.

I guess the negative thing that happens to me is that I'm old now. They said there was a generation I was too young for and now some will say there's probably 10 generations I'm too old for. They'll say, isn't he dead or retired or whatever? Or it just becomes fashionable to say "Oh he's not funny anymore," which, I don't know, maybe to them I'm not. I'm more likely to hear that now than I am to hear that I'm unacceptably risqué.

Two great areas of deafness existed in the South: White Southerners had no ears to hear that which threatened their Dream. And colored Southerners had none to hear that which could reduce their anger.

It's quite hard to have your mom as a teacher - it's like, she's not necessarily a "real teacher" for me. But she'd always teach me to really hear the music, and develop my ear, and to try and hear the harmonics of the piano. That was the main thing.

I don't like the strictly objective viewpoint [in which all of the characters' actions are described in the third person, but we never hear what any of them are thinking.] Which is much more of a cinematic technique. Something written in third person objective is what the camera sees. Because unless you're doing a voiceover, which is tremendously clumsy, you can't hear the ideas of characters. For that, we depend on subtle clues that the directors put in and that the actors supply. I can actually write, "'Yes you can trust me,' he lied." [But it's better to get inside the characters' heads.]

I loved both [Bob] Seger and the Eagles, knowing why they didn't play some of the songs I wanted to hear. But at the same time, they covered all the big bases, and the stuff that most people had heard. But they definitely had a bunch of album cuts that I wanted to hear that they didn't get around to.

I kind of just lost track of laps. I couldn't hear a split. It was just so loud in here everyone was going nuts. I sort of felt like I was a little tired and I said, the people in front of me seem like they are falling off the lead pack a little bit. I should probably make a move. I hear ding, ding, ding, ding and I thought "oh crap! I've really got to go, I've got a lot left.

In 1990 if you heard a song on the radio and you really wanted to hear it again you'd have to buy it on tape or CD. Hearing music doesn't hold that kind of value anymore because anyone can hear it. It's going to become even easier.

listen to me as one listens to the rain, the years go by, the moments return, do you hear the footsteps in the next room? not here, not there: you hear them in another time that is now, listen to the footsteps of time, inventor of places with no weight, nowhere, listen to the rain running over the terrace, the night is now more night in the grove, lightning has nestled among the leaves, a restless garden adrift-go in, your shadow covers this page.

Some things are private. Some things needed to be said, even when the person who needed to hear them couldn’t hear anything. Ever again.

Over what guilty spirit to not hear the beating, to not hear the beating, but only tears of perfect moan, only tears of perfect moan.

Those who cannot hear an angry shout may strain to hear a whisper.

Hear what the artists hear, and listen to the music the way they should, the way I do.