Quotes About Hear

I think right now is when we need to hear different voices coming out of all parts of the world. You can't just hear the politicians and the military leaders. You have to hear from the taxi drivers. You have to hear from the painters. You have to hear from the poets. You have to hear from the school teachers and the filmmakers and musicians.

If rulers learn to undervalue the lives of their own subjects by the custom of war, how much more do they undervalue the lives of their enemies! As they learn to hear of the loss of five hundred or a thousand of their own men, with perhaps less feeling than they would hear of the death of a favorite horse or dog, so they learn to hear of the death of thousands after thousands on the side of the enemy with joy and exultation.

God's ways do not change... Still he shows his freedom and lordship by discriminating between sinners, causing some to hear the gospel while others do not hear it, and moving some of those who hear it to repentance while leaving others in their unbelief, thus teaching his saints that hew owes mercy to none and that it is entirely of his grace, not at all through their own effort, that they themselves have found life.

I always talk about the reporters that grovel when they wanna write something that you wanna hear but not necessarily millions of people wanna hear or have to hear.

To make a live record - something that has a lot of life in it - is difficult. After slaving away for years in the studio, when I hear a No Age record or when I hear Yeah Yeah Yeahs' first EP or when I hear DRI or really early punk stuff, it's just so powerful, so raw - and I know how hard that is to create. It's very deceptive. It's like a Dardenne brothers film - it seems like just a handheld camera following some people around in a trailer park, but it's incredibly difficult to do that.

I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.

There's periods now in our New York residence when I hear the door opening, especially the first couple of years... Anytime I hear that door opening I still think I'm gonna hear her.

When you hear Bach or Mozart, you hear perfection. Remember that Bach, Mozart and Beethoven were great improvisers. I can hear that in their music.

I like you a lot and because I like you, I keep following you. To be honest, I can't hear either. No, I can hear, but I only wanted to hear what I want. That you liked me, that you wanted to be with me.

Some people can't physically hear things. A kid that listens to Metallica or something can't hear that, because he's filled himself up with this stuff, he physically can't hear a banjo or a harp or something.

There are a few people that I always say, "Hey, what do you think of this?" The minute that you know that you want this particular person to hear it, you know that you're pretty much done - although you're doing it to hear some feedback. It's a smart move to know whose ears you want.

If you wanna hear what the people are saying, you can hear what the Rastaman saying.

You can hear a real shift. You listen to the late 80s recordings, you'll hear us engaging with the audience, dealing with the issues surrounding punk shows at the time. Back then, people thought you had to be a skinhead and beat the crap out of everybody when you went to a punk show. Come the early 90s, when you had this so-called grunge stuff and when videos became so dominant, you had this totally huge shift in the culture of shows.

Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, "I could sing that song. I've got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs; it is actually important to do songs they're familiar with. Also, I love those songs. In a way, I think I've changed people's perceptions of what a cabaret show like this could be.

As the truest society approaches always nearer to solitude, so the most excellent speech finally falls into Silence. Silence is audible to all men, at all times, and in all places. She is when we hear inwardly, sound when we hear outwardly. Creation has not displaced her, but is her visible framework and foil. All sounds are her servants, and purveyors, proclaiming not only that their mistress is, but is a rare mistress, and earnestly to be sought after.

When you hear my records today hear a vanilla sounding artist with no black inflection, although I was trying to imitate what I heard.

He thinks great folly, child,' said Aslan. "This world is bursting with life for these few days because the song with which I called it into life still hangs in the air and rumbles in the ground. It will not be so for long. But I cannot tell that to this old sinner, and I cannot comfort him either; he has made himself unable to hear my voice. If I spoke to him, he would hear only growlings and roarings. Oh, Adam's son, how cleverly you defend yourself against all that might do you good!

The thing that amazes me about getting fired is that nobody ever has anything insightful to say about it. They always say the same thing. They always say, 'Everything happens for a reason.' As lame as that sounds, I guess it’s better to hear it out loud. Because when you hear it in your own head, it sounds like, 'Anything can happen with a razor.

Also, the commercial media in a superior position, really, to any other corporate lobby, because where would people hear about commercial media or corporate media criticism, where would they hear criticism of them other than in the commercial media?

I love jokes as much as anyone, but I don't want to hear my snail jokes every day. But I might want to hear a good song every day.

People who won't sign the taxpayer protection pledge, people who won't sign the property-rights protection pledge, people who won't sign the state-sovereignty pledge, who won't put their beliefs in writing, who won't endorse the Freedom Agenda, we should be asking them some very very hard questions. Very hard questions. Because you know what, they get away with it. We hear what goes on in closed doors in Olympia. We hear them say the opposite of what they say publicly.

One-hundred percent, even now I doubt myself. I don't understand what people hear in my voice. I can't hear it myself, if you know what I mean.

Backstreet Boys fans don't want to hear the New Kids singing all of their hits. Just like our fans don't want to hear the Backstreet Boys singing all of our hits.

If you listen to Louis Armstrong from 1929, you will never hear anything better than that really, and you will never hear anything more free than that.

For me, the great joy is to watch an audience watching what I've made. To hear not a peep from the audience at the right moment, and then to hear the laughs and the cheers.

I don't want to hear from a band that pretty much sounds like another band. Oh I've heared this riff before, or I've heared these words that everyone is saying. I want to hear new poetry, new guitar riffs, new drum-beats, new sounds. Then I'm really interested.

Contrary to popular belief and hope, people don't usually come running when they hear a scream. That's not how humans work. Humans look at other humans and say, 'Did you hear a scream?' because the first scream might have been you screaming inside your head, or a horse backfiring.

O hark,O hear! how thin and clear And thinner, clearer, farther going! O sweet and far from cliff and scar The horns of Elfland faintly blowing! Blow, let us hear the purple glens replying: Blow, bugle; answer, echoes, dying, dying, dying.

All my life I've felt on the outside wherever I am - out of the picture, the conversation, at a distance, as though I were the only one able to hear the sounds or words that other's can't, and deaf to the words that they hear. As if I'm outside the frame, on the other side of a huge, invisible window.

I get to listen to a lot of this music again doing my DJ work on Little Steven's Underground Garage. To hear Van [Morrison] on Them's version of "It's All Over Now, Baby Blue"- what a vocal, and what an arrangement. Also, I get to hear so many records that I missed the first time around - The Chocolate Watchband, Roky Erikson. It's an audio food fest, a total privilege, a second chance.

I read the Bible to myself; I'll take any translation, any edition, and read it aloud, just to hear the language, hear the rhythm, and remind myself how beautiful English is.

There is a hush over all Europe, nay, over all the world. Alas! it is the hush of suspense, and in many lands it is the hush of fear. Listen! No, listen carefully, I think I hear somethingyes, there it was quite clear. Dont you hear it? It is the tramp of armies crunching the gravel of the paradegrounds, splashing through rain-soaked fields, the tramp of two million German soldiers and more than a million Italiansgoing on maneuversyes, only on maneuvers!

Did you hear that? I didn't hear anything. Put that question another way.

It is the individual voice, present to itself, that needs to be heard. We need to hear the process of the musician working on himself. We don't need to hear who is more clever with synthesizers. Our cleverness has created the world we live in, which in many ways, we're sorry about.

To me our music is like Jamaican stuff - if they can't hear it, they're not supposed to hear it. It's not for them if they can't understand it.

Generally speaking we don't want to hear from the soul. We want it to just do its job. Unfortunately, in a broken world, it also is broken, and we're going to hear from it because many of the ordinary miseries and extraordinary glories of human life are expressions of the state of the soul.

There was something terrible, but also something sad and melancholy in this long cry uttered by the Russian infantry as they staged an attack. As it crossed the cold water, it lost its fervour. Instead of valour or gallantry, you could hear the sadness of a soul parting with everything that it loved, calling on its nearest and dearest to wake up, to lift their head from their pillows and hear for the last time the voice of a father, a husband, a son or a brother...

Playing two months or more in one city meant new songs all the time. If people paid their dimes to see and hear Sophie Tucker, they didn't want to hear the same songs over and over or see the same clothes.

When we express our needs indirectly through the use of evaluations, interpretations, and images, others are likely to hear criticism. When people hear anything that sounds like criticism, they tend to invest their energy in self-defense or counterattack. It's important that when we address somebody that we're clear what we want back.

What it comes down to, I believe, is that mentoring often involves telling people what they need to hear, rather than what they want to hear. When you are able to be humbly honest with someone about a situation with which you have personal experience-even if you risk angering or hurting that person-you are offering the most valuable gift of all.

Nobody wants to hear how I think I've been mistreated, or how I think my punishment should be lifted, or tweaked, or reduced. Nobody wants to hear me say that, nobody cares what I think about this. I get it.

Interviews, when they are just simply an exercise in hearing what you want to hear, are of no interest. And many, many, if not most interviews have that character. The interviewer who comes in with a list of bullet points they're going to address one after the other. Interviews, properly considered, should be investigative. You should not know what you're going to hear. You should be surprised.

Hear what the artists hear, and listen to the music the way they should, the way I do.

I want to hear the artist. I want to hear them give me something that I can relate to, other than the fact that everything's about bragging.

Learn to be quiet enough to hear the genuine within yourself so that you can hear it in others.

I wouldn't cross the street to hear Ingersoll preach on the mistakes of Moses, but I'd love to hear Moses preach on the mistakes of Ingersoll!

Foreign policy is about US national security, it is definitely not non-intervention. It is definitely not isolationist. That's where people want to hear what they want to hear and not listen to what Donald Trump says. It is about national security for the United States, and that's fine.

To listen is to continually give up all expectation and to give our attention, completely and freshly, to what is before us, not really knowing what we will hear or what that will mean. In the practice of our days, to listen is to lean in, softly, with a willingness to be changed by what we hear.